Tag Archives: beer

Food for Thought: A Medieval Experiment with Ale Pastry

By Florence Swan

Whilst digging through medieval English cookery collections for my thesis I came across a curious fifteenth-century recipe that suggests using ale to make pastry short and supple:

‘Yf ye will have your past short and sopill that ye bake with, knede hit with good ale and it will be short’.[1]

Intrigued by what appears at first to be an early English recipe for shortcrust pastry, I thought I’d give it a go. I am partnered with Blackfriars Restaurant in Newcastle for my PhD, working with their team of chefs to develop medieval culinary recipes with the hopes of better understanding their form, function, and taste balances. I discussed the recipe with Blackfriars’ pastry chef, who was hesitant about the extent to which ale would make pastry short, but wondered if it might leave a beery aftertaste.

Jug with Horseshoes, 13th century, orig. Derbyshire, England, 16x13 5/8 x 13 1/16 in., The Cloisters Collection, 2014.280, The Met.
Jug with Horseshoes [used for making and storing ale], 13th century, orig. Derbyshire, England, 16×13 5/8 x 13 1/16 in., The Cloisters Collection, 2014.280, The Met.

Before experimenting I therefore had to address some key questions: is this pastry simply ale and flour, or is it suggesting adding ale to enriched fatty pastry? What does it mean by short and supple? And why ale? Most medieval pastry was made from just flour and water, a simple case to contain looser fillings whilst they cooked, keep hands tidy whilst its contents were eaten, and often disposed.[2] There were more refined pastries for consumption such as Payne Puff which used fats like cream or egg yolks, rarely butter or lard, to enrich them, however we have limited recipes for both basic and refined pastry. Preparing pastry in large wealthy households was typically a separate job carried out by pastry chefs, not the senior cooks who appear to be the primary audience of culinary recipes, and it was such a basic function in the kitchen that, like bread, it appears to have been unnecessary to provide detailed recipes. In the late-fourteenth and fifteenth centuries there emerged what we might consider shortcrust pastry recipes, that incorporated fats such as oil or butter to make ‘sotille’ pastry, as quoted from Libro per cuoco.[3] That the term supple or soft is used to refer to pastries with shortening in other collections might suggest the ale pastry recipe of interest is intended to be made with fat, however because it simply does not say, I made pastry both with and without shortening.

Searching the Middle English Dictionary confirmed that the recipe is alluding to a crumbly pastry because ‘short’ is defined as meaning crumbly or friable, and ‘sopill’, or supple, as soft or pliable. Supple is also defined in the MED as meaning ‘a mixture containing eggs’, however I am not convinced by this definition and would be wary of suggesting this alone implies the use of eggs in this recipe.

Finally, why ale? My first thought was that is it used for its yeast content, a leavening agent creating a flakier pastry as is the case with Danish pastries or croissants. The question then follows, why not just use yeast? Although it is possible that the ‘good ale’ means use yeast derived from ale, I believe it is referring to the beverage because yeast is typically directly called for in medieval recipes, such as in Bastons in Yale Beinecke 163, which says add ‘a lytll yest of new ale’.[4] In their recreation of a seventeenth-century biscuit recipe that also uses ale, Elisa Tersigni and Jack Bouchard note that ale was historically more yeasty as it was not pasteurised (compared to modern ale that is typically pasteurised), thus it was likely to act as a leavening agent.[5] Furthermore, using ale instead of just yeast was probably efficient for making large quantities of pastry as it was readily available and meant they would not have to use another liquid to wet it, but it might also suggest the ale’s alcohol is important, as it might evaporate whilst cooking to create a crumbly pastry. Most medieval ale was made using a mixture of grains, however hops were used in its production in the late fifteenth century, from which the ale pastry recipe dates.[6] Furthermore, that the recipe calls for good ale suggests it is not a small ale with low alcohol but has a reasonable ABV. Hence, there are a multitude of factors in play when considering the nature and purpose of the ale. In this initial experiment I used a modern local brewery’s hopped ale, however I will continue to experiment with different types of ale in the future.

I first tried a lard shortcrust to see how the ale worked with a pastry I am familiar with – lard, butter, flour, salt, and a little ale. It was thoroughly tasty, crumbly and soft with a slight hint of a beery, yeast flavour. I then made two simpler pastries, one containing flour, salt, liquid, and egg yolks and one with just flour, salt, and liquid, of which I made water-based versions to serve as a control, and then ale-based variables to compare (four total). Prior to baking I found the ale-based pastries more pliable and easier to work with. After baking there was no dramatic difference between the water and ale pastries, however the ale versions were slightly crumblier. Where I noticed the greatest difference was in taste. The eggless ale pastry had a noticeable yeasty bread taste, and the pastries made with egg yolks had a rich egg flavour that was enhanced and more complex with ale, both of which I believe was the result of the beverage’s yeast. Yeast has a fermented umami flavour that complements egg, and this yeasty flavour is synonymous with bread, which is what I believe I could detect in the eggless ale pastry.

The results were not dramatic, but ale pastry is certainly easier to work with, crumbly, and the ale imparts a yeast flavour well suited to pastry, so the recipe’s advice holds true. I will continue to experiment and use ale with higher yeast content, which, I anticipate, will yield crumblier pastry. Ale appears to complement fats in pastry which might suggest it is to be used in conjunction with them to enhance the shortness of the pastry, but the recipe appears quite open and applicable to whatever ‘your past’ might be. But what is most pertinent is the culinary creativity and knowhow exhibited by the use of ale to achieve shortened pastry, and the apparent desire to make a commonplace and typically disposable foodstuff tasty; food for thought for my thesis and for those interested in medieval taste. Modern cooks are advised to take the recipe’s advice and add some ale when they next make pastry for a flavoursome result!

Florence Swan is currently studying at Durham University, where she is working on her PhD titled ‘The Transmission of Taste’, which examines food, recipes, and taste in England c.1200-c.1400. Collaborating with Blackfriars Restaurant in Newcastle, her archival research is complimented with the practical knowledge of culinary science and recipe development from the restaurant. Although a food historian, her research interests encompass a variety of topics from medieval horticulture to London urban life in the twelfth to sixteenth centuries.  

Instagram: transmissionoftaste       
Twitter: @florence_swan


[1] London, Society of Antiquaries, MS 287, f. 99v, printed in Constance Hieatt, A Gathering of Medieval English Recipes (Prospect Books, 2009), p. 136.

[2] Peter Brears, Cooking and Dining in Medieval England (Totnes: Prospect Books, 2008), p. 125.

[3] Barbara Santich, ‘The Evolution of Culinary Techniques in the Medieval Era’ in Food in the Middle Ages: A Book of Essays, ed. by Melitta Weiss Adamson (London: Garland Publishing Inc., 1995), pp. 61-81 (p. 72).

[4] New Haven, Yale University Library, Beinecke MS 163, f. 69v <https://collections.library.yale.edu/catalog/2003060> [accessed 19/01/2024].

[5] Elisa Tersigni and Jack Bouchard, ‘Savory biscuits from a 17th-century recipe’, 2018 https://www.folger.edu/blogs/shakespeare-and-beyond/savory-biscuits-from-a-17th-century-recipe/?_ga=2.80100119.1212766997.1707746077-1857904347.1660288475 [accessed 14 February 2024].

[6] Judith M. Bennett, Ale, Beer and Brewsters in England: Women’s Work in a Changing World, 1300-1600 (Oxford: Oxford University Press, 1996), p. 9.

From the Archives: Cock Ale: “A Homely Aphrodisiac”

From our archives, here is Joel Klein’s wonderful post that details the Cock Ale, an animal-based alcoholic beverage from Early Modern England. This piece originally appeared in a 2014 edition of the Recipes Project.  Mixologists, take heed!  I will be adding it to my pub queue. – R.A. Kashanipour

By Joel A. Klein

In a stanza from, “The Young Gallants Tutor, Or, An Invitation to Mirth,” an especially lusty song from the 1670s, the anonymous author praised several particular beverages: “With love and good liquor our hearts we do cheer, Canary and Claret, Cock Ale and March beer.”

While Canary Wine, Claret, and Märzenbier are still consumed today, what exactly was Cock Ale? The short answer is that it was an alcoholic beverage made from ale, sack, raisins, and the flesh of a rooster, but to do Cock Ale justice requires a longer explanation.

The first printed recipe for Cock Ale appears to have been published by the Englishman, Sir Kenelm Digby (1603-1665).

Fig. 1: Digby, Kenelm. Engraving by Burnet Reading, fl. 1777-1822. Original Artist: Anthony Van Dyck, 1599-1641.
Engraving of Kenelm Digby. Original Artist, Anthony Van Dyck (1599-1641). Credit: The Smithsonian Digital Collections.

In 1669, Digby wrote, “These are tame days when we have forgotten how to make Cock-Ale,” and thus he gave a recipe:

Kenelm Digby, "The Closet of the Eminently Learned Sir Kenelme Digbie Kt. Opened," (London, 1669). Image taken from a later reprint (London: Philip Lee Warner, 1910), p. 147.
Kenelm Digby, “The Closet of the Eminently Learned Sir Kenelme Digbie, Knight. Opened,” (London, 1669). Credit: Reprint (London: Philip Lee Warner, 1910), p. 147, at Archive.org .

Later recipes would vary in the details, but this was a common preparation, and such recipes can be reproduced with relative ease.

The association of this particular ale with male vigor and potency was an evident subtext in the early seventeenth century, but eventually, subtext gave way to the explicit. In a famous tract, “The Women’s Petition Against Coffee,” a “Humble Petition and Address of several Thousands of Buxome Good-Women, Languishing in Extremity of Want,” the author(s) of this extraordinary address bemoaned the “Decay of that true Old English Vigour” caused by the excess consumption of coffee.

The Women’s Petition Against Coffee (London, 1674). Image taken from Wikipedia.

The authors lamented that English men had formerly been “the Ablest Performers in Christendome,” but “our Gallants being every way so Frenchified … they are become meer Cock-sparrows.” Likewise, while these fluttered “with a world of fury,” they were “not able to stand to it, and in the very first Charge fall down flat.”

In order to reinvigorate these coffee-addled men, the ladies suggested a solution of outlawing coffee for those under the age of sixty and “returning to the good old strengthning Liquors of our Forefathers,” which included Cock-Ale and “Lusty nappy Beer.” For more on the so-called Coffee Controversy, see Jennifer Evans’ post at Early Modern Medicine.

Within the pages of the 1725 New Canting Dictionary, which defined the words and terms used by “Gypsies, Beggars … and all other clans of Cheats and Villains,” Cock Ale was described as a “pleasant Drink, said to be provocative”–meaning that it excited lust and aroused sexual desire. In a nineteenth-century dictionary of slang, Cock Ale was directly identified as a “homely aphrodisiac.”

There were, however, references to Cock Ale long before Digby’s recipe. The first mention appears in Thomas Drue’s play, The life of the dutches of Suffolke (1631), when one tiler (i.e. one who lays tiles) says to another, “Lets doe our dayes work in an hour / and drink our selues drunke all the day after,” and his colleague answers, “Whope, why the Cocke ale has spurd thee already.”

“The Cocke” was a reference to both the beverage and the place from where it was sold, for after encouraging his partner to abandon their work, the tiler suggested the two “over goe to the Cocke and see if he came a’th kind, if his ale will make a man crow.”

While there have been numerous London taverns by the name of “The Cock,”an especially famous one was The Cock and Bottle on Fleet Street, near Temple Bar (dating back as far as 1549). Frequented by famous writers such as Samuel Pepys and Alfred Lord Tennyson, the tavern sold Cock Ale in bottles and from the tap–sometimes redeemable with a tavern token. In 1668, Pepys wrote, “Thence by water to the Temple, and then to the Cock Alehouse, and drank, and eat a lobster, and sang, and mightily merry.”

Another mention of Cock Ale prior to Digby’s recipe is from 1663, when a sailor from the play, “A witty combat, or, The female victor,” said,

I have heard of Cock-Ale,… And I know not how many sorts more that are the Gentlemens drink as they call ‘em; All is but Ale still, made of Water that runs by Billingsgate. And for my part, when all is done give me the plain wholsome Ale of England without welt or guard as they say, or a deal of mixtures; but of all drinks I hate that of coffee, it dries Mens Brains.

Others, too, were skeptical of the ingredients of Cock Ale, believing that it was merely normal ale that was sold under false pretence at a higher price.

In Richard Ames’ 1693 poem, “The bacchanalian sessions, or, The contention of liquors with a farewel to wine,”  Cock Ale defended himself to his fellow liquors:

For ‘tis but a truth, which is very well known,
How much I’m belov’d by the Sparks of the Town,
And their Mistresses too, who ‘fore Wine me prefer,
When they meet at a House very near Temple bar,
What precious intreigues could my Pimpship discover,
Between a Town Jilt, and a mony’d[?] young Lover.

Thus, while many recipes may have left out the cock, it appears that the ale still led many to enjoy to its desired effects.

Brewing up some history: recreating historical beer recipes

By Tiah Edmunson-Morton

At the expense of sounding cliché, historic recipe recreations are a way to taste the past. Figuring out proper ingredients, considering environmental conditions, and using appropriate equipment all bring you closer to what people ate and drank in “days of yore.”

Barclay and Perkins brewery, Southwark: visitors watching beer fermenting in a large brewhouse, 1847. Image Credit: Wellcome Images, London.

Home brewer forums are full of threads on authenticity, and a Google search for “home brewing ancient recipes” nets millions of pages with ideas and results. Commercial breweries are also in on this, researching and experimenting for single brews or regular releases. In 1989, Anchor Brewing made a Sumerian beer for the Institute of Brewing Studies’ Micro Brewery Conference based on the “Hymn to Ninkasi,” an 1800 BCE song that praises the Sumerian goddess of beer and an ancient beer recipe. Even grander in terms of production and promotion is Dogfish Head Brewery’s series of beers “Ancient Ales,” which they’ve recreated with molecular archeologist Dr. Patrick McGovern. The company reports that Midas Touch, Theobroma, and Chateau Jiahu are “truly liquid time capsules.” Brewing scientists from Oregon State University collaborated with the Heurich House museum to recreate a batch of Christian Heurich Brewing Company’s “Senate Lager” after a researcher discovered the recipe in the National Archives. A final example comes from Dupont Brewery in Belgium. The recipe for “Cervesia Archeosite” came from a beer made a thousand years ago in their region; they drew on traditional styles and ingredients as a point of pride.

I knew about projects like these when I started the Oregon Hops and Brewing Archives in 2013 and could see the outreach potential immediately. Oregon became a state in 1859, and much of its nineteenth-century beer history lore details a brewery on every corner. The story goes that wherever a community formed around an industry (farming, mining, logging), businesses to make and serve alcohol were among the first essential services. While I don’t doubt that plenty of alcohol was consumed, and probably made at home, the census records show that a brewery on every corner is an exaggeration at best and a myth at worst.

When I started to look for nineteenth-century brewery records, I was surprised to find so little. While the majority of Oregon’s earliest breweries were small and short-lived, if local breweries were omnipresent in the nineteenth century, I assumed there would be a treasure trove of information in libraries or archives.

Initially, I reached for the sources in my library, which included state history books with information on “prominent people,” laboratory publications that focused on the technical aspects of the brewing process, manuals on facilities management, and books on beer gardens. For historic recipes, I had the most luck in household management books; not only were there recipes for brewing beer, but also instructions for making bread and keeping bees. The Sanborn Fire Insurance maps were quite helpful in determining the size, layout, and location of breweries. Once I looked outside my building, I found probate records in county and state records, census records with biographical information about individual brewers, and mortgages and lawsuits that listed brewery assets.

The Roadshow, 2015

While these physical print sources are lovely for browsing, locating recipes from specific breweries or that used specific ingredients was really difficult. Both Google Books and the Hathi Trust are invaluable because they are both keyword searchable. In 2015, I worked with a brewery to make a beer for a public archaeology event; they wanted to make a lager with rice, and I found a short recipe in an 1883 brewing book published in England.

Roadshow 2015: The Recipe.

For the same event the following year I worked with a home brewer. I sent her links to several books and she chose one she found in a home management published in New York in 1872; the recipe was 10 pages long and the product was delightfully hoppy. Some of my favorite books are:

Choosing a recipe for the 2016 event.

In six years, I still haven’t found a recipe for an Oregon pre-Prohibition beer; however, I have gathered clues about nineteenth-century Oregon beer styles. Probably the most valuable source are the advertisements found in digitized newspapers. Breweries of all sizes made a range of styles, though they all regularly advertised a traditional German-style lager or steam beer, which uses a lager yeast but is fermented at ale temperatures to compensate for the lack of refrigeration. Oregon brewers also sold less familiar styles such as Philadelphia XXX Ale, XX Cream, and Flat. Those county probate records I mentioned sometimes included receipts, which meant I knew details about hops or barley orders, as well as bottling equipment and supplies. Those census records give clues about a brewer’s country of origin and the brewery income.

My most recent research has focused on the women involved in Oregon’s pre-Prohibition breweries, with an eye towards redirecting the need we have for women to be brewers. Since the records don’t indicate that they were, I am working with three female brewers to design a recipe based on the biographies of wives of brewers. Our goal will be to share the brewers’ creations, but also to engage consumers with the stories of nineteenth-century women in Oregon.

I still have hope that I’ll uncover a recipe gem, but I am also a realist. In the meantime, I know that my work in the twenty-first century to collect records will help the next generation recreate our present.

Fueling Beer Breweries in Early Modern London

By William M. Cavert

Detail from the panorama of London by Claes Visscher, 1616. Image courtesy of Wikipedia.
Detail from the panorama of London by Claes Visscher (1616). Image courtesy of Wikipedia.

The shop down the road that sells alcoholic drinks offers such a variety of beers and ales that while shopping I sometimes imagine myself newly arrived from a communist planned economy into some bewilderingly choice-laden consumer paradise. Beer made in ever-so-small batches by Belgian monks, or by siblings in post-industrial Chicago, or wacky young guys working out of a garage in rural Oregon – all compete to position themselves as small-scale and artisanal, sharing nothing with the huge conglomerates that offer cheap prices but little taste. Such producers, as well as the growing numbers of home brewers, suggest that drinkers increasingly value the idea that beer should be a carefully-crafted product, something that connects us to a bygone (and yet recoverable) age of natural foods and careful cooking. As much as I applaud this shift in taste and values, as a historian I smile at the association between beer brewing and simpler modes of making food and drink.

This is because four hundred years ago in England the beer brewers of London operated businesses that helped inaugurate a modern world of environmentally-damaging industrial production. London, already during the reign of Elizabeth I and the career of Shakespeare, burned huge amounts of polluting mineral coal, and no one burned more of it than brewers. Hell, according to 17th-century English authors, was like the smoke emitted from a brewhouse chimney.[1]

But exactly how much Newcastle coal would be required to brew varied enormously, according to factors including the brewer’s preferred recipe and method, the kind of drink being prepared, and, in all likelihood, the brewer’s skill in conserving expensive fuel. One 18th-century expert on brewing, Michael Combrune, explained that brewers disagreed regarding how long to boil the wort, with preferences ranging from 5 minutes to 2 hours, concluding that experience and careful observation were the best guides. Once the hops were added, a further boil of 2-3 times the first was necessary. In general, he found, 6-7 hours of boiling was typical, but the entire discussion seems to be as much prescriptive and descriptive, a guide to what brewers ought to do.[2]

Jacob Adriaensz Matham, "View of the De Drie Leliën Brewery at Haarlem and of Velserend Manor, Owned by Johan Claesz van Loo" (1627), Frans Hals Museum, Haarlem.
Jacob Adriaensz Matham, “View of the De Drie Leliën Brewery at Haarlem and of Velserend Manor, Owned by Johan Claesz van Loo” (1627).  Image courtesy of the Frans Hals Museum, Haarlem.

Given this variety, it is no wonder that different brewers required different inputs of energy. The detailed records of the brewery within Westminster College, part of the complex surrounding Westminster Abbey, shows that in the decades around 1600 they were able to brew about 30 barrels of beer per ton of coal.[3] But in 1592 when the Brewers Company explained to the crown how much grain and fuel they required, their numbers suggest a ratio of about 3 times as much.[4] In the mid-18th century the brewhouse for Corpus Christi College in Cambridge made only about 25 barrels per ton, while at the end of the century the huge commercial brewhouse of Truman and Hanbury in London made almost 80.[5] Economies of scale must have mattered a great deal here; Truman’s produced more than 1000 times more beer than Corpus, and spent around £2000 per year on 1400 tons of coal during the 1790s. A business like that would have had both the experience and a powerful motivation to economize on fuel consumption. But even 200 years earlier some London brewers used around 500 tons per year, or 1-2 cubic meters of coal burned in a day’s brewing. Brewing, already in the 16th century, was undertaken by ambitious business people who employed dozens of workers and used a great deal of energy.

[1] This is explored in my new book, The Smoke of London: Energy and Environment in the Early Modern City (Cambridge: Cambridge University Press, 2016). For detailed calculations on industrial burning, see also William M. Cavert, “Industrial Fuel Consumption in Early Modern London” Urban History (2016), available here on FirstView.

[2] Michael Combrune, The Theory and Practice of Brewing (London, 1762), 186-88.

[3] Westminster Abbey Muniments 33,906-33,063, Abbey Stewards’ Accounts.

[4] Guildhall Library MS 5445/9.

[5] Corpus Christi College Cambridge Archives CCCC/O2/2/71; London Metropolitan Archives B/THB/B/150-1.

*****

William M. Cavert teaches early modern English, environmental, and world history at the University of St. Thomas in St. Paul, MN. He is the author of The Smoke of London: Energy and Environment in the Early Modern City (Cambridge University Press, 2016). Besides urban and environmental history, he has recently turned his attention toward England during the Little Ice Age.