Tag Archives: immigrant

American Studies, Family and Household, Modern, Posts, Recipes and Recipe Books, Spring 2026, Women and Gender

The Poet’s Table: Recipes of the Sandburg Family

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By Madi Duran

When it comes to the eating habits of poet Carl Sandburg’s family, we know that they generally enjoyed hearty meals made from simple, homegrown ingredients. Fresh baked bread, hearty stews, and plenty of products made from Mrs. Lilian Sandburg’s prized Chikaming Dairy goats’ milk were the norm for the family at Connemara, their home in Flat Rock, North Carolina. We have few recipes written by the family in the collection, with most of our knowledge about their eating habits coming from oral histories with the daughters and grandchildren after Carl Sandburg’s death in 1967. However, scanned copies of recipe cards provided by his daughter, Helga Sandburg Crile, and granddaughter, Paula Steichen Polega, for the reference files at the Carl Sandburg Home National Historic Site show how Mrs. Lilian Sandburg integrated recipes learned from her Luxembourgian parents and ones honoring her husband Carl’s Swedish heritage into their lives. There are also instructions written by Mrs. Sandburg herself for making goat cheeses in various styles, like a simple cooked cheese and a nut Neufchâtel, and her well-used copy of The Settlement Cookbook (1901).

Fig. 1. Recipes for Oma’s grape wine and a dandelion wine, copied for the Park reference files by Helga Sandburg Crile in May 1991.

A recipe for dandelion wine points back to Mrs. Sandburg’s European immigrant parents, the Steichens. Dandelions were brought by European colonists in the 1600s, both as a source of edible greens and as a means to make a cheaper alternative to grape wine.[i] A grape wine recipe, passed down by “Oma,” the German word for grandmother and used by the Steichens to refer to Mrs. Sandburg’s mother, is accompanied by a note urging the recipient to “keep this in verry [sic] save [sic] place as it is verry [sic] good resepie [sic].” Another recipe for cold borscht is specifically labeled as coming from the Steichens, and a pound cake is also accompanied by “Oma” in parentheses.

Fig. 2. A collection of Swedish Christmas cookies copied at an unknown time, likely by Helga Sandburg Crile.
Fig. 3. A recipe for Mrs. Sandburg’s favorite German pfeffernüsse cookies, typed for the Park by her granddaughter Paula Steichen Polega in 1979.

When it comes to holiday fare, a variety of Swedish cookie recipes have been saved, an homage to Carl Sandburg’s Swedish heritage: Swedish butter cookies, spritsar, and one recipe card simply labeled “Swedish Christmas Cookies” that call for warming spices and molasses, like a gingerbread but without any ginger. However, Mrs. Sandburg’s heritage is evident in a much-beloved recipe for pfeffernüsse that her granddaughter, Paula Steichen Polega, passed on to the park with the remark that it was “Mrs. Sandburg’s favorite.” It seems only fitting that the family made efforts to reconnect with their heritage during the holidays, a time for celebration, togetherness, and remembrance.

Fig. 4. A recipe for “Connemara Custard” copied for the Park reference files by Helga Sandburg Crile in May 1991.

The recipes documenting various uses for goat milk reflect Mrs. Sandburg’s dedication to bettering the dairy goat industry, including her own award-winning Chikaming Dairy herd, and desire to make goat milk a mainstream alternative for traditional dairy products. Even in basic recipes one can find evidence of her family’s flavor profile — anise and nutmeg appear in almost every cookie recipe, and anise makes an appearance in the recipe for cooked cheese written by Mrs. Sandburg. A custard recipe is modified into “Connemara Custard” by substituting goat milk for condensed milk. The recipe for a nut Neufchâtel, a cheese believed to date back to sixth-century Normandy,[ii] is also reimagined as a goat dairy product by Mrs. Sandburg from their days in Harbert, Michigan.

Fig. 5. A recipe for Nut Neufchatel goat cheese created by Mrs. Sandburg pre-1945 and distributed as part of her dairy goat operation, Chikaming Goat Farm, copied for the Park reference files by Helga Sandburg Crile in May 1991.

While we do not have many written recipes for the Sandburg family, what we do have illustrates how Mrs. Sandburg blended hers and her husband’s cultural backgrounds into memorable foods for her family and her ability to adapt recipes for her own health and benefit with goat dairy products. Some additional recipes used by the family can be found on a park webpage that references Lizzie Black Kander’s The Settlement Cookbook,[iii] a staple in the Sandburg home that can be seen in the kitchen in the historic house museum. Originally created for immigrants in Milwaukee, Kander’s work combined traditional Eastern European and American recipes.[iv] The use of this book also points to both the Sandburg and Steichen families’ lived experiences as European immigrants settling in the American Midwest — though they were in Illinois and Michigan, respectively, rather than Wisconsin. The use of The Settlement Cookbook, further exemplifies the efforts Mrs. Sandburg made to honor her and her husband’s European heritage and their lived experiences as first-generation Americans.

Figs. 6 and 7. Photographs of the Sandburgs’ copy of The Settlement Cookbook on display in their kitchen at Connemara.

At the Carl Sandburg Home National Historic Site, we have a varied collection that shows a life well-lived. As the final home of an illustrious author, Connemara includes thousands of books on display and a large archival collection in our repository, but also, uniquely, the evidence of the Sandburgs’ mundane daily life, which sets it apart from other collections. Half-smoked cigars, tens of thousands of annotated bookmarks, and unfinished knitting projects are just some of the artifacts left behind by the Sandburg family. Recipes, too, tell a part of their story. Though the original recipe cards remain in the hands of descendants, the scanned copies in our reference files and the copy of The Settlement Cookbook reveal staples of the family’s diet as well as foods chosen for special occasions like Christmas, showcasing their values and heritage through their diet.

[i] Kate Dingwall, “Summery, Sweet and Refreshing: Get to Know Dandelion Wine,” Wine Enthusiast, May 17, 2024.

[ii] Ma. Luisa De Guzman, “Neufchatel Cheese,” What Cheese, March 5, 2024.

[iii] Leah Koenig, “As American as Pot Roast and Potato Salad,” Tablet Magazine, April 20, 2016.

[iv] Leah Koenig, “As American as Pot Roast and Potato Salad,” Tablet Magazine, April 20, 2016.

Madi Duran is a Museum Technician at the Carl Sandburg Home National Historic Site in Flat Rock, North Carolina. She has had a love of museums ever since she was a child and has been volunteering and working at museums since she was in high school. In 2020 she graduated from St Olaf College with a degree in Art History, and went on to complete her master’s in Museum Studies through the University of Oklahoma’s online program in 2024. She started as an intern at the Carl Sandburg Home NHS in 2021 and began working as a National Park Service employee in 2024. She loves sharing information about the collection and Sandburg family with the public through the park’s official social media pages, speaking to visitors, assisting researchers, and sharing information through publications like this one!

Emotion, Food and Drink, Ingredients, Modern, Summer 2024

“It Tastes/Smells like Home!”: Memory, Food Nostalgia & the Immigrant Experience

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By Annima Bahukhandi
British-Iranian food writer, Yasmin Khan, opens her recipe book, “The Saffron Tales: Recipes from the Persian Kitchen” (2016), with a frank admission of her lifelong obsession with pomegranates. She fondly recalls the multi-sensory pleasure of eating pomegranates—from the visceral feel of the fruit’s leathery skin, to the crunch of the pomegranate pearls, to the deep red color that stains hands, tongue, fingers, and even clothes. For her, pomegranates transport her back to the warmth of Iranian culture and cooking, a stark contrast to the negative portrayal of Iran in the British culture she grew up in.

Ripe pomegranate. Image Credits: Pexels
Ripe pomegranate. Image Credits: Pexels

Cooking and consuming food is not only a subjective sensory experience but also a cultural and political assertion of diverse ways of living. In this piece, I explore food ingredients as powerful signifiers of gastro-nostalgia and as sites for the construction and reconstruction of immigrant, intergenerational cultural identities. The 21st century is witnessing more people moving away from their natal homes and regions than ever before. For many refugees and exiles, their migration is a question of survival, while others move away for better lifestyles or work aspirations. Despite untethering from their geographic homelands, individuals keep the psychological representation of home alive through cultural practices like food habits, language, and everyday lifestyle. Food, in particular, plays a crucial role in evoking cultural identity due to its multi-sensory impact, imbued with intrapsychic and interpersonal meanings. 

David E. Sutton, in his seminal work “Remembrance of Repasts” (2001), argues that food and memory are perfectly intertwined when exploring identity, as both encode powerful hidden meanings. Food evokes strong gustatory and olfactory memories, nourishing us both visceral and intra-psychically. For members of diaspora communities, even a single food item can evoke a deep connection to one’s homeland. For example, many Koreans go to great lengths to carry their mother’s homemade kimchi, regardless of its pungent smell. 

For many Indians traveling abroad, carrying homemade pickles and ghee (clarified butter) helps them stay rooted in their home culture. For Tibetan refugees exiled from their homeland for decades, eating tsampa (roasted barley flour) with salted butter tea maintains their connection with their homeland.

Tibetan butter tea served with tsampa cakes. Image Credits: Wikimedia Commons
Tibetan butter tea served with tsampa cakes. Image Credits: Wikimedia Commons

Social media is a powerful site where diaspora identity and cultural reproduction are consolidated through the popularization of food networks, food bloggers, and channels celebrating indigenous, local, and lesser-known cuisines. Indian food representation is a prime example, as Indians form one of the largest and most diverse diasporas globally. For decades, the global representation of Indian cuisine has been limited to a narrow Northern Indian scope, with dishes like butter chicken, naan, and dals synonymous with Indian food. Yet, for most Indians in the southern, eastern, and western parts of the country, these dishes are far from their everyday home meals.

Fresh kokum flower. Image credits: Wikimedia Commons
Fresh kokum flower. Image credits: Wikimedia Commons
Kokum drink which is sweet and tangy and usually served cold. Image credits: Wikimedia Commons
Kokum drink which is sweet and tangy and usually served cold. Image credits: Wikimedia Commons

It is heartening to see a widening space where regional cuisines thrive online, emboldened by diaspora desiring the visual and gustatory appeal of their ancestral foods. Much like regional cookbooks, social media sites like Instagram, Facebook and Youtube have become powerful visual cookbooks preserving and spreading cultural cuisines while also creating communities of succor through gastro-nostalgia. 

For the Indian diaspora which has diverse food histories linked to their specific regional identities, social media has allowed for many under-represented dishes and ingredients to find a larger audience. Many home cooks and chefs in India and abroad now emphasize their regional identity and bring hyper-local ingredients to the fore—kokum (garcinia flower) in Konkani cuisine, sattu (roasted gram flour) in Bihari cuisine, bamboo shoots in Naga cuisine, and kulith (horsegram lentil) in Garhwali cuisine.  While many of these ingredients are often shared across multiple cuisines, yet it is their unique usage or over-presence in one’s own cuisine that strongly connects these ingredients to one’s geographic and psychological sense of rootedness.  

Kulith lentils. Image credits: Wikimedia Commons
Kulith lentils. Image credits: Wikimedia Commons

Sutton recounts the nostalgia for “patridha” (greek for homeland) that the fragrance of a basil plant evokes in many Greek immigrants living away from their homeland. He argues that objects can become more powerfully loaded with identity when experienced in new or different contexts, crossing boundaries of nation-states and cultures. In a similar view, in this piece I talk about ghee making as a gastro-nostalgic exercise for me, recalling subjective memories of my grandmother’s cooking as well as evoking larger cultural imagery of my under-represented Garhwali identity.  

Homemade Ghee. Image credits: Wikimedia Commons
Homemade Ghee. Image credits: Wikimedia Commons

For many of us, uprooted or not yet fully rooted, familiar food ingredients operate like transitional objects, soothing our anxieties and giving us a sense of safety as we navigate unfamiliar experiences. Basking in the fragrance, touch, and taste of familiar ingredients often creates a sense of wholeness in an increasingly alienating world. Sometimes, the waft of basil, the taste of ghee, the crunch of pomegranates, and the spiciness of kimchi added to any dish are enough to maintain and creatively reconstitute one’s memories of one’s homeland and remind us that we are safe indeed. 

REFERENCES
Khan, Yasmin. The Saffron Tales: Recipes from the Persian Kitchen. Bloomsbury USA, 2016.

Sutton, David E. Remembrance of Repasts: An Anthropology of Food and Memory. Berg Publishers, 2001.

Annima Bahukhandi is a psychologist and interdisciplinary researcher with a profound interest in psycho-social research. She holds a Master’s degree in Psychology and an MPhil in Sociology. She has taught psychology at the University of Delhi and B. R. Ambedkar University, India. Her primary areas of interest include memory, migration, and psychoanalytic theory. She has published work on the silenced exile in Burma and the Tibetan refugee community in India. Currently, she practices as a psychologist, and in her free time, she enjoys exploring the cultural and historical roots of both popular and lesser-known cuisines. Writing about food and culture allows her to blend her passion for diverse cuisines with her academic pursuits, providing a rich, conceptual anchor for her gustatory explorations.

American Studies, Culinary History, Food and Drink, Modern, Posts, Winter 2024

A Roti by Any Other Name Would Taste Like Home: Food Culture in the Punjabi-Mexican Communities of the Early 20th Century United States

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By Haritha Govind

The South Asian diaspora has made its way throughout many parts of the world –bringing along cuisines, opening restaurants, and familiarizing the world with dishes like naan and lassi. These are immigrant stories that have a strong continuity even today. But what about Indian immigrant stories that were a snapshot in time, creating a unique culinary culture in a community that, unfortunately, did not sustain the same continuity? This post introduces the fleeting Punjabi-Mexican community of the early 20th century in California. It explores how a unique set of socio-political circumstances created an environment for two cultures that unknowingly shared similar food to forge a distinct culinary history.

How did these two communities meet in California? In the mid-19th century, farming families in the Punjab region of India started sending their sons abroad, including to the United States, to help supplement their family incomes. These men were accustomed to physical labor, and many found themselves being hired at mines and farms throughout California and other southwestern states. Meanwhile, many Mexican women from migrant laborer families found themselves working on Californian farms after being displaced by the Mexican Revolution. With the Immigration Act of 1917, Indians and other Asians were restricted from entering the United States, and those who were already in the country could not leave easily. This created a unique situation where Punjabi men found it comforting and legally advantageous to build family units by marrying Mexican women. Interracial marriages were illegal in California at the time, but both communities could circumvent this issue by identifying as “Brown.”

A Punjabi-Mexican American couple, Valentina Alarez and Rullia Singh, posing for their wedding photo in 1917.
Image Credit: Wikimedia Commons
http://www.sikhnet.com/news/punjabi-sikh-mexican-american-community-fading-history

One might assume that, in these Punjabi-Mexican households, the dinner table was awash in fusion food. Afterall, there are many similarities between Punjabi and Mexican cuisine: the use of spices such as cumin and red chili, the practice of eating flatbread or rice with a broiled stew or curry, and the importance of flavor boosters like onion, garlic, lime, and cilantro. Punjabi men found the corn tortilla to be unfamiliar to their palate, but its resemblance to the roti, an Indian whole-wheat flatbread, was not lost on them. Although children in these families had a mixed cultural identity, and their names, such as Kishen Singh, often reflected their unique cultural disposition, food in the home did not see the same hybrid transformation. Mexican wives learned to expertly prepare Punjabi dishes and would feature them at the dinner table, but Mexican foods were never Indianized, or vice versa. The two culinary traditions remained separate and intact in their serving bowls: a dish of butter chicken could sit next to a plate of tamales at the dinner table, for example, but one would be hard-pressed to find a butter chicken tamale.

Cumin seeds
Image Credit: Wikimedia Commons
https://commons.wikimedia.org/wiki/File:Cumin_Seeds.jpg
Cilantro
Image Credit: Wikimedia Commons
https://commons.wikimedia.org/wiki/File:A_scene_of_Coriander_leaves.JPG

In this sense, the Punjabi-Mexican community disrupts the conventional expectation that diasporas naturally create hybridized or creolized cuisine in the home. Why might this be? Within these multiethnic families, the language spoken at home was usually a mix of Spanish and English, as the mothers would teach their children their native language. Punjabi fathers, by contrast, shared their culture, history, and religion but were more intent on their children easily integrating into Californian society, thus sparing them from the racial and cultural discrimination that came with being mixed race. It is in this childrearing phenomenon that the lack of culinary fusion begins to make socio-cultural sense: the mother’s influence on food and culture was dominant in the family. This line of argument is intertwined not only with the role of women in the early 20th century but also with the role of women of color: would creolization have occurred if both men and women immigrated from Punjab to California, or would this hybridized community never have emerged?

Hypothetical questions aside, there was one setting outside the home where fusion cuisine was indeed featured for a short period of time: Punjabi-Mexican-owned restaurants. The Rasul family’s restaurant “El Ranchero” opened in 1954 in Yuba City, frequently advertised in the Appeal Democrat newspaper for its roti quesadilla. This was the main fusion dish on the menu: it had melted cheese, onions, and shredded beef inside a paratha (whole wheat flatbread), and it came served with a chicken curry dipping sauce, as well as salad or rice and beans. The restaurant successfully served the Punjabi-Mexican community for four decades, providing a place where Punjabi men and their families could share a taste of home with each other. This suggests that fusion was more prominent as a business venture than as an element of everyday lifestyle.

More recently, Punjabi-Mexican fusion cuisine has become a popular phenomenon in modern food truck culture and among food content creators. Its impetus, however, does not come directly from the Punjabi-Mexican community that existed in the early 20th century but rather from increasing connectivity through travel and social media. The roti taco or quesadilla, which some Indian children are familiar with eating, is one such example of a culinary coincidence across time rather than a direct nod to the Rasul Family and their restaurant menu at El Ranchero. Despite this historical tension between hybridization and preservation, modern culinary fusion has fostered a new interest in exploring multiethnic cuisines of the past to investigate how food and community interacted.