Tag Archives: Eliza Acton

Keeping up Appearances: Economy vs. Extravagance in Eliza Acton’s Modern Cookery

By Sophie Hill, with Rachel Rich

In their final year of study undergraduate at British universities produce a 10,000-word piece of original, primary source research, called the dissertation. It has been a great pleasure for me this year to supervise Sophie Hill’s dissertation. Sophie spent her year trawling through old recipes, and–I confess–reading them in more depth and detail then I often do. In the post below, Sophie focusses on how the content of recipe books aimed at middle-class housewives can be a perfect place to look for the tensions and contradictions involved in carving out an identity in a fast-changing world where reputations were often forged around the family dinner table. In choosing Mrs Acton’s book as her case study, Sophie helps to show that Mrs Beeton was not alone in creating this new genre of culinary writing which provided a script for respectable domesticity to the aspiring housewife.

Rachel


L0034889 Modern Cookery, Eliza Acton Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Spine details from Eliza Acton's 'Modern cookery.....' 1845 Modern cookery, in all its branches: reduced to a system of easy practice. For the use of private families / By Eliza Acton. Illustrated with numerous woodcuts Eliza Acton Published: 1845 Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/
The spine of Eliza Acton’s Modern Cookery, 1845.
Credit: Wellcome Library, London.

By the mid-nineteenth century, the culinary best-sellers of the past such as Hannah Glasses’ Art of Cookery (1747) had become increasingly outdated as a new market–with new needs–emerged for cookery books: the rising middle classes. Recipe books were increasingly aimed directly at this audience, such as Eliza Acton’s Modern Cookery (1845).

Acton was aware of the audience she was addressing, stating in the introduction:

it is of the utmost consequence that the food which is served at the more simply supplied tables of the middle classes should all be well and skillfully prepared, particularly as it is from these classes that the men principally emanate to whose indefatigable industry, high intelligence, and active genius, we are mainly indebted for our advancement in science in art, in literature, and in general civilization (p. viii).

Recipe books intended for the middle classes provided the focus for my dissertation, which examined three well-known Victorian cookbooks and how they each reflected their target audience.[1] I did this through a close reading of the recipes, the ingredients they required, and the assumption each author made about what sort of equipment women had in their kitchens. Doing this highlighted the expectations placed on the middle-class housewife to practice good household economy, while simultaneously demonstrating the wealth and status of her family.

This idea was particularly well-illustrated in Modern Cookery which contains copious recipes for cheap, economical family-dishes like ‘Irish Stew’ and ‘Potato Soup’ whilst at the same time providing instructions for numerous extravagant, dinner-party recipes such as ‘Salmon à la Genevese’ and the aptly named ‘Fancy Jellies’.

Wood-engraving of one of Acton’s “fancier” recipes – Orange Jellies in Modern Cookery, 1845. Image Credit: Wikimedia Commons.
Wood-engraving of one of Acton’s “fancier” recipes – Orange Jellies in Modern Cookery, 1845. Image Credit: Wikimedia Commons.

The tension between economy and extravagance made visible by the different types of recipes that Acton includes in Modern Cookery was further highlighted by the ingredients used in each case. The idea of ‘household economy’ had was a mainstream concept by the time that Acton’s book was published–and the use of leftovers in meals played a key part in this. Acton’s recipes frequently demand the middle-class housewife religiously reuse whatever was left from previous dishes. Her ever-so-frugal recipe for ‘Economical Turkey Soup’ is an excellent example of this, as she directs the reader to use the ‘remains of a roast turkey, even after they have supplied the usual mince and broil.’[2]

However, because the Victorian housewife was charged with displaying middle-class status within the home and since food could ‘communicate many things about those who offered it; from financial wealth to the possession of cultural capital’[3], it was only fitting that Acton’s “extravagant” recipes emphasize the use of the finest and freshest ingredients. After all, these were dishes designed to impress. This is particularly well demonstrated in recipes such as ‘Lobster Cutlets (A Superior Entree)’, which Acton notes is an ‘excellent and elegant dish’ and includes in its ingredients

a couple of fine fresh lobsters’, ‘good béchamel sauce’ and ‘three or four ounces of the freshest shrimps.[4]

As I concluded in my dissertation, the presence of both economical and extravagant recipes, as well as the ingredients used in these recipes, is reflective of a wider tension. On the one hand, there was  the need for the middle-class housewife to display the signs of her family’s wealth and social status, thus distinguishing them from the working classes. This was done by providing luxurious dinner-party spreads. But on the other hand, the middle-class housewife needed to maintain the household’s economy.

Crucially, however, the extent to which Acton’s middle-class housewife could throw such parties was arguably hampered by the reality of budget constraints. After all, the number of cheap, economical recipes in Modern Cookery emphasises that the housewife had to be cautious with the food budget during the week–especially if she had any hope of maintaining the facade of extravagance displayed through dinner parties!

[1] These include: Eliza Acton’s Modern Cookery (1845), Alexis Soyer’s The Modern Housewife (1849) and Isabella Beeton’s Book of Household Management (1861).

[2]  E. Acton, Modern Cookery for Private Families (1845: 1855). Re-printed with an introduction by Jill Norman (ed) London: Quadrille Publishing Limited, 2011, p. 33.

[3] R. Rich, Bourgeois Consumption. Manchester: Manchester University Press, 2011, p. 101.

[4] Acton, Modern Cookery (re-printed 2011),  p. 91.

First Monday Library Chat: The Brotherton Library at the University of Leeds

Welcome to the March 2016 edition of the First Monday Library Chat. This month we have the great pleasure of traveling to Leeds and talking to Karen Sayers, Assistant Archivist at the University of Leeds.

The Cookery Collection is one of the key collections at the Brotherton Library and was awarded ‘designation status’ in 2005. Could you give us an overview of the collection?

‘The Art of Cookery’ Hannah Glasse, 1755. Cookery A/GLA. Title page of the 5th edition showing the index and the additional recipes in the appendix.
‘The Art of Cookery’ Hannah Glasse, 1755. Cookery A/GLA. Title page of the 5th edition showing the index and the additional recipes in the appendix.

The Cookery Collection is primarily focused on recipes for cooking, but also contains many works on food production, the medicinal use of food and gardening. An outstanding feature of the collection is the presence of various editions of popular texts such as Hannah Glasse’s ‘The Art of Cookery Made Plain and Easy’ and Eliza Acton’s ‘Modern Cookery, in All Its Branches’. These allow the researcher to track innovation and changes in taste and fashion. Glasse’s book was first published in 1747 and appeared in 20 editions in the 18th century. By the time of the fifth edition in 1755 Glasse was appealing to an audience with cosmopolitan tastes! A new appendix contains advice on how ‘to dress a Turtle, the West-India Way’ and ‘how to make India pickle’.

‘The Art of Cookery’ Hannah Glasse, 1755. Cookery A/GLA. Title page of the 5th edition showing the index and the additional recipes in the appendix.
‘A treatise on adulterations of food, and culinary poisons’, Friedrich Accum, 1822. Cookery A/ACC. Title page with a warning quotation from the Bible and an illustration of a snake and skull to reinforce the author’s message.

A Treatise on Adulterations of Food, and Culinary Poisons’ by Friedrich Accum, (1820), is a practical text warning its readers of the dangers that can lurk in food including everyday items such as bread, beer and cheese. Accum was a practicing chemist who wanted to keep dangerous additives out of processed foods and to inform the public. His treatise was controversial as Accum was not afraid to name manufacturers who were adulterating food. However some of his revelations may have put readers off their favourite treats! Accum reveals that white wine can be adulterated with lead to make it clear, and ginger lozenges may contain pipe-clay as a part substitute for sugar.

We also have interesting cookery manuscripts including recipe books compiled by individuals. One 18th century notebook MS 894 signed by Mary Lee and Henry Danvers Hodges has recipes for ‘cake, a good one’ and, less appetisingly, ‘soop meagre’. Mixed in with the recipes are cures for various ailments such as ‘The American Receipt for the Rheumatism’. The recipe, which involves a lot of garlic, ought to be effective as the writer claims that ‘a hundred pounds has been given for it’.

For those of us interested in the history of archives, I wonder, could you tell us a little more about the history of The Cookery Collection?

The Cookery Collection began with a donation of 1,500 printed volumes and some manuscript volumes presented to the library by Blanche Legat Leigh in 1939. The oldest item in her collection is a Babylonian clay tablet of about 2,500 BC inscribed with a list of foods in cuneiform; and the oldest European book is Platina’s ‘De Honesta Voluptate’ in a 1487 edition printed in Venice.

In 1954 the Times Bookshop in London held an exhibition ‘Cookery Books 1500-1954. Some books from the Blanche Legat Leigh collection were on display. This encouraged a private collector, John F. Preston, to donate 600 British volumes published from 1584 to 1861 to Leeds in 1962. These include the first edition of Mrs Beeton’s Book of Household Management.

In the 1980s Leeds acquired the Camden Library Cookery Collection. The most notable feature of this collection is its coverage of English cookery books published from 1949 to the mid-1970s. Special Collections acquired the Michael Bateman Collection in 2011. Bateman was a pioneering food journalist who wanted to enhance people’s diets and palates through his writing.

Beer and ale brewing has been a popular topic on our blog of late, I was delighted to see that the Brotherton has a rich collection of texts on the history of brewing. Could you tell us a little more about the Chaston Chapman collection?

Alfred Chaston Chapman (1869-1932) was an analytical and consulting chemist who worked primarily in relation to brewing. He was President of the Institute of Brewing from 1911-1913. His collection of books on the history of brewing was donated to the University of Leeds in 1939. The subjects covered include wine and winemaking, distillation and the distilling industry, drinking customs, ciders and whisky, and legal issues surrounding alcohol.

The brewing collection makes for fascinating reading and contains some entertaining and amusing titles. Of note are ‘The Anatomy of Drunkeness’ a Glaswegian publication from 1840, and ‘The History and Science of Drunkenness’ an illustrated volume published in 1883.

The Chaston Chapman collection is relevant to student social life both past and present, containing an 1835 edition of ‘Oxford Night Caps: Being a Collection of Receipts for Making Various Beverages Used in the University’. An intriguing collection of concoctions, it contains a recipe for Oxford Punch. Among the required ingredients are six glasses of calves-feet jelly, the juice of four oranges and ten lemons, half a pint of white wine, a pint of French brandy and a pint of Jamaica rum.

Can you highlight one or two of your favourite items?

3)‘Pomona: or the Fruit Garden Illustrated’, Batty Langley, 1729. Large Cookery A/LAN. Plate 3, showing the blossom on different varieties of peach trees.
3) ‘Pomona: or the Fruit Garden Illustrated’, Batty Langley, 1729. Large Cookery A/LAN. Plate 3, showing the blossom on different varieties of peach trees.

As a keen gardener one of my favourite items in the collection has to be ‘Pomona: or the Fruit Garden Illustrated’ by the delightfully named Batty Langley. It is full of practical advice for the gardener on the growing of fruit including peaches, cherries, plums and grapes. Langley gives practical advice on pruning and caring for plants and about picking and preserving their fruit. He asserts that cherries ‘are best eaten from the Trees, after a shower of rain’, adding helpfully ‘but most commonly out of spring water after dinner’. Langley has drawn detailed illustrations of the blossom, buds and fruit of various trees.

3)‘Pomona: or the Fruit Garden Illustrated’, Batty Langley, 1729. Large Cookery A/LAN. Plate 24, showing different varieties of plums.
3) ‘Pomona: or the Fruit Garden Illustrated’, Batty Langley, 1729. Large Cookery A/LAN. Plate 24, showing different varieties of plums.

 

What tips can you offer to help users find them via your catalog or finding aids?

The best tip is to access the Cookery Collections Guide on Special Collections’ webpages. This is a good way to gain an overview of the content of the collection. A dedicated search box enables the users to carry out searches within the cookery collections only. The webpage for the collections’ guide provides direct links to some of our major holdings including Cookery Printed Books and the Michael Bateman Archive.

We have also grouped all our Cookery Printed Books and Cookery Manuscripts together in two distinct collections to help researchers to navigate the catalogue. If you want advice or wish to visit Special Collections please email us.