Tag Archives: preserving

Recipe for an Unfinished Book: Helen Witty’s America Preserved

By Melina Moe

From the Helen Witty Papers, Columbia University Rare Book & Manuscript Library

Yield: One comprehensive book on sweet preserving, “complete enough to be the last word for the next 50 years (or until nuclear winter, whichever comes first).”   

Prep time: At least twelve years (1974–1986), possibly longer.

Status: Unsealed.

Ingredients

  • 1 typed proposal to Sally Kovalchick at Workman Publishing, dated September 30, 1986
  • 1 working list of raw ingredients, “far from complete,” with more than 200 entries
  • 1 food safety testing sheet, annotated in red and black ink
  • Clippings, in quantity, from newspapers and magazines
  • Recipes borrowed, adapted, and attributed from sources spanning centuries
  • Handwritten marginalia, to taste

Method

Among the working papers of food writer Helen Witty (1921–2023), now held at Columbia University’s Rare Book & Manuscript Library, sits a project that never became a book. Witty was a two-time James Beard Award winner, editor at Cuisine and Food & Wine, and author of Better Than Store-Bought (1979) and Fancy Pantry (1986). Her archive documents a career that ranged from editor and recipe developer to authority on American home cooking at a time when the food-writing world was still a small and largely male professional scene.[i] She called one of those unfinished projects America Preserved, and in a 1986 proposal to her publisher described it as “the book on sweet preserving in America.”[ii]

Fig. 1. The food safety testing sheet or the AMERPRE planning page. Image courtesy of author.

It was, in other words, an ambitious book. But perhaps one appropriately scaled to its subject, since preserving is as broad and deep a cooking technique as one could imagine. Evidence of deliberate food drying in the Middle East stretches back to roughly 12,000 B.C.E. The ancient Greeks packed quince in honey; the Romans cooked the two together to produce the ancestor of marmalade.[iii] For most of human history, salting, smoking, fermenting, and sugaring were not cooking techniques so much as serious strategies for addressing the challenge of food logistics– that is, how not to starve between harvests, through long voyages, or on military campaigns. In much of the world, preserving remains an economic necessity. But in the U.S., and likely for Witty’s audience, preserving had undergone a gradual shift toward the enthusiastic hobbyist or serious foodie looking to capture the flavor notes of a season for the less verdant times of year. As the National Center for Home Food Preservation puts it, we have moved “from ‘preserve because we have to’ to ‘preserve because we like to.’”   

Fig. 2. “New Mexico. Mrs. Fidel Romero Proudly Exhibits Her Canned Food” (1946), NARA via Wikimedia Commons.

Preserving has attracted an idiosyncratic cast of historical devotees. Nostradamus, before he was a prophet, was an apothecary who published his Treatise on Cosmetics and Jams in 1555. It was a bestseller featuring cherry jelly “fit to set before a King,” alongside love potions and plague remedies. In the summer of 1898, Marie Curie put up fourteen pots of gooseberry jelly and discovered polonium.[iv]

Witty’s America Preserved intended to carry on this lineage of serious, obsessive preservers. In the archive, we can find her proposed table of contents, which runs several pages: jams, jellies, conserves, fruit butters, marmalades, syrups, fruit pastes, curds, nectars, leathers, spoon sweets, fruits preserved in alcohol, and candied peels. A hand-written annotation suggests she was considering whether sweet-pickled fruits counted as preserves or relishes. Her working list of raw ingredients ran to more than 200 entries. She wanted to cover not just recipes but the science of pectin, the question of sugar substitutes, the uses of a pressure cooker, and the history behind it all: “lore, history, old art, old recipes,” updated for modern cooks in what she called “post-nostalgia” versions.

Fig. 3. “Canning by the cold pack method.” Image courtesy of the Library of Congress.

Like all archives worth their shelf space, though, what her papers illustrate most vividly is how Witty worked. The neatly-labeled folders (“S” for “spoon sweets”) are stuffed with clippings from newspapers and magazines, recipes gathered from other cooks, notes from conversations with food scientists at Cornell and extension agents on Long Island. A food safety testing sheet lists recipes she sent to the Suffolk County Cooperative Extension test kitchen and is annotated “okay” in red ink or flagged for further checking. Those recipes she sent for the students to verify include baked cranberry preserves with orange and cardamom, Bing cherries in a sweet nine-day pickle, Escoffier’s condiment of sweet peppers. Witty’s “personal” recipe collection was archival. She was a collector who tested, tasted, selected, innovated, annotated, and eventually shared her recipes in cookbooks. This is appropriate for a book that winkingly aspired to be “complete enough to be the last word for the next 50 years (or until nuclear winter, whichever comes first),” since the long history has always contained such borrowing and inheritance, with recipes across fences and through generations, each cook adjusting the sugar, swapping the spice, making it theirs. Witty’s book didn’t come to fruition, though it is preserved in her archive, which, like a garden in September, shows she may have had too many good things on her hands at once.

 

[i] Helen S. Witty Papers, MS#2106, Rare Book & Manuscript Library, Columbia University. The guide to the boxes was compiled by Anne E. Witty, September 2022.

[ii] Helen Witty to Sally Kovalchick, September 30, 1986, Helen S. Witty Papers, MS#2106, Box 7.

[iii] For a lively overview, see Sue Shephard, Pickled, Potted, and Canned: How the Art and Science of Food Preserving Changed the World (New York: Simon & Schuster, 2001).

[iv] Susan Quinn, Marie Curie: A Life (New York: Simon & Schuster, 1995). See also Rebecca Rupp, “Jam: Chemistry and Cool in a Jar,” National Geographic, 2021.


Melina Moe is the Curator of Literature at Columbia’s Rare Book & Manuscript Library, where the Helen S. Witty papers are held.

The King of Fruits: Pineapples and Class Culture in British Cookbooks from 1661-1850

By Elizabeth Schmidt

In 1789, John Taylor sent a pineapple to his mother Jean in Scotland; the pineapple was from his cousin’s plantation in Jamaica, where John lived and worked as a merchant. Not having seen the fruit before, Jean turned to friends for guidance. On November 20, she wrote to John: “I have not looked in to the Pine Apple yet as they tell me its only to show out a Grand Table & not to be eat.” Four months later she added, “I do not intend to open the Pin Apple till you Come.” Laying on maternal guilt to convince him to return for a visit, she promised John a party in his honor where the pineapple could sit center stage.

Native to South America, the pineapple was cultivated by Indigenous peoples across the Caribbean. The plant was called hoyriri or anona by the Tupi, and iaiama by the Taino. Columbus and his crew were probably the first Europeans to taste the fruit in Guadalupe, and they brought back a case of pineapples for King Ferdinand and Queen Isabella. Only one survived unspoiled enough to eat, but King Ferdinand declared it his favorite fruit after just one taste. In England, the first pineapple was presented to the king somewhere around 1661, a “queen-pine” from Barbados.[1] The fruit is quite beautiful: the hexagonal eyes around the body grow in a spiral sequence that are often cited as a three-dimensional representation of the Golden Ratio, and the leaves on the top of the pineapple are commonly referred to as its “crown.”[2]

In a painting by Hendrick Danckerts, ca. 1675-1680, King Charles II is presented with a pineapple. Image courtesy of Wikimedia Commons.
In a painting by Hendrick Danckerts, ca. 1675-1680, King Charles II is presented with a pineapple. Image courtesy of Wikimedia Commons.

Why did Jean’s friends tell her it was not to be eaten, and only “to show”? Even today, producers harvest and ship pineapples before they are perfectly ripe to ensure that the fruit reaches its destination while still attractive, since ripe fruit bruises easily and rots quickly. Unfortunately, once a pineapple is harvested, it does not continue to ripen.[3]

In eighteenth-century Scotland, Jean’s pineapple would have looked attractive but tasted terrible. Cookbook authors capitalized on this, offering instructions to preserve pineapples whole for repeated display. First seen in Elizabeth Raffald’s The Experienced English House-keeper (1769), preservation recipes were offered for readers who desired pineapple centerpieces. The fruit was brined for five days in saltwater, then boiled in a saucepan with the brining liquid. Then, the sugaring process began: the cook would submerge the pineapple in a thin sugar syrup for a week, remove it, re-boil the syrup, and then submerge again. This process was replicated over eight to ten weeks, with the syrup re-boiled two or three times in that period to prevent molding. Francis Collingwood refined these instructions in The Universal Cook and Country Housekeeper (1792): the pineapple was left in the jar for six to eight weeks, re-boiling the syrup every week. The final instruction was to remove the pineapple from the jar and cover it with a thick, cool, sugar syrup that had been boiled with slices of ginger, a natural preservative. According to Raffald and Collingwood, a pineapple preserved in this way would “keep several years, if tied down close with a bladder.” This preservation process had been used on fruit in Europe since the fourteenth century. Preservation played a key role in both cuisine and medicine through the eighteenth century, especially as diet remained a key element in managing health.[4]. In fact, Collingwood’s 1792 cookbook had similar instructions to preserve cherries with their stalks and leaves to “make a very pretty appearance in a desert [sic] by candle-light.”

By the mid-eighteenth century, aristocrats could buy pineapples grown in “pine-houses” rather than imported from the Caribbean. Dutch horticulturist Agnes Block experimented with propagating new pineapple plants from the crown of the fruit and successfully produced the first European-grown specimen in 1687. Later, horticulturists realized they could import whole plants from the West Indies: the plant is drought-resistant and capable of storing water in its leaves to keep it alive.[5] Soon elite estates across Britain built their own pine-houses. Cookbooks aimed at the upper classes introduced recipes for pineapple desserts as early as 1732, when Richard Bradley included a pineapple tart in The Country Housewife and Lady’s Director. In 1770, Borella’s The Court and Country Confectioner, a book clearly aimed at either royal or aristocratic houses, included two recipes for “Anana, or Pine Apple Cream Ices.” By the mid-nineteenth century, pineapple recipes were much more numerous yet still aimed at the upper classes. Charles Francatelli’s The Modern Cook (1846) had ten recipes with pineapple, including fritters, souffles, and brioche. Yet Francatelli was the chef to Queen Victoria, and his cookbook did not purport to be written for the average English housewife.

The practice of displaying pineapples continued long after recipes were developed for baking them into sweet treats. In P. Masters’s Young Cook’s Assistant, and Housekeeper’s Guide (1841), the recipe for “Pine Apple Cream” tells readers that “the pine must be quite ripe – one too ripe for the table will do for this purpose.” Cookbooks authored for the “middling classes” kept including the preservation recipe first written by Raffald, as pineapples remained quite expensive. A 1787 memoir of a London actress tells the story of finding pineapples for sale for one pound per fruit. The author remarks of the actress that “for the first time since I knew her, she declined to gratify her inclination at such an expence.”[6] At the coronation of King George IV in 1821, hundreds of hothouse pineapples were purchased for the banquet.[7] Some were certainly eaten, but others were displayed on tables as exotic centerpieces, as showcased in a painting of the event by Denis Dighton (1821)

The Third and Last Challenge by the Champion during King George IV's Coronation Banquet in Westminster Hall (1821). At intervals along the table, you can see the yellow pineapples with their green crowns. Image courtesy of Wikimedia Commons.
The Third and Last Challenge by the Champion during King George IV’s Coronation Banquet in Westminster Hall (1821). At intervals along the table, you can see the yellow pineapples with their green crowns. Image courtesy of Wikimedia Commons.

So, while John probably thought he was sending his mother an exotic, expensive, and exciting gift, he actually sent her a project: a fruit that required significant labor to transform it into a centerpiece she could showcase.
*****
Elizabeth M. Schmidt is a recent PhD from the University of California Santa Barbara specializing in British Atlantic foodways of the eighteenth century. From roast beef to turtle soup, she researches the intersection of eating and identity during the Age of Revolutions and imperial turmoil. Using microhistories of figures like sailors, military generals, merchants, and housewives, she explores the impact of foodways on discussions of identity, belonging, inclusion, and exclusions. Elizabeth also enjoys cooking historical manuscript recipes, translating eighteenth and nineteenth century instructions, measurements, and tools into their modern equivalent to learn what she can about culinary knowledge and labor.

[1] Kaori O’Connor, Pineapple: A Global History (London: Reaktion Books, 2013), 17-20.

[2] Judithlynne Carson, “Fibonacci Numbers and Pineapple Phyllotaxy,” The Two-Year College Mathematics Journal 9:3 (June 1978): 132.

[3] Fran Beauman, The Pineapple: King of Fruits (London: Chatto & Windus, 2005), 6.

[4] Anne Stobart, Household Medicine in Seventeenth-Century England (London: Bloomsbury Academic, 2016).

[5] Bauman, The Pineapple, 31; O’Connor, Pineapple, 24.

[6] Elizabeth Steele, The Memoirs of Mrs. Sophia Baddeley. Late of Drury-Lane Theatre (Dublin, 1787), 90.

[7] Sir Roy Strong, Coronation: A History of Kingship and the British Monarchy (London: Harper Collins, 2005), 33; James Jennings, Two Thousand Five Hundred Practical Recipes in Family Cookery (London, 1837), lv.