A Black Rooster and the Angel of Dread: Jewish Magical Recipes Against Fear

By Andrea Gondos

Illness and a desperate longing for wellness and healing defined Jewish magical recipes books, written in a thriving manuscript culture of practical Kabbalah that existed alongside printed works in Jewish communities of East-Central Europe in the seventeenth and eighteenth centuries.[i] These manuscripts, many of them cherished by their compilers, played an important role in recording, accumulating, and subsequently transmitting knowledge about the natural and the supernatural worlds. As recipe compilations, they include lists of ingredients that are accompanied by detailed instructions directed at a practical goal, which in this case aimed to improve a person’s material and spiritual wellbeing. The writers of these amulets were collectively called ba’alei shem[ii] or masters of the (divine) name who deployed experiential types of knowledge in combination with traditions of angelic and divine names. These expose a holistic outlook based on the careful alignment and calibration of three interrelated spheres of human existence: the religious, derived from prayer and proper conduct; artisanal knowledge of the natural world, the unique qualities of herbs, plants, and animal substances; and the mastery of supernatural forces and processes by wielding power over demons, forces of impurity, and astrological influences.  The acquisition of this unique type of expertise, enumerated in these magical recipe books, bequeathed upon its master extraordinary powers and charisma. Here, I will survey three visually interesting amulets designed to counteract demonic forces that were believed to cause negative mental and emotional states such as fear.

Image courtesy of The National Library of Israel, MS 38 3279, fol. 109v: an amulet against fear for a child.

 

“[An] amulet for a child gripped by terror. It should be hung on the child and her/his name should be written on it; he can also hang on the child the foot of a black rooster.”

A curious ingredient and technique presented in this recipe is the use of charaktêres, or angelic alphabet, that was meant to directly command and address specific angelic interlocutors to produce a desired outcome.[iii] Defined as “an alphabetic sign or a simple ideogram which does not belong to any of the alphabets used in that specific magical text, or to any known system of meaningful symbols,”[iv] charaktêres constituted a form of linguistic magic and were frequently deployed through cross-cultural borrowing and adaptation in a variety of cultural settings, including Judaism, from Antiquity to modern times.

Another recipe that addresses fear was supposed to be written on parchment made from a kosher animal, one that was considered in compliance with Jewish dietary laws. Here the visual element is the formation of a square from the angelic name PAHAD’EL, which is a composite of the words ‘fear’ (pahad) and God (‘El). At the upper corners of the recipe, on the left and right sides, two additional angelic names are indicated: Hasadi’el (left), and Rahami’el (right). Both names are cognates of mercy, thus visually these two merciful angels flank the Angel of Dread (Pahad’el) overpowering and diminishing its negative effect on the person, who is gripped by fear. When confronted by the debilitating effects of mental distress, such as fear or dread, the Jewish shaman thus had recourse to a cache of magical modalities to affect healing. Ingredients here are comprised of a magic square, letter mysticism, alongside theoretical elements of Jewish mysticism, the Kabbalah, which invokes the mystical principle of containment. Accordingly, the demonic powers of the left side of the divinity need to be included, encompassed, and subsumed in the right, the sacred aspect of God. Kabbalistic theosophy places great emphasis on the idea of tricks and ruse to co-opt the dark forces of the left, instead of confronting them directly; this conceptualization is visually demarcated in the diagrammatic features of this recipe formula.

Image courtesy of The National Library of Israel. MS 8 1070, fol. 31r

 

In the final recipe for fear, food and plant substances, bread and garlic, are promoted as effective therapeutic ingredients to overcome this negative emotional state. This particular compilation does not contain any distinctly Jewish elements. Rather, it draws on more common cross-cultural practices, which are adopted and offered as part of a ba’alei shem’s stock of natural remedies:

“For one who goes out at night so he would not fear evil spirits even in a place of danger: He should take a loaf of bread in his right hand and in his left hand some garlic, and no harm will come to him, God willing, who saves and protects.”

Image courtesy of The National Library of Israel. MS 8 1070, fol. 11v

 

The above recipes which were offered as panacea against fear, a form of mental distress, highlight the multiplicity of approaches that ba’alei shem in East-Central Europe took to alleviate the debilitating grip of negative states of the mind. While some recipes display theoretical, particularistic, and more elite forms of knowledge, other variants for the same illness exhibit a more universal, folkloristic, and popular stance.

 

[i] See Agata Paluch, “Practical Kabbalah and Practical Knowledge: Kabbalistic Manuals and Natural Knowledge in Early Modern East-Central Europe,” History of Knowledge, April 11, 2019, https://historyofknowledge.net/2019/04/11/practical-kabbalah-and-practical-knowledge-kabbalistic-manuals-and-natural-knowledge-in-early-modern-east-central-europe/.

[ii] On ba’alei shem, see Yohanan Petrovsky-Shtern, “The Master of an Evil Name: Hillel Ba’al Shem and His Sefer ḥa-Heshek,”AJS Review 28.2 (2004): 217–248; and Immanuel Etkes. The Besht: Magician, Mystic, and Leader, translated by Saadya Sternberg (Hanover and London: Brandeis University, 2005).

[iii] Gideon Bohak, “The Charaktêres in Ancient and Medieval Jewish Magic,” Acta Classica Universitatis Scientiarum Debreceniensis, 47 (2011): 25-44.

[iv] Ibid., p. 25.

 

 


About

Andrea Gondos’s scholarship has focused on knowledge organization and transmission reflected in early modern study guides in the field of Kabbalah. Currently, she is a Postdoctoral Research Associate in the DFG-Emmy Noether Research Group “Patterns of Knowledge Circulation” at the Institute of Jewish Studies, Freie Universität Berlin, where she examines the conceptualization of the female body, gender, and reproductive health as expressed by Jewish male healers in early modern manuscripts of magic in East-Central Europe.