Tag Archives: Julia Martins

‘A Few Drops of Milk Will Do’: Breast Milk as Medicine

The traditional Madonna lactans: the breastfeeding Mary. Madonna Litta, attributed to Leonardo da Vinci © Wikimedia Commons.
The traditional Madonna lactans: the breastfeeding Mary. Madonna Litta, attributed to Leonardo da Vinci © Wikimedia Commons.

By Julia Martins

A few weeks after my baby was born, I noticed her tear ducts were blocked. Echoing Galen, the midwife suggested a few drops of breast milk to help treat and open the ducts. A few days later, the problem was solved, much to my astonishment. If you Google medical uses for breast milk, you might be surprised at the number of articles mentioning it as a treatment for ear infections, eczema, acne, eye problems, and many other conditions in babies. While most of this evidence is anecdotal, we know breast milk has antimicrobial properties, so it may indeed help.

Using breast milk as medicine is nothing new, however. Nor is it only a Western phenomenon, with human milk being used in imperial China. For centuries, medical recipes (especially those in the vernacular tradition) contended that menstrual blood in its concocted form of breast milk could be used to treat a myriad of conditions. Vernacular books published for a broad readership, such as Thomas Reynalde’s The Birth of Mankind, a 1540 adapted version of the 1513 German midwifery manual Rosengarten by Eucharius Rösslin, contained many recipes using human milk. As a general reproduction and fertility manual, Reynalde’s book also contained advice about childrearing and how to treat childhood ailments. So, when discussing the swelling of infants’ eyes, Reynalde recommended a mixture containing ‘woman’s milk’. He also suggested putting amber dissolved in breast milk inside the child’s nose.

Reynalde’s breast milk medicines for infants, used for ailments ranging from hiccups to stomach issues and sleeping problems, were not unusual. Like many entries in the book, these uses were taken from Ibn Sina’s Canon or Rhazes’ Practica Puerorum. Other early modern books contained milk in their recipes, such as John Gerard’s and John Partridge’s formulas to provoke sleep. As in The Birth of Mankind, these were books aimed at a wide readership, to be primarily used in a domestic setting.

As a readily available, free resource, breast milk was not only recommended for treating children. Since antiquity, it was thought that milk could also answer questions about what the pregnant body contained. In a passage copied from Ibn Sina, Reynalde told readers how breast milk could be used to determine the sex of the unborn child:

But if ye be desirous to know whether the conception be man or woman, then let a drop of her milk, or twain, be milked on a smooth glass or a bright knife, other [or] else on the nail of one of her fingers. And if the milk flow and spread abroad upon it by and by, then it is a woman child. But if the drop of milk continue and stand still upon that the which is milked on, then it is a sign of a man child.

Female trunk, from The Birth of Mankind. © Wellcome Collection.
Female trunk, from The Birth of Mankind. © Wellcome Collection.

Human milk could even be used to treat the one giving birth. Following a difficult birth, early modern people believed that abscesses and other problems could be healed with medicines containing human milk. Reynalde also told readers how, if the foetus died in the womb, drinking breast milk (albeit from another woman) might help someone to ‘expel the dead birth’. This belief was probably inherited from the medieval tradition, such as the Trotula, reminding us of the many continuities in the history of medicine.

‘Woman’s milk’ was not the only kind of milk used in early modern recipes. For instance, in Alessio Piemontese’s Secrets, another best-selling vernacular book published in the period, Piemontese recommended that women drink mare milk to facilitate conception. The milk from a dog just delivered could induce labour in women whose babies had died and needed to be expelled; this resembled the recipe using another woman’s milk. The symbolic association between ‘mothers’ meant that animal milk could have similar effects to human milk, working sympathetically to produce the desired goals.

In early modern medicine, humoral theory played a crucial role in understanding the body and reproduction. In its concocted form of breast milk, menstrual blood was often found in recipes published in the vernacular. Even though human milk as medicine seems to have been more prevalent among laypeople who read and wrote in the vernacular than in higher, more educated circles, such as university physicians, it is important not to trace too sharp a divide between ‘learned’ and ‘popular’ traditions, with perceptions about menstrual blood and breast milk varying widely. However, it is comforting to think of the links between Ibn Sina, 16th-century vernacular books, and what I was told as a new mother that I could do to help my baby, even if the reasons behind these recommendations have changed.

References:
Gerard, John. Herball, or Generall Historie of Plantes. London: 1597.

Partridge, John. The Widdowes Treasure. London: 1595.

Piemontese, Alessio. De’ secreti del reverendo Donno Alessio Piemontese. Milan: 1559.

Rhazes, The First Treatise on Pediatrics [Practica Puerorum], translated by Samuel X. Radbill. American Journal of Diseases of Children 112.5 (1971): 369-76.

Reynalde, Thomas. The Birth of Mankind: Otherwise Named, The Woman’s Book. Edited by Elaine Hobby, Farnham: Ashgate, 2009 (originally published in 1540).

Rosslin, Eucharius. Der Swangern Frauwen und Hebammen Rosegarten. Strasbourg: 1513.

Ibn Sina, The General Principles of Avicenna’s Canon of Medicine [Liber Canonis]. Translated by Mazhar H. Shah. Karachi: 1966.

The Trotula: A Medieval Compendium of Women’s Medicine. Edited and translated by Monica Green. Philadelphia: 2001.

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Julia Martins is a PhD candidate in History at King’s College London. Her thesis focuses on the translation of early modern recipes about the female body and reproduction (‘secrets of women’) from Italian into French and English. Her research is about how medical knowledge was changed as it circulated in print in sixteenth- and seventeenth-century vernacular books of secrets, and what these modifications can tell us about the way gender and the sexed body were understood in the period. Julia’s research interests are gender history, the history of medicine, and recipes literature.

From Dificio di ricette to Bâtiment des recettes: The Afterlife of Italian Secrets in France

By Julia Martins

Title page of the 1574 edition of the Opera nuova intitolata dificio di ricett. Image from Archive.org. 

In 1525 a book called Opera nuova intitolata dificio di ricette was published in Venice. The book promised to reveal all kinds of secrets to the reader, from cosmetic to medical recipes. This anonymous Italian best seller (which we may call in English ‘Palace of Recipes’) was a collection of 187 short and straightforward recipes, most of them only 5 or 10 lines long. The printer combined utilitarian and pragmatic secrets (including treatment of everyday ailments) with playful elements. Indeed, a taste for the wonderful and a desire to entertain guests were a vital component of this book. After all, the printer included instructions to perform magic tricks such as ‘how to make a candle burn under water’. The work was a commercial success in Italy, and was reprinted 28 times in the forty years after its publication.

The Dificio di ricette also circulated across Europe in many different languages, giving it a truly Pan-European flavour. The work was translated into French in 1539 and in 1545, also translated into Dutch via the French translation. This kind of indirect translation was common in the secrets genre. As William Eamon has shown, Alessio’s Secrets were also translated in English through the French translation. It is notable that in both cases, the French translation served as a cultural and linguistic mediator and it was in France that the Palace of Recipes reigned supreme.

Title page of the Bâtiment des Recettes, printed in Paris by Jean Ruelle in 1560
Title page of the Bâtiment des Recettes, printed in Paris by Jean Ruelle in 1560

Titled the Bâtiment des recettes, the French edition of the work found even greater success than the Italian one. Between its first French publication in 1539 and the final edition in 1830, the book was published 60 times. The main reason for this enduring success is probably the fact that, in 1631, the Bâtiment des recettes was added to the series of books printed in Troyes and commonly known as the ‘Bibliothèque Bleue’, since all the editions had blue covers. This collection of cheaply printed booklets included many books of secrets, and the Bâtiment des recettes continued to be sold in France until well into the 19th century.

What makes the Bâtiment des recettes so interesting is that it is not simply a translation of the Dificio di ricette. Rather it is a collection of different texts, themselves anonymous compilations of recipes. These include a collection of 26 ‘Secrets Specially Proposed for Women’ added by the printer Jean III Du Pré in 1539 and the ‘Pleasant Garden’ (Plaisant jardin) added in 1551. A translation from Italian, the ‘Pleasant Garden’ consisted of 202 varied medical recipes ‘developed by doctors very experts in physic’. Therefore, this 1560 edition contained more than double the number of recipes in the original Italian Palace.

Of the many editions of the Dificio, the 1560 French edition proved particularly popular and was most reprinted. Recently, Geneviève Debloc published an annotated critical edition of the 1560 edition of the Bâtiment des recettes. This is a very useful tool for historians, tracing the several different additions and suppressions in the Bâtiment des recettes throughout its four centuries of history, as well as providing us with tables that offer a systematic account of the ingredients used in the recipes (see my review here).

Thanks to digitisation and new critical editions, a growing number of early modern sources are becoming more easily accessible to scholars. We can compare and contrast complex texts, as in the case of the Dificio. Through a bibliographical approach, we are given the opportunity to read an important primary source in the history of knowledge in a new way – at the crossroads of the history of the book and the history of technologies in tracing the evolution in the composition of the text (including paratextual materials and changes in vocabulary), it is possible to understand how multiple agents were involved in the production of the book, from translators to printers. The Bâtiment des recettes can therefore be understood as both process and final product of these interventions. Through its fragmentary and polymorphic constitution, this re-edited recipe book gives us compelling insight into early modern life in France and Italy and its medical practices.

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Julia Martins is a PhD student at the Warburg Institute in London. Her research focuses on recipes about female fertility in Italian books of secrets (as well as their translations) from 1555 to 1700. Her aim is to show how knowledge about “women’s secrets” circulated in early modern print, drawing a comparison between Italian and French books of secrets and English midwifery manuals.