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Curry, Casseroles and Cultural Exchange in Cold War Panama Canal Zone

By Ana Ramírez Luhrs

What do asopao de gallina (chicken stew), Johnny Mazetti, carimañolas, beef stroganoff, and Indian curry have in common?  Collectively, these dishes reveal a cultural exchange between Panamanian and American women in Cold War–era Panama. These recipes are included in the bilingual cookbook, Hands Across the Cooking Pot, published in Panama in 1952. More than a collection of recipes, the cookbook provides a unique look into cultural exchange through food between middle- class Panamanian and American women in the Canal Zone during the Cold War. 

Hands Across the Cooking Pot was compiled by the Club Interamericano de Mujueres, a benevolent and philanthropic society established to advance understanding, exchange, and friendship between Panamanians and Americans.  It was one of many Panamanian women’s organizations influenced by the presence of American women in the Canal Zone since the early 20th century. According to the U.S. Census Bureau, the Canal Zone – a ten mile stretch of land controlled by the United States – was home to over 52,000 U.S. military personnel, their families, civilian canal employees, and Panamanian and West Indian laborers. 

Image Credit: Skillman Library, Lafayette College

Although no direct evidence has been found, Hands Across the Cooking Pot was likely produced as a fundraiser for the philanthropic work of the Club Interamericano de Mujeres. An eBay search for copies of this paperback cookbook reveals that subsequent editions were published in 1956, 1958, and 1969. There are nearly two hundred bilingual recipes found in the cookbook, including a number of casserole-style dishes, gelatin mold salads, (such as tomato aspic), plantain dishes, egg-based dishes, and lots of desserts. Several recipes in the cookbook reflect part of the immigrant histories of Panama, United States, and the Panama Canal Zone.

For example, the recipe for Indian curry was contributed by former Club Interamericano de Mujeres President Helen Shaw (1949-1950). Unlike the format of most recipes in the cookbook, the Spanish version of the recipe is written as a single paragraph and without a separate list of ingredients. However, the English version follows the standard format of an ingredient list, with measurements followed by instructions. While Indian curry may not initially seem Panamanian or American, the inclusion of this recipe hints at the presence of the largest group of people working in the Canal Zone: West Indian immigrants. This recipe calls for curry powder, rice, butter, onions and lean veal, lamb, or chicken.  Further instruction indicates that the dish must “always” be served with chutney and at least four of the following ingredients in small dishes: chopped fried onions or onion rings, chopped crisp bacon, ground peanuts, toasted coconut, currants, chopped hard-boiled egg or fried batter balls. Overall, West Indian cuisine is a combination of African, Spanish, South Asian and Chinese influences. The presence of this  recipe in the cookbook is a reminder of the West Indian influence on Panamanian culinary identity.

Image Credit: Skillman Library, Lafayette College

The cookbook also includes Johnny Marzetti, a Midwestern casserole consisting of pasta, tomato sauce, beef, and cheese, reflecting the Italian influence on American food history. While the origin story of Johnny Marzetti has been contested, it has been established that the dish has Italian roots, first appeared in Columbus, Ohio, and quickly grew in popularity across the state by the 1920’s. The dish became a staple in mess halls during World War II because it was easy to prepare in large quantities. With a popularity amongst American military families, the dish would inevitably find a home in the Canal Zone. The Johnny Marzetti recipe in Hands Across the Cooking Pot differs from the original Midwestern version through the addition of “Arturo sauce” (a tomato based canned sauce with vegetables and spice), chopped olives, and celery, making this version a uniquely Zonian dish. The name of the recipe also changes in the Canal Zone, as the “r” in Marzzetti is dropped. Like any good casserole, this recipe is meant to serve a big crowd– twenty five people, in fact. Another notable aspect of the recipe is the number of tomato and canned ingredients that it calls for. The canned tomatoes, tomato paste, tomato soup, Arturo sauce, and pimentos make for a distinct, hybrid, and local dish.

Image Credit: Skillman Library, Lafayette College

Ultimately, Hands Across the Cooking Pot is more than a simple collection of recipes; it is a window into the culinary and social landscape of the Panama Canal Zone during the Cold War. Not only does the cookbook demonstrate the cultural exchange between Panamanian and American women, it also reveals the immigrant roots of Panamanian and American cuisines and how, through adaptation, a new hybrid cuisine in the Panama Canal Zone was created.


References

Gil, Elizabeth. El Club Interamericano de Mujeres de Panamá, 1946-2006: Una Expresión de Unidad Femenina y Acción Benéfica, Panama: Universidad de Panamá, 2006.

Gonzalez, Juan. Harvest of Empire: A History of Latinos in America, New York: Penguin Books, 2011.


Ana Ramírez Luhrs is co-director of Lafayette College Special Collections and College Archives. Prior to this position, she was a research and instruction librarian.  Ana is an avid cookbook collector who enjoys studying and teaching with cookbooks as historical documents.  Her favorite dish is her mom’s Colombian stew.

 

Grandma’s Savory French Toast

By Sarita Bhagwat, Chef and Owner of Saffron and Savoir

This is not a story about a French recipe; it is not a story that takes place even remotely near France.  This is a story of an Indian grandmother who passed away 40 years ago, but whose culinary genius and creativity continues to live in our kitchen in Boston, Massachusetts, passed through from her daughter (my mother) to me, to my boys and to my (not so Indian) daughter-in-law!

Savory French Toast.

My grandmother (aji as we called her) passed away when I was 15. But she was the one who first got me interested in cooking, and the idea of delivering love through food. She was tiny, barely five feet, fair skinned, slightly plump, but neat. She always wore ironed, tightly wrapped sarees, showing just a bit of milky white belly underneath the colorful sarees. Aji was an elementary school teacher, but her real passion was cooking. In her tiny kitchen in a Mumbai suburb, she produced delicious dishes that were often ahead of their time.While I fondly remember her curries, it is her innovations like stuffed crabs that continue to motivate me to experiment with food. My grandmother was a firm believer in the healing power of foods.Her spicy fish broth was a cure for nasty summer colds, and most memorable to me, her dried Bombay Duck (a delicate fish found in the waters off Mumbai) rubbed on the eye lid was a cure for pink eye. Food was central to my summer holidays with my maternal grandparents, weaving itself into the fabric of fun, adventure, care and healing.

There are many dishes from my grandmother’s playbook I recreate, but the one that is most popular in my American household is her Savory French Toast. It was a staple at breakfast during my summer holidays, and in my school lunch box. In fact, it is one of the most requested breakfast dishes when my now grown-up boys and daughter-in-law come for a visit to Boston. My kids never met my grandmother, but my mother made this for my kids when she was on babysitting duties. So much did the boys associate this dish with my mother (who herself passed away last year), that they and Katy the daughter-in-law call it “Vidyut’s French Toast”

Now more about this strange delicacy. French toast evokes images of weekend breakfasts, smells of cinnamon, vanilla and berries and brioche soaked in syrup for most. But not for our family.  The idea that French Toast is sweet, and to be eaten with maple syrup is something I learned only after moving to the US as a 20-year-old student in the 1990s. 

Maggi Hot & Sweet Sauce is easily available on amazon and in Asian stores

The French Toast I grew up with, was savory, spicy, cheesy and salty. White bread slices soaked in a batter of eggs, milk, a combination of cheeses, and yes, a spicy green chili and herbaceous cilantro. And no syrup in sight either, we always ate ours with Maggi Sweet and Hot Sauce.* 

I felt as though we had come full circle when, on my recent visit to Washington DC, Ishan and Katy asked me to make Grandma’s French Toast and Katy, with a big grin, took a bottle of Maggi Hot & Sweet Sauce out of her shelf as soon as we sat down to eat!

When you grow up eating certain foods, you don’t think about how unique and special those dishes might seem to an outsider. I realized this when I madeFrench Toast as a chef, while cooking on a remote island in Maine. It was a cold foggy morning, ten women writers were to arrive for a week-long retreat that afternoon. I needed to make a quick brunch for myself and the organizers. I whipped up a stack of “Vidyut’s French Toast” and decided I would take a chance on these folks liking them. And oh boy, did they like them!! They devoured the entire stack, moist and cheesy with parmesan, and spicy with a kick from chopped up green chili. My friend Cintra who was assisting me on this gig accused me of holding out on her for not having cooked these in our 20-year friendship.

Grandma’s Savory French Toast Recipe

Serves 4

Ingredients:

  • 12 slices white bread (white sliced bread is essential)
  • 8 eggs
  • ½ cup whole milk
  • 1 cup grated cheese (any combination of parmesan and gruyere or cheddar)
  • 2 chopped green chilies
  • ¼ cup chopped cilantro
  • Salt, pepper to taste
  • Olive oil or butter

Method

Cut each slice of bread into half, forming triangles or rectangles. Whisk eggs and milk. Add salt, pepper, chilies, cilantro and cheese to eggs and mix well. Pour into a rectangular 9×12 shallow baking dish or pan.

Heat a flat 10-inch frying pan. Add a tablespoon of olive oil or butter or both.

Dip four pieces of bread briefly in the egg mixture so they have a coating on both sides. Make sure each piece has some grated cheese from the mix – it can sometimes sink to the bottom of the pan.

Once oil is heated, put soaked bread pieces on the pan and cook on one side for 2 minutes on medium heat, flip and cook the other side for another 2 minutes or till the edges are brown and egg coating looks golden and crispy. Repeat with the remainder of the bread and egg mixture. Add more oil or butter for each round of frying.

Serve hot with your favorite sauce

Notes:

This recipe is best served immediately but can be made an hour ahead and warmed in the oven or on the frying pan. Using a shallow pan for soaking the bread is essential, otherwise the grated cheese will sink to the bottom of the pan, and you will have an excess amount of cheese on your last pieces of toast.

 

 

Arizona Mesquite Cornbread: An Irish and Native American Connection

By Amber Sampson

Butter, corn, and mesquite: these are the ingredients that make up the recipe reflecting my family’s Irish immigration, culinary adaptations, and native food traditions in our Arizona home today. Specifically, the invention of this recipe was shaped by my culinary background: as a Chef living and working in Phoenix, Arizona, cornbread is a staple on many menus. Sweet from local honey, and zesty oranges, the base recipe for this cornbread was baked regularly to accompany bean stews in my childhood home. 

When my academic career grew outside of the kitchen and into my food anthropology and replication archaeology work, I began incorporating more native ingredients into each dish. As a result, I acquired a new respect for nutritious nixtamalized corn products and the history of native foods in America. Nutty and smokey mesquite flour, foraged from the trees shading my kitchen, easily found a home in this recipe. Finally, through work with the Phoenix Irish Cultural Center and McClelland Irish Library, and my grandparents’ meticulous genealogy efforts, I understood how the local high quality Shamrock butter, from another Irish immigrant family, was tied directly to my Irish ancestors’ brave and butter-filled past. 

Now distinctly it’s own, the sweet, smoky, and nutty flavors of my Arizona cornbread connects cultural groups across time and space, allowing eaters to travel through 200 years of culinary change, and taste the preservation of these cultural stories. 

Butter

As a Chef and Cultural Anthropologist, when asked to craft a recipe that reflects the movement of my own ancestral immigrant communities, butter is the baseline, the fat and foundation of the dish. In the 1880’s, butter and a hunger for more brought my family from County Cork, Ireland, to America. Prior to 1880, my Paternal Irish lineage worked in Cork, specifically in the dairy and butter making business. Eventually, when my maternal family immigrated in the 1880’s, they opened and operated a commercial dairy. Buttermakers are in my bloodline and also that of many Irish immigrants as the Cork Butter Exchange, established in 1769, became the world’s largest butter market. Due to its “rigorous grading system,” the Cork Butter Exchange “transformed Irish butter into the first global food brand, with hundreds of thousands of casks shipped globally.” (Source: NPR) Many global eaters knew Irish butter in their kitchens, on their breads, and in their bakes long before they met someone from the emerald isle. 

Cornmeal

To add body to the recipe, I drew inspiration from the important relationship of hospitality between Native communities in the United States and Irish citizens during the potato famine. Walking though the Cobh Heritage Centre in Cobh, County Cork Ireland, one bag of cornmeal nestled in a display, among lists of passengers names and replications of historic shipwrecks stirred my attention. This bag of cornmeal tells the story of commensality across seas, and also of understanding between two groups, who supported each other through suffering. 

By 1845, crops began failing in Ireland due to an infestation of Phytophthora infestans. As a result of the potato blight, by 1852 over one million Irish people had died of starvation or from disease caused by malnutrition; over one million more Irish emigrated to other countries, including my relatives. 

What connects this cornbread to all of these communities? Their shared hospitality. In 1847, the Choctaw Nation of Oklahoma, still reeling from the deadly forced relocation known as the ‘Trail of Tears’, learned of the Great Hunger in Ireland, and Choctaw tribal members collected, “$170 (equivalent to about $5,000 today),” sending their donation and corn with recipe cards across the Atlantic to aid starving Irish families. In reflection, the Choctaw Nation has stated that, “This remarkable empathy—donating aid while facing extreme deprivation—forged an unbreakable transatlantic kinship.”

Grains given were never forgotten, and in 2020, at the height of Covid, citizens of Ireland raised over $1 million in relief funds for food and aid for members of the Navajo and Hopi nations. “Adversity often brings out the best in people,” the Choctaw tribe said in a statement. “We are gratified – and perhaps not at all surprised – to learn of the assistance our special friends, the Irish, are giving to the Navajo and Hopi nations. Our word for their selfless act is ‘iyyikowa’ – it means serving those in need.”

Mesquite

Feeding those in need is tricky during the best of times; in the hot, dry desert it’s even more of a challenge. Mesquite flour, our final ingredient, is milled from the dried wild pods growing on varieties of mesquite trees here in the Southwest. It offers a tasty solution as mesquite trees’ flavorful pods are legumes, in the same biological family (Fabaceae) as beans and peas. While you may not be familiar with the flour milled from these pods, modern gastronomers often utilize mesquite wood for its smokey sweet depth of flavor in barbecuing. In my Irish family’s kitchen in Arizona, mesquite has become more than just the flavoring on a packet of potato chips. It shades our home, and provides sticky sweet summer sap, wood for cold winter bonfires, and pods to make the sweet, caramelly flour in this recipe. 

Phoenix is the traditional homeland of the Akimel O’odham and Piipaash peoples, and as long as folks have called the Sonoran Desert home, parallel evidence showcases the utilization of wild and foraged desert foods, like mesquite. The use of these wild foods and later domesticated crop farming, over 4,000 years of O’odham Agriculture, led to the discovery by Archaeologist Dr. Jonathan Mabry, that Arizona is home to the oldest discovered history of agriculture in the United States. Food crops like mesquite and more became part of the State’s history when in 2016, Tucson was designated as the first UNESCO city of Gastronomy.1

 From an archaeological standpoint, we know from evidence of ancient grinding stones and processing of honey and velvet mesquite varieties that mesquite has long been utilized as a significant dietary staple for Indigenous communities of the Sonoran desert. Some of these grinding stones can even be found on display at the S’edav Va’aki Museum in Phoenix.

Mesquite pods ground into meal. Image credit: Amber Sampson.

In an article written for Archaeology Southwest, preservation archaeologist Aaron Wright describes that, even though native peoples were accomplished agriculturalists, mesquite was one of the most significant dietary staples for Indigenous communities of the Sonoran, Chihuahuan, and Mojave Deserts.”

From a few pods of mesquite one can make a coffee style drink, sweeten breads, and thicken soups, all while adding a warm, nutty, caramel flavor from this drought-tolerant and desert-adapted plant. From a nutritional standpoint, mesquite has a relatively low glycemic index (GI) to most other flours, (25 GI compared to 75 GI for whole wheat flour), is naturally gluten free, and has the potential to benefit in regulating blood sugar levels. Folks in Arizona can purchase mesquite flour directly from Native producers at the San Xavier Co-op and farm. Or try an honorable harvest this summer with tips from Southwest Forager, John Slattery’s 2016 book, Southwest Foraging, on how to best identify, gather, process and use these tasty pods.2 All from one remarkable plant, which has become part of my yearly foraging practice and weekly breadmaking ritual.

Making this mesquite cornbread immediately connects me to the land I call home, the land of the O’odham peoples. Each laborious grind of my mill to make this mesquite flour instills in me a future desire to protect and preserve its ecology, its unique cultural traditions. Mixing corn with butter, reminds me of the past stewards of these ingredients and their hospitality. The adaptations and determination of the Choctaw, the Navajo, the Hopi, the O’odham, and my Irish ancestors, all create culinary memories and moments to reflect and savor in this dish. Baked into each bite, are the bonds of people across time, who’s hunger created something I can only satisfy in my kitchen today. 

Butter, mixed with oranges grown in my Arizona backyard and honey from wild desert flowers all swirl together atop this smokey, sweet cornbread. 

Enjoy my Arizona Mesquite Cornbread with Honey Butter, recipe below.


Amber Sampson is an artistic, creative, passionate, activist, public speaker, researcher, and chef, who loves exploring the world through food. Sampson holds two degrees from Arizona State University, Cultural Anthropology, and Food Systems Sustainability. She is also a trained professional Chef, with a degree in Culinary Arts and Nutrition and a Master’s in Gastronomy from Boston University. She studied food and race at Harvard University, brought ancient bread to life with fellow Anthropologists from Yale, and was awarded the prestigious US Government’s Gilman Scholarship for archeological research with Arizona’s O’odham Nations.

Using food as a universal language, her research focuses on the anthropological relationship between food and culture. Her work brings present-day relevance to ancient meals, people, and customs, giving others a taste and connection to our delicious past, revealing a more sustainable and understanding future. She has taught at Boston University in the Gastronomy department and worked with the S’edav Va’aki Museum in Phoenix, as the Indigenous Foodways Facilitator, and as the lead coordinator for the Arizona Native Edible Experience. In 2024, Sampson was selected by the US Department of State to be the Arizona representative for the Global Food Security Summit in Washington, D.C. She currently serves on the board of directors for Slow Food Phoenix and lectures with Arizona Humanities on Arizona’s Ark of Taste Foods. You can find Sampson in the warm Southwestern desert of Arizona, teaching culinary, foraging, cooking, researching, gardening, and exploring our tasty past.


  1. Niethammer, Carolyn. 2020. A Desert Feast: Celebrating Tucson’s Culinary Heritage. Tucson: University of Arizona Press. ↩︎
  2. Slattery, John. 2016. Southwest Foraging: 117 Wild and Flavorful Edibles from Barrel Cactus to Wild Oregano. Portland, Oregon: Timber Press. ↩︎

Lost in Knowledge and Translation: The ‘nutty Case of Nigerian Suya and “Suya Spice”

By Ozoz Sokoh

Being away from home often leads to adaptations of methods and ingredients when translating, and recreating recipes. In this transnational game of “telephone,” a fair amount may be lost, especially where regional recipes have gone national. In Culinary heritage in Asia: National and regional identities, Reflections from the field, Stephanie Assmann suggests that safeguarding regional food products may consist of maintaining a “collective memory” of food as a positive self-identification and reaffirming diasporic group identity.

In geographies where cultural documentation is nascent, preservation of recipes and food products may be barely-constructed. Take the case of Nigerian suya, a popular street food composed of seasoned, grilled skewers of meat. While suya’s heritage is in the north of Nigeria where it is made by Hausa men, mallams, it has spread across the country via pastoral nomads. Today, suya is considered a national treasure, and every locale boasts a suya spot. 

For a long time, associated regional practices were not well-known and documented outside the north, creating a significant gap between regional and national food knowledge. Today, food blogs and other social sharing have changed that, facilitating knowledge exchange.

To make suya, meat skewers are seasoned with basic yaji, and served with yajin kuli, also called suya spice. Both spice blends, from the “yaji family” often contain indigenous spices — grains of Selim, calabash nutmeg; and globally available ones — ginger, garlic, salt, and cloves. Basic yaji is nutless, and yajin kuli is made with kulikuli, a defatted groundnut (peanut) biscuit, made with leftover dough from groundnut oil processing. Often salted, the dough is sometimes seasoned with warming spices, and sweetened with sugar before being fashioned into shapes including rings and crackers, then deep-fried to create products that are shelf-stable. Kulikuli gets ground down and added to basic yaji for the nutty yajin kuli served alongside suya.

Image Credit: Ozoz Sokoh

For decades, many Nigerians bought suya with nary an attempt to make it at home. Public know-how was largely limited to observations at the suya spot during purchase, usually in the evening. What we saw: sticks of already-grilled meat would be pulled from a pile based on your selection, reheated on the grill, placed on paper where they would be cut from the sticks into bitesized pieces. 

Toppings followed on that foundation: one or more of cut tomatoes, onions, hot peppers, cucumber, cabbage. Each wrap was finished with a sprinkling of yajin kuli and parcelled to-go, with extra packets — paper or foil — of yajin kuli. At home, the packets were employed in a host of things, including making suya and instant noodles, erroneously leading to assumptions that suya was only seasoned with yajin kuli because we didn’t see the first step when seasoning where prepared raw-meat-on-sticks were dredged in nutless, basic yaji. 

So, my translation of suya recipes and substitutions began incorrectly long before I moved away from home. 

In 2007, I was married and parenting two, soon-to-be three young children, when we moved to The Netherlands. We longed for suya so I began to make my own, first with yajin kuli that we requested from visiting family members and then in 2010, with a peanut butter sauce I reverse-engineered based on taste memories and yajin kuli “knowledge”. 

I shared a recipe on my Kitchen Butterfly blog, one of the earliest Nigerian food blogs, and on Food52 where it won a Suya Swordfish recipe contest. Both features cemented the use of groundnuts (peanuts) when making suya spice, and erroneously presented my partial knowledge as whole.

When I moved back to Nigeria in 2011, homemade suya was common. My older sister, Upe, introduced me to Mamanga, a mallam who made delicious suya for her and so I ordered some yaji from him. I was confused when I received two blends (for cooking, and serving) since I only knew one. My mamangafied suya was tastier than I’d ever had but I still didn’t understand the difference.

It wasn’t until 2024, while recipe-testing for my award-winning debut cookbook, Chop Chop: Cooking the Food of Nigeria, that I learned more from my friend Hauwa who is from the north. Hauwa shared that yajin kuli burned easily on the grill, sticking to the grates. She shared that it was best as an accompaniment to suya, and prepared fresh otherwise it turned “cold”, a reference to the kulikuli softening, and turning rancid.

Image Credit: Ozoz Sokoh

Today, there is an abundance of suya recipes online and in print, and you no longer have to depend on your mallam for suya spice – you can find it online and in physical stores. The majority of recipes, digital and in books, continue to feature variations on the groundnut/ peanut butter theme. 

When a recipe becomes national, and media channels make information accessible, due diligence is required to capture the origin story and translate that to knowledge. I’ve learned the difference — thank you, Hauwa — and corrected my words.  Now when I encounter recipes, I apply the 5Ws and 1H journalism framework, asking “What are the ingredients?”, “How is it made?”, and other questions around Who, Where, When, and Why, questions that fully illuminate the nuance of construction. We miss a lot when we adopt recipes, but are only versed in their consumption — care in translating the heritage processes is how we safeguard and preserve legacy.


Ozoz Sokoh is an ex-exploration geologist, food and tourism studies educator, 2026 James Beard Emerging Voice in Book, and Nautilus Gold Awardee for her book, Chop Chop: Cooking the Food of Nigeria (2025), the definitive guide to Nigerian cuisine drawn from over a decade of unearthing and preserving Nigerian culinary tradition. She researches, and interrogates connected foodways across the world, highlighting similarities between popular, little known cultures and cuisines.

Her ongoing project, “Coast to Coast: From West Africa to the World” traces the histories and edible trails of West Africa and its diaspora through ingredients and “commodities” and is documented on  Feast Afrique. It includes an open-access digital library of 250+ Black culinary resources, from the 1800s to date, a hall of fame, data-driven work on the role of food media in marginalizing West African voices, and a series of short films available for screening.

She makes her home on Land of the Mississaugas of the Credit First Nation in Ontario, Canada. Ozoz has spoken at TEDx and at conferences hosted by the Culinary Institute of America. Her work has been featured in Brittle Paper, The Republic, Smithsonian Magazine, Gastro Obscura, CNN African Voices, Anthony Bourdain’s Parts Unknown, and more.

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