Tag Archives: history of recipes

Call for Editors: Social Media and Acquisitions

The Recipes Project is looking for new editors to grow our readership and expand the range of scholarship we feature on the blog. Are you a savvy Tweeter who loves the back-and-forth exchange of social media? Are you a regular reader with ideas about what you’d like to see us feature on the blog? Do you love thinking about recipes in all their myriad forms? Then you might make a great social media or acquisitions editor, and we would love to hear from you!

Editorial duties include:

Social Media Editors

  • Amplifying, sharing, and promoting writing on recipes, especially by underrepresented groups 
  • Running our social media platforms (Instagram, Facebook, Twitter)
  • Regular liaising with co-editors about site development, content, and promotion

Acquisitions Editors

  • Engaging with underrepresented groups and areas of study related to recipes, especially among underrepresented groups and non-Western societies
  • Connecting with and inviting potential contributors 
  • Organizing, editing, and uploading posts in rotation with other co-editors 
  • Regular liaising with co-editors about site development, content, and promotion 

About Us

The Recipes Project is an interdisciplinary, volunteer organization. This work is the unpaid product of a community of passionate scholars of recipes.

We welcome candidates from all backgrounds, including those engaged with the culinary arts, creative food writing, and academic research. We welcome scholars from a variety of disciplines: anthropology, comparative literature, classics, history, linguistics, literary criticism, sociology, and more. Graduate students are valued members of our community.  We particularly invite submissions from those from underrepresented groups and non-Western societies. 

The Recipes Project has an international reach that explores recipes of all kinds: medical, culinary, scientific, magical. Our posts cover a range of topics relating to historic cookbooks, instructions, ingredients, guidelines, and methods of cultivation and production across time and place. We value new writers and early career researchers, giving them a platform for new writing and supporting and amplifying their work. We have a broad audience—in 2021, we averaged 18,000 unique site visitors per month, and we have over 11.5K Twitter followers. We look forward to expanding further, with your help!

Application Details

To apply, please include a CV and one-page pitch describing what you wish to bring to the team. Acquisitions Editors: include two ideas for a month-long series and how you might expand our reach to new audiences. Social Media Editors: include two ideas for a week-long social media campaign that reaches distinct and diverse groups. Have other ideas? Send them our way! 

Please submit applications via email to recipesproject@brocku.ca. First review will begin on Feb. 1, 2022 and will continue until positions are filled.

Current Editorial Team

  • Clare Gordon Bettencourt
  • Jessica Clark
  • Amanda Herbert
  • R.A. Kashanipour
  • Sarah Peters Kernan
  • Melissa Reynolds
  • Joshua Schlachet
  • Miles Wilkerson

Revisiting David Shields’ American Bitters

With summer in full swing, many of us are enjoying an Aperol Spritz (or 2) in our gardens or on our tiny balconies. To give you something to ponder as you sip your drink, today we revisit David Shields’ wonderful post on American Bitters. Here, David not only tells us about the medicinal qualities of various  bitter elixirs but also offers a recipe for those itching to brew your own. Elaine Leong


By David Shields 

Nowadays bitters are an aroma and a flavor used in building cocktails, or a digestif taken in small doses after heavy meals. Prior to the twentieth century they were a medicinal infusion of vegetable material in alcohol. In the Galenic humoral system, they countered an excess of choler or bile in one’s system.

After the Islamic invention of the distillation of alcohol, distillates of bitter herbs could be preserved and volatilized more efficiently than in a water solution. Bitters became a standard stomachic in Renaissance pharmacology. Physicians had such faith in the power of bitter plant matter to right disorders of the stomach that they gave a general prescription for Extractum amarum, not specifying which bitter plant should be used, or what variety of gastrointestinal disorder was being dosed.

From the 1750s to the 1850s bitters were patent medicines prepared according to secret proprietary formulae. American newspapers brimmed with ads for improbable tonics: Dr. Rawson’s Genuine Anti-Bilious and Stomachic Bitters; Dennison’s Improved Jaundice Bitters; Plantation Bitters; Stoughton’s Bitters; James Gartland’s Genuine Herbaceous Bitters.

StoughtonsBitterslabel

What did these elixirs promise?

“These Bitters stimulate and strengthen the coats of the stomach and intestines, expel wind, correct the bile, remove redundancies, assimilate the nourishment, and possess a suitable proportion of nervine and diaphoretic properties; which, by restoring to the nerves their tone and firmness, and acting on the surface of the body by insensible perspiration, restore that balance and equilibrium so necessary to health.” [“Dr. Rawson’s Genuine Anti-Bilius & Stomachic Bitters,” Norfolk Commercial Register (November 29, 1802), 3.]

When Dyspepsia (acid reflux indigestion) became a cultural obsession in the early nineteenth century, bitters enjoyed an efflorescence in popularity.

In North America, the flora differed from that of Europe, Asia, and Africa, and so the materia medica ready to hand for concocting bitters recommended a change in formulae. In William P. C. Barton’s Vegetable Materia Medica of the United States the bitter medicinal plants are flagged: tulip tree, Liriodendron tulipifera; marsh pink, Sabbatia angularis; bloodroot, Sanguinaria Canadensis; flowering dogwood, Cornus florida; feverwort, Triosteum perfoliatum; small magnolia, Magnolia glauca; stinking chamomile, Anthenis catula; checkerberry, Gaultheria procumbens; black alder, Prinos verticillatus; yaupon holly, Ilex vomitorium. Yet the one repeatedly published recipe in American newspapers from the 1780s to the 1830s used none of these common bitter plants. Furthermore, it had a curious set of features: water as a liquid base rather than alcohol; and calamus as the principle bitter agent, rather than gentian (the favorite old world bitter).

Common calamus. Source: Wikipedia.
Common calamus. Source: Wikipedia.

“Take the common meadow calamus, cut into small pieces, or rue, wormwood, and chamomile or centaury of hore-hound, or each two ounces, add to them a quart of spring-water, and take a wine glass full of it every morning fasting.” (1788) [“A Receipt for Bitters,” Carlisle Gazette (September 3, 1788), 3].

Calamus as the central ingredient of bitters became a peculiarly American choice. Even enormously famous British bitters formulae—Stoughton’s Bitters,a gentian and sour orange peel brew dating from the second quarter of the eighteenth century, would be transformed in the United States by the substitution of sweet flag for gentian. Here is the recipe for the transmuted American version of the Stoughton’s Bitters found in The Independent Liquorist.

½ pound wormwood

1 dozen canella bark

1 dozen cassia

1 dozen coriander

1 dozen grains of paradise

¾ dozen cardamoms

1 ¼ dozen chamomile flowers

4 dozen orange peel

½ dozen calamus

The ingredients were infused ten days in ten gallons of 20% spirits; “then take 60 gallons spirits proof and run it through a felt filter containing 9 pounds red sanders, after which you run the infusion through; then add one quart white syrup and 10 gallons water.” (p. 62).

If gentian was the hallmark of European Bitters, and the prime ingredient of Angostura Bitters (1822) , the preference for calamus was not universal in America. In that most European of American cities, New Orleans, tastes tended rather toward gentian. Peychaud Bitters (New Orleans 1830), the city’s historical cocktail concoction, made the taste central in its amalgamation of orange oil, caramel, oil of cloves, and maybe cinnamon oil to spirits. Some thought a synthesis of bittering agents—a formula using both gentian and calamus such as Seaman’s Bitters, doubled the tonic effects.

The non-alcoholic recipe calling for calamus, rue, wormwood and chamomile first appeared in the Pennsylvania newspapers toward the end of summer in 1788. In 1812 it appeared again in St. Louis. In 1826 it found its way into papers in South Carolina and was reprinted in state’s first cook book, The Carolina Receipt Book by “A Lady of Charleston” in 1832.

Why the firm retention of water as the base of the decoction, despite its comparatively modest capacity to volatilize? I suspect it may have to do with children as much as the rising popularity of temperance. Water based bitters can be administered to children without qualms about the effects of alcohol. The number of recipes devoted to stomach problems in household manuals cue the acute cultural concern for the digestive health of offspring.

Sources: “A Receipt for Bitters,” Carlisle Gazette (September 3, 1788), 3.

David Dennison & John Parker Whitwell, His Majesty’s Royal Letters Patent. Improved Jaundice Bitters (Boston, [1800-1813). Charles Julias Hempel, A New and Comprehensive System of Materia Medica and Therapeutics (New York: William Radde, 1865), 2: 570. L. Monzert, The Independent Liquorist (New York: Dick & Fitzgerald, 1866), 95.

David S Shields is the Carolina Distinguished Professor at the University of South Carolina and the Chair of the Carolina Gold Rice Foundation.  He publishes monographs in the fields of early American literature and culture, the history of photography, and Food Studies.

A Sampling of Food-Related Panels at the 2017 Berkshire Conference

By Rachel A. Snell

Held at Hoftra University June 1-4, the 17th Berkshire Conference on the History of Women, Genders, and Sexualities contained a number of panels of interest to food studies scholars. As those who study food are well-acquainted, food and food writing offer a richly rewarding lens for studying the past. Therefore, it is unsurprising that the conference theme, “Difficult Conversations: Thinking and Talking About Women, Genders, and Sexualities Inside and Outside the Academy,” generated several papers and on entire panel devoted to exploring the connections between food and gender.

“Native New Yorker,” Pura Cruz 2006.

My own research interests naturally gravitated me toward a handful of food-related panels at this year’s Big Berks, but this is by no means an exhaustive review. The full conference program can be accessed here.

On Thursday afternoon, two papers exploring home economics lead me to a panel titled, “Bloomers, Domestic Violence, and Home Economics: Print Sources and the Politics of Gender” and chaired by Carol Ruth Berkin. While all four papers were excellent, food scholars, particularly those interested in the home economics movement, will want to note the following two papers:

Food, Empowerment, and Iowa: Exploring Mrs. Welch’s Cookbook

Mrs. Welch’s Cookbook (Des Moines: 1884).

Jaycie Vos, University of North Carolina, Chapel Hill/Special Collections Coordinator and University Archivist, University of Northern Iowa @jaycie_v

Jaycie Vos’s paper provided a close-reading of Mrs. Welch’s Cookbook (Des Moines: 1884). Written by the head of the Domestic Economy Department at Iowa Agricultural College (later Iowa State University), Mary B. Welch, the cookbook was a compilation of recipes used for instruction in the department. Vos argues the cookbook and Welch’s career presented food preparation as a source of empowerment for women.

The Porosity of Public and Private in Ellen Richards’s Home Economics

Serenity Sutherland, University of Rochester @serenitys37

In her examination of the career of Ellen Richards, the pioneering founder of the Home Economics movement and the first female student and instructor at Massachusetts Institute of Technology, Sutherland contrasted the development of scientific housekeeping with earlier moral domesticity. Her concentration on Richards allowed Sutherland to explore ideas of individuality and the overlap of public and private in the Home Economics movement.

Friday morning’s “Repast and Present: Food History Inside and Outside the Academy” organized by the Recipe Project’s own Amanda Herbert not only explored food as an engagement tool in the study of the past, it was also the opening event for a virtual conference exploring the question, “What is a recipe?” A video of the panel is available on the Recipe Project’s Facebook page, therefore, I will provide brief notes on each speaker.

Public and Professional Dimensions of Creative Food History Programs

Amanda B. Moniz, Smithsonian Institution @AmandaMoniz1 

Moniz discussed her development of historical cooking classes and the accessibility of food history.

Cooking Class: Women, Domestic Science, and Higher Education since the Progressive Era

Tandra Taylor, St. Louis University

Through a focus on Progressive-era domestic science education opportunities for African-American women, Taylor argued that cooking class was actually cooking class (i.e.: status).

A Recipe for Teaching (and Learning) Atlantic World History: Food and the Columbian Exchange

Zara Anishanslin, University of Delaware @ZaraAnishanslin

Anishanslin shared her techniques for bringing food into the classroom, describing this effort as a more uplifting aspect of Atlantic history (creation rather than destruction). Those who teach the early American history survey or Atlantic history courses will be interested in her assignment to select and study a recipe that would not exist without the Columbian Exchange.

Food for the People: How Food History is Changing the Conversation at the National Museum of American History

Paula Johnson, National Museum of American History

Julia Child’s kitchen on display at the Museum of American History – http://americanhistory.si.edu/food/julia-childs-kitchen

Johnson discussed food-related initiatives at the National Museum of American History including exhibits and live cooking demonstrations that combine food and history. Mark your calendars for this year’s Smithsonian Food History Weekend, October 26-28.

Cooking on the Internet: Historical Recipes and Public Scholarships

Marissa Nicosia, Pennsylvania State University – Abington College @Nicosia_Marissa 

Nicosia’s joint-project with Alyssa Connell transcribes, contextualizes, and updates early modern recipes for modern kitchens while sharing them on a blog titled, Cooking in the Archives. Nicosia discussed the insights that stemmed from this work and the importance of actually preparing recipes as part of the research process.

My review of food history at the Big Berks concludes with a panel exploring the politics of women’s businesses that included four fascinating and innovative presentations, but it was Maria McGrath’s history of Bloodroot Restaurant that connects with the subject of this post.

Living Feminist: The Liberation and Limits of Separatist Business and Radical Lesbian Ethics at the Bloodroot Restaurant

Maria McGrath, Bucks County Community College

Dining Space, Bloodroot Restaurant – www.bloodroot.com

In this paper, McGrath examined the founding of Bloodroot Restaurant in Bridgeport, CT, a feminist and collective restaurant and bookstore, in 1977. She explored the role of food in the pursuit of feminist and counter-cultural ideologies.

As a first-time Big Berks attendee, I was blown away by the quality and variety of presentations and the uniquely supportive atmosphere. I’m looking forward to more food history at the 2020 meeting!

Note: In the interest of self-promotion, I would be remiss to not mention I also presented, during the Digital Humanities Spotlight, on mapping cookbooks to reveal women’s networks. An early version of that work is available here.

What is a recipe?

By Sally Osborn

Among the recipes for cakes and fritters, wines and pies, Lady Frances Hotham’s recipe book contains an entry that begins:

For little children’s lambswool shoes – Cast 17 stitches. Knit 1 row plain. Add a stitch at both ends every other row, till you have 23 stitches. Knit 1 row plain. Add a stitch at the end only, every other row till you have 28 stitches.1

Or consider this, from a book of ‘Medical receits for the human and animal species’, probably belonging to a Thomas Chambre:

Paper lamp – Cut a piece of paper into a circular form about the size of a crown piece; twist a wick in the center, & plate it in the manner of a smoak jack. Put this to float in a saucer of oil & water in a large bason, & it will burn all night.2

Can those be described as recipes? Certainly examples such as this are a world away from Jerry Stannard’s model of a recipe as a formula with four essential parts: purpose, ingredients, procedure/equipment, and application/administration.3 Or compare Anne Stobart’s recent suggestion that private and emotional frustration in medical matters can be revealed by the ‘not-recipes’ in recipe books.

While Stannard’s model does not fit the knitting pattern and lamp-making instructions, Stobart’s ‘not-recipes’ do not explain the wide array of non-medical instructional information either. Recipes, as it turns out, are difficult to define. Take, for example, these two from Cornwall, which could loosely be described as veterinary and household respectively:

To prevent lambs from being killed by foxes &c – Take of brimstone gun powder and train oil make an ointment rub behind the ears and tail.4

Fulminating powder – Niter 3 parts salt of tartar 2 parts and sulphur one part mix them togeather by powdring them one dram of this powder will make a report like a musquet.5

Compilers of other collections record information on topics as diverse as ‘How to make a pond by puddling’ and ’To know if a woman be with child’, as well as beauty preparations and gardening tips.6

The recipe as aide-mémoire. MS 1322. Image Credit: Wellcome Collection, London.
The recipe as aide-mémoire. MS 1322. Image Credit: Wellcome Collection, London.

Some entries in recipe collections are rather more like aides-mémoire, such as ‘Balsam of Chilie to be had in Black Fryers near the Kings Printing house. Dr Salmons Prescriptions over the Door’ or a ‘shorter receipt for the tooth ach’ – ‘If it be decayed, draw it out’.7 Then there is the fascinating (and sometimes self-evident) list of ‘Things bad for the sight’:

To study after meat, and wines, onions, leeks, lettice going after meat, winds, hot air, and cold air, drunkeness, and gluttony, much milk or cheese, looking on red or white things if bright, mustard, much sleep after meat, too much walking after meat, too much letting of blood, collworts, fire dust, much weeping, and over much watching.8

Part of 'A receipt for a person to make her husband love her'. MS 1320. Image Credit: Wellcome Collection, London.
Part of ‘A receipt for a person to make her husband love her’. MS 1320. Image Credit: Wellcome Collection, London.

As well as the word ‘recipe/receipt’ being extended in application to a variety of topics, it was played with as a form, as discussed in this post by Anke Timmermann. Poetic recipes can be found in England too, such as the eighteen rhyming lines of ‘A poetical receipt to make a sack posset’.9

Recipes were also employed as metaphors, as in ‘A receipt for a person to make her husband love her’, part of which is reproduced here and which is considerably less sardonic than this ‘never failing receit to cure love’:

Take two ounces of the spirits of reason; three ounces of the powder of experience; five drams of juice of discretion; three ounces of the powder of good advice, and two spoonfulls of the cooling water of consideration; make it into pills and drink a little content after them: one dose cures the head of maggots and whimsies; then take another dose, and drink a little content and you will be restored to your right senses.10

We can compare this to the modern usage of phrases like ‘recipe for success’ or ‘recipe for disaster’.

By closely examining the contents of early modern recipe books, it becomes clear that it is not so straightforward after all to determine just what a recipe is. Recipes as a genre are malleable and adaptable–and these collections were working documents that acted as repositories for useful knowledge in a significant range of areas.


1. U/DDHO/19/3, Hull History Centre, 1816.
2. MS 7492, Wellcome Collection, late 18th century.
3. Jerry Stannard, “Rezeptliteratur as Fachliteratur”, in W. Eamon, Studies on Medieval ‘Fachliteratur’ (Brussels: OMIREL, 1982).
4. CA/B50/3, Cornwall Record Office, 1777.
5. Pocket book of John Belling, clockmaker of Bodmin, X949/1, Cornwall Record Office, 1737-51.
6. Commonplace book of John Sargent, Wilberforce 291, West Sussex Record Office, 1775; DD\X\FW, Somerset Archive, c.1751.
7. MS 1322, Wellcome Collection, 1660-1750; MS 1795, Wellcome Collection, 17-18th centuries.
8. Medical recipe book, Pares of Leicester and Hopwell Hall, D5336/2/26/9, Derbyshire Record Office, 18th century.
9. ’A collection of the best receits’, Katharine Palmer, MS 7976, Wellcome Collection, 1700–39.
10. MS 5509, Royal College of Physicians, 18th century.