Tag Archives: colonization

Handbook for Everyday Cooking: Leela Majumdar’s Infusion Approach

We prepared this traditional lunch when my cousin visited our place as a part of her wedding rituals. This meal includes rice, shukto (mixed vegetables), dal, prawn malai curry, fried potato and nuts, begun bahar (masala eggplant), mutton curry, pomfret with poppy seeds, and shorshe ilish (hilsa mustard gravy). It took more than sixteen hours to cook all of the dishes mentioned here. Photo courtesy of the author.

By Agnibha Maity
In Bengal, culinary practices have been influenced at different times in history by different communities, and modern-day Bengali cookbooks celebrate the amalgamation of the various cooking techniques Bengali cooks picked up during these cross-continental interactions. However, the rise of the Bengali middle class and modernisation project – including kitchens – in the nineteenth century made way for women writers to archive and standardise recipes. It was at this time when Calcutta, now Kolkata, became the epicentre of food experiments and restaurant culture in India. Restaurants and taverns were run mainly by chefs trained to satisfy European taste buds. They revolutionised the traditional methods and changed the character of dishes with the ingredients borrowed from the West. For example, potatoes – found in every other Bengali dish, even in the famous Calcutta-style Biriyani – appeared on the Bengali platter only by the nineteenth century. The story for cauliflower – many winter cuisines are incomplete without it – is almost similar; colonisers introduced the cultivation of many such vegetables in Bengal. Before the advent of the Britishers, Medieval Bengal depended on rice, curd, fish, local leafy greens, preparations of pulses, and a handful of vegetables such as banana flowers and eggplants. Although Bengalis did not let go of any of the medieval dishes, a lunch or dinner menu from a contemporary household will show more familiarity with the preparation styles invented or modified in colonial times. It was Bengali middle-class women who were responsible for the standardisation of modern cooking practices with their meticulous everyday experimentations, and this evolution of recipes can be traced in many cookbooks written by women authors since the publication of Pragyasundari Devi’s Amish O Niramish Ahar in 1902.

Leela Majumdar’s cookbook, Rannar Boi (1979), co-authored by her daughter Kamala Chattopadhyay, follows the long tradition of archiving recipes but with exceptional care for women’s labour and nutrition in general. She was a gifted author of her time and belonged to one of the most renowned families of Kolkata. However, this cookbook does not belong to her oeuvre as a literary figure in Bengal but serves as a practical handbook for homemakers. She intended this to be a handy companion for everyday cooking. Traditional cooking methods used to be laborious because most of the dishes needed manual grinding of masalas and multi-step heating, and the hot climate forced women to prepare meals twice a day. A typical dish, such as kochu shaker ghonto (taro leaf mishmash), as found in Amish O Niramish Ahar and even in the recent The Calcutta Cookbook, requires the mixing of various spices, grating coconuts, adding pastes of cumin, chilli, and ginger. Cutting the stalks is also a professional task – the outer layer must be removed and washed with salt, or else calcium oxalate crystals might irritate throats. What is interesting about Leela Majumdar’s cookbook is that she avoids any nostalgic remembrance of tedious cooking rituals which exploited women’s labour. In the preface, she declares, “Don’t forget the dishes, but the recipes must be slightly altered… We intend that cooking no meal should take more than two hours.” She focuses on cleanliness, adopting modern kitchenware, and improving hygiene. She contrasts starkly with Europeans or Americans who prefer preparing one main dish per meal to save time for other work, such as a chicken roast accompanied by baked potato or salads. Her recipe notebook is plain and straightforward; there are no East-West divisions. It begins with varieties of soups, which Bengali elite society first tasted during the bloom of restaurant culture in the mid-nineteenth century.  From Scotch broth, tomato soup, and minestrone, she jumps to Bengali Khichdi, sour and bitter lentils, with ease. Her cookbook blurs the distinction other contemporary books celebrate, and her addition of practical notes entitled “The intricacies of homemaking,” along with simplified recipes in lucid Bengali, make the book friendly for readers of all backgrounds and education levels. 

Agnibha Maity is a PhD candidate and a UGC Senior Research Fellow at the Department of English, University of North Bengal. He obtained his M.A. and B.A. from the University of Calcutta. His PhD topic focuses on gendered identity in archival discourses. His research interests include subaltern studies, archival studies, and South Asian gender history. He loves discovering lost recipes from rural Bengal and archiving them when possible.

A Recipe for Learning Atlantic World History: Student Contributions

By Zara Anishanslin

Student Jose Hernandez summed up initial reaction to finding a “recipe assignment” on an Atlantic World History course syllabus: “when you first assigned the Columbian Exchange assignment, I honestly assumed that you were giving us busy work.” Once students dove into the assignment, reactions changed. As Hernandez went on to say, “once I started researching, I realized that this was a legit assignment.”

Legit indeed. The project enhanced student understanding of the Columbian Exchange as a truly transformative global phenomenon. It also provided them with new—and at times surprising— knowledge about their favorite foods.

Cow
Stefano della Bella, Cow, Diversi animali, plate 7 (Published by Pierre Mariette, ca. 1641), Purchase, Joseph Pulitzer Bequest, 1917 (17.50.17-256), Courtesy of The Metropolitan Museum of Art.

After Europeans introduced them to the Americas, the meat of pigs and cows became staple features of creolized cuisine. Students worked on a number of such recipes. Bryan Howell researched the empanadilla, or little empanada, a pork-based dish created by culinary exchanges among Portuguese, Spanish, Native American, and Caribbean creoles. As he put it, the empanadilla “had to make a lot of trips back and forth across the Atlantic to be what it is. And what it is is freaking delicious.”

Student Cynthia Vera researched another meat-based recipe, one that she termed “a Latin spin on a European croquette.”

Recipe for Rellenos de Papa

2 pounds russet potatoes (Vera prefers the more traditionally used white potato to the sweet potatoes in the linked recipe)

½ cup cooked corn meal, with extra for dusting

1 pound of lean ground beef

¼ cup of sofrito (sauce base)

1 packet of sazon con achote

Canola oil for frying

½ teaspoon of sale

Directions:

Cook ground meat and drain. Add sofrito mixture and packet of sazon con achote. Stir well over low heat to blend flavors and set aside.

Peel and boil potatoes until tender. Mash potatoes with salt and cornmeal, mix well. Place potato mixture in refrigerator to cool.

Once cool, scoop into balls, make pocket in middle of ball with your finger to place meat. Carefully press mixture back into a ball, thoroughly covering meat mixture. Dust in cornmeal, fry.

While the beef was the result of European colonization, corn and potatoes both were essential to American indigenous peoples’ diets. As Vera aptly put it, both were “ingredients of abundance” for Native Americans. And yet, Vera had never thought of the indigenous roots of what was to her a very familiar dish. As she reflected, “Growing up Puerto Rican and Ecuadorian I did not get the sense that my culture was heavily influenced by anything but other Hispanic cultures.” Researching her chosen dish, she found otherwise, and that recipes like rellenos de papa “speak volumes to the original cultures that did not allow themselves to be swallowed up, but instead were reborn into something else that has become a signature for today’s people.”

Students Jose Hernandez and Madeline Mercado also described their recipes—different variations of rice and beans —as edible reminders of how people retained culinary practices in the face of change. West Africans ate rice and beans, enslaved people of African descent were the laborers who tended rice in places like South Carolina, and West African cultivation practices and knowledge were likely integral to the crop’s success in the Americas.

PanDulce
Pan dulce, on display at a Staten Island bakery, Pan con Cafe. Pictured is a type of pan dulce called la concha: “El Borracho,” on the top left and “El Gusano,” top right. Photo by Sonia Martinez, 2015.

Other students found that European traditions were behind what they thought were indigenous recipes. Sonia Martinez researched pan dulce or “Mexican sweet bread,” a treat “sold everywhere, from street food stands to elaborate bakeries in the capital.” Pan dulce is an important part of Mexican holidays like the Day of the Dead, when it is eaten in the form of pan de muerto (pan dulce in the shape of crosses, skulls, angels, or tomb effigies).

Martinez was surprised to find that pan dulce “wasn’t made from native ingredients passed down from generation to generation.” Instead, it relies on wheat, a plant Spanish missionaries insisted on importing to make communion wafers.

Nicolás Enríquez (Mexican, 1704–1790) The Virgin of Guadalupe with the Four Apparitions, 1773 Mexican,  Oil on copper; 22 1/4 × 16 1/2 in. (56.5 × 41.9 cm) Framed: 25 1/4 × 19 7/8 × 1 3/8 in. (64.1 × 50.5 × 3.5 cm) The Metropolitan Museum of Art, New York, Purchase, Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest and several members of The Chairman's Council Gifts, 2014 (2014.173) http://www.metmuseum.org/Collections/search-the-collections/635401
Nicolás Enríquez (Mexican, 1704–1790)
The Virgin of Guadalupe with the Four Apparitions (1773), Purchase, Louis V. Bell, Harris Brisbane Dick, Fletcher, and Rogers Funds and Joseph Pulitzer Bequest and several members of The Chairman’s Council Gifts, 2014 (2014.173), Courtesy of The Metropolitan Museum of Art, New York,

Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg),The Witch, ca. 1500, Engraving, Fletcher Fund, 1919, 19.73.75, Courtesy of The Metropolitan Museum of Art, New York.
Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg),The Witch, ca. 1500, Engraving, Fletcher Fund (1919, 19.73.75), Courtesy of The Metropolitan Museum of Art, New York.

Another group of students focused on recipes that used ingredients that traveled east, from the Americas to Europe and, eventually, India and Asia. Some had legends attached to them. Student Ashley Olivetti delved into her grandmother’s Italian tomato sauce recipe. She found that Europeans at first feared tomatoes in part because they are part of the family Solanaceae, which includes “deadly nightshades” like belladonna, a poisonous plant that, according to Germanic folklore, witches used to summon werewolves.

Student Thomas Finn looked at vichyssoise, or French potato and leek soup, and was surprised to find that the ordinary potato has legends attached to it. When Incas from Cuzco fled before Spanish conquistador Francisco Pizarro (ca. 1476-1541), they lightened their load to travel faster under threat of puma attacks, throwing supplies into Lake Pumacocha to prevent the Spanish from using them. Among these supplies was the Incan staple ch’unu, a freeze-dried, dehydrated potato easy to carry over the long distances of the far-flung Incan empire. The Inca were allegedly on their way to the legendary city of Paititi, a never found place rumored to contain hordes of gold and silver.

Utagawa (Gountei) Sadahide, Foreigners in the Drawing Room of Foreign Merchant's House in Yokohama (9th month, 1861),  Triptych of polychrome woodblock prints Bequest of William S. Lieberman, 2005 (2007.49.131a–c), Courtesy of The Metropolitan Museum of Art.
Utagawa (Gountei) Sadahide, Foreigners in the Drawing Room of Foreign Merchant’s House in Yokohama (9th month, 1861), Triptych of polychrome woodblock prints Bequest of William S. Lieberman, 2005 (2007.49.131a–c), Courtesy of The Metropolitan Museum of Art.

Other students looked at recipes that arose due to another farflung empire: that of the British. Student Remy Rodney researched his grandmother’s “Jamaican soup,” a dish that reflects the global reach of the British in its chicken, pumpkins, yams, and Korean dumplings. Student Harmon Chan looked at Japanese rice and potato curry. First found in Japanese cookbooks in 1872, this now popular standby in Japan had its beginnings not long before, after American Commodore Matthew Perry’s 1853 visit began a new era of Japanese trade with western nations including Britain.  Among the things the British introduced to Japan were curry from India and potatoes from America.

As one student put it, “food is one way people define their culture.” As students learned by researching recipes of the Columbian Exchange, food is one way people maintain old cultures and create new ones, too.

Contributors’ Bios

Harmon Chan is a History major interested in exploring the history of the United States.

Thomas Finn is a senior History major who is interested in colonial American history. His family has lived in America a long time, and in the same house on Staten Island since 1820.

Jose Hernandez is a senior History major, who is minoring in African American Studies. His interests include the Atlantic World and its importance in world history.

Sonia Martinez, born to immigrant parents, is a first generation Mexican American student. She is a senior majoring in English writing and linguistics, and minors in Spanish.

Madeline Mercado majors in Social Work and minors in Spanish. Her family background is Puerto Rican, and she is interested in the history of rice in the Atlantic World.

Ashley Olivetti is a senior American Studies major. Her family is originally from Italy and now resides in Brooklyn and Staten Island, New York. Her interests include researching and writing about history.

Remiah Rodney is a sophomore of Jamaican heritage. Born in London, England, he plays soccer for the College of Staten Island.

Cynthia Vera is a Latin American senior, majoring in Latin American Studies and Psychology.