Category Archives: Networks

In case you’re near New York in early February…

Lisa Smith, editor of The Recipes Project, will be representing the Early Modern Recipes Online Collective at the following conference. She is on a panel about “Personal Manuscript Cookbooks: What Do They Tell Us That Printed Cookbooks Do Not?” and will discuss the importance of medicinal recipes within early modern recipe texts.  Early bird registration ends on January 15!

The Roger Smith Cookbook Conference is coming February 7, 8 and 9th 2013 to The Roger Smith Hotel in New York City. The conference is an eclectic gathering of those who publish, write, edit, agent, research, or simply buy and use cookbooks.

On Thursday, 5 workshops explore issues in researching, reading and publishing cookbooks: Introduction to Cookbook Publishing, Reading Cookbooks: A Structured Approach and Structured Dialogue with Barbara Ketcham Wheaton, The Wild World of Self-Publishing, The Way to Look: How to Do Research with Cookbooks, and Cookbook Publishing 360. (There is a separate registration fee for the workshops. Pre-registration is a must; no walk-ins.)

Friday and Saturday are the core of the conference program with 32 panels. On each day, concurrent sessions will take place on a broad and stimulating range of topics, from manuscript cookery books and class and politics in cookbooks, to cookbooks in the digital age and the culinary app.

Join 103 writers, publishers, editors, agents and academics in New York in February. Explore the exciting list of participants and read their bios at:

For more information and to register, go to: or email with questions.

Writing Recipes Down

Alisha Rankin, Tufts University

Every time I give an in-class exam, as I did this week, my students complain bitterly about how much their hands ache from all of the writing. In this digital age, they tell me, writing simply is not something they do very often. They’re out of practice. With a keyboard, they could have written twice as much.  It got me thinking about the recipes I work on and the labor involved on behalf of the women who wrote them – although in the case of my ladies, of course, the distinction was between memory and writing rather than writing and typing.

A striking recipe manuscript belonging to the counts of Hohenlohe in southwest Germany illustrates the importance of the act of writing down. Copied into the blank pages at the back of another recipe collection, it begins with the heading, “The old countess of Mansfeld gave these medicines to her son, Count Hans Georg, written in her own hand.” [i]

Scribal Copy of Dorothea of Mansfeld’s Recipe Book, late 16th c.

“The old countess of Mansfeld” referred to Dorothea of Mansfeld (1493-1578), a German noblewoman widely known for her remedies and her charitable healing. Her recipes were prized by aristocrats and commoners alike, and they were even recommended by several physicians. The Hohenlohe recipe book illustrates how much she was respected: so much so that the very fact she had written the book herself was deemed a crucial item of information.  The scribe soon ran out of pages at the back of the volume and had to continue the text in the blank pages between each chapter of the original collection. Every jump in the text reiterated Dorothea of Mansfeld’s act of writing down. The inside back binding explains, “NOTA: In the front of this book, after the twenty-forth folio, continue more medical arts that the old countess of Mansfeld also wrote down for her son, Count Hans Georg, by herself.” [ii]

Note on the back page of recipe book sending the reader to the blank pages in the middle of the volume: each jump in text emphasizes Dorothea’s “own hand.”

If one flips to the designated folio, the recipes indeed continue under the heading “These are more medical arts that the old countess of Mansfeld gave to her son, Count Hans Georg, written by herself.” The reader is led in the same manner through three more breaks in the text, some of them mid-recipe, until it concludes in the (previously blank) pages after folio 65 with the words: “End of the medical arts that the old countess of Mansfeld gave to her son, Count Hans Georg, written by herself.”

Why did the copyist deem it so important that the countess had written the recipes in her own hand (mit Aigner handt) or that she had written them herself (selbsten geschrieben)? I think there are several possible answers. Most obviously, this emphasis underscores the important connection between text and practitioner: the fact that Dorothea had transferred her arts directly into paper and ink tied the document to her considerable reputation. A recipe collection carefully written in the hand of a well-known practitioner was a valuable object indeed.

To return to my students’ complaints about having to write out their exams by hand, their grumbles might highlight a second answer to the question. Writing was difficult. Copying out recipes required much care and a lot of time. To do a meticulous job was a laborious process.  Dorothea of Mansfeld herself indicated that writing down recipes was no simple matter. When an acquaintance, Anna of Saxony, asked Dorothea to copy out some of her memorized recipes in 1561, Dorothea cautioned that it was no easy process. She first needed “empty books in which to write” and thus “humbly” asked Anna to send “three books bound in parchment, one made of large paper, the others of small paper.” Moreover, she warned Anna, “Your Noble Grace must have patience, for such things take time.” [iii] Recipes written in Dorothea’s hand represented the painstaking efforts of a highly respected and highly ranked woman, and as such, they had great value.

A final reason for emphasizing that Dorothea had written the original recipes herself may be a simple matter of penmanship. As anyone who has worked on German court documents can attest, most sixteenth-century aristocrats – and particularly women – did not have stellar handwriting. Anna of Saxony frequently expressed embarrassment about her own writing, which she considered to be clumsy and unsightly.  In contrast, and highly unusually, Dorothea of Mansfeld wrote in a beautiful, neat, even, humanist hand.

A recipe in Dorothea von Mansfeld’s handwriting

Dorothea’s texts were thus valuable both for their outward appearance and for the promise of medical efficacy in their content. As I head off to decipher my students’ exams this weekend, I suspect I will appreciate this respect for good penmanship!

A version of this post appears in my forthcoming book, Panaceia’s Daughters: Noblewomen as Healers in Early Modern Germany, which will be published by the University of Chicago Press in 2013.

[i] Hohenlohe Zentralarchiv Neuenstein, Best. GA, U5.

[ii] Ibid.

[iii] Dorothea of Mansfeld to Anna of Saxony, June 1, 1561, SHStA Dresden, Geheimes Archiv, Loc. 8528/1, fol. 329r.

What is a ‘remedy collection’?: Recording Medical Information in the Seventeenth Century

What exactly is a ‘recipe collection’? The most obvious answer is something like the example shown below, a formal ‘receptaria’ book of medical receipts and remedies. In the early modern period, and across Europe, these types of collections were fairly common, and especially in wealthier households. These were often carefully constructed documents, containing indices and sometimes containing groups of remedies according to various types of remedy, or parts of the body. In many ways these were the high-end of domestic medicine.

But were such formal collections necessarily representative? In other words, did everyone (or at least everyone capable of writing remedies down) collect their medical information this way? No. As a great deal of recent work by historians is revealing, the committal of recipes to paper was often a much more haphazard, and far less regimented, process.
For a start, paper was an expensive commodity in the early modern period. It could often be bought easily enough; apothecaries often sold reams or ells of paper, as did other retailers from merchants to haberdashers. But it was nonetheless quite costly. Unlike today, where scribble pads and notebooks can be bought for pennies, the buying of paper, or a bound book of notepaper, would have been something out of the ordinary, especially for those on low incomes.

Firstly, the recording of remedies was an expedient and often pragmatic process. Remedies usually spread firstly by word of mouth, with people passing on their favourite receipts to friends, neighbours and acquaintances. As Adam Fox’s work on early modern oral culture has shown (Oral and Literate Culture in England, 1500-1700 (Oxford: Clarendon, 2000)) people had a strong ability to commit information to memory, and this made sense at a time when the majority of the population couldn’t read or write. Nevertheless, for those wishing to record the remedy accurately for future use, there was a need to do so quickly, and often using whatever was to hand.

As such, many ‘remedy collections’ are little more than assemblages of roughly scribbled notes, sometimes on torn bits of paper, sometimes on the back of unrelated documents, and sometimes even including a variety of other information on the same page. In fact, the very survival of many remedies is probably attributable to the fact that they have been incorporated into other, non-medical, documents.

Nevertheless, the recording of remedies in certain types of document was often a more deliberate decision. In Wales, for example, there were several instances of medical remedies being written on notepaper purloined from a church. In one sense this was pragmatic and reflected the simple availability (and probably abundance) of paper, given the needs of the church to keep records. But some were written inside church documents. In parish registers, for example, it was not uncommon to find receipts. A common example was that of a ‘receipt for the biteinge of a mad dogge”, often originally attributed to the register of Cathorp Church in Lincolnshire, but which seemed to move around the country. An example of the remedy, occurring in the Monmouthshire church of Llantillio Pertholey, can be seen here:

In another sense, though, putting remedies in amongst religious verses, as often occurred in commonplace books and notebooks, was a way of allying the remedy to the power of religion. If it was next to God’s word on paper, perhaps it would have more power?
Above all, for the remedy to be of any use, it had to be easy to find when needed. Some, for example, kept remedies within the pages of their business ledgers. Here, the regimented layout perhaps suited ease of future reference. But perhaps most common was to keep remedies within the pages of personal sources. Many diarists noted down examples of favoured remedies, especially when they had suffered from an ailment and attributed their recovery to the taking of a particular remedy.

Commonplace books, notebooks and copy books were also common places for the jotting down of useful information, and could be easily referred to if needed. It was not uncommon to put remedies within pages of miscellany, including accounts, quotes, poetry and family records, locating it firmly within the context of ‘useful’ information. Many literate families also kept letters. Health was a regular topic of conversation amongst letter writers, and it was common to fire off a few missives seeking potential remedies from within one’s social network. When a reply duly came, here was a ready-made receipt that could be kept without needing to write it down again. Prescriptions and directions from practitioners might be especially prized as they represented a virtual consultation, specially tailored to the recipient’s humoral constitution.

One often-overlooked method, however, were medical almanacs. It’s worth looking at a typical example of how these sources could be used. Cardiff Public Library MS 1.475 is a small memoranda book dating to around 1708, and seemingly originating from London, with the names John and Elizabeth Price prominent. A little list of family notes inside the front cover reveal a touching and tragic tale.

February 10th 1708/9
Married then to the pretty, the charming Mrs Elizabeth Price by the Rev’d Dr Typing of Camberwell.

My daughter Anne was born the 17 of April 1712 about twenty min(utes) after eight in the morning and baptised the 1. of May
She was a very beautifull, lovely child but God was pleased to take it May 3. 1712

Much of the document, however, is actually drawn on the reverse side of copies of almanacks. These were part-astrological, part-magical and part-news documents which contained everything from prognostications and predictions to religious dates, weather information and medicine. The first almanac in this document is ‘Merlinus Liberatus, being an alamanack for the year of our Blessed Saviour’s Incarnation, 1708…by John Partridge, student in Physick and Astrology at the Blue Ball in Salisbury Street in the Strand, London”. Partridge was clearly an entrepreneur; the very next page of his almanck is dedicated to ‘Partridges Purging Pills, useful in all cases where purging is required”!

A second almanac pasted into the book is “The Country Physician; or a choice collection of physic fitted for vulgar use: Containing 1) a collection of choice medicaments of all kinds, Galenical and Chymical, excerpted out of the most approved authors 2) Historical observations of famous cures collected out of the works of several modern Physicians 3) A Cabinet of specific, select and practical chymical preparations in two parts, made use of by the Author, by W. Salmon M.D”

This sort of document was a cheap means of buying a ready-made remedy collection, complete with the latest thinking and couched in terms of the layman. There were many self-help volumes of family physick available, but these cheaper almanac and chapbook style documents were easier to read and easier to keep. It is also clear that the spaces on the back of pages were useful places to note down other remedies as they accrued.

For example, the Prices noted down a number of receipts on the back pages, including a receipt “To prevent a return of the ague”, another for the “dead palsy”, including mistletoe, oak and saffron, and another for “flushings in the face”. Here, then, the printed and the written remedy intertwined to become a completely distinct and individual family collection. In many ways this was as formal a collection as a ‘receptaria’, and probably included many of the same sorts of remedies, but in a different form.

The recording of remedies, and the idea of a ‘remedy collection’, therefore, shouldn’t necessarily be limited to a single, formalised and regimented document. These were organic documents, sometimes constructed carefully, but often just growing as collections of rough notes. Remedies might be deliberately placed within documents, or they might be the result of a roughly-scribbled note. Equally, people might keep ready printed or written remedies, and simply add their own notes as required. In this sense, there is no single ‘remedy collection’ document; instead, there are a myriad different ways in which people collected remedies.

Apologies for cross-posting. This post appeared on my own blog: (22 August 2012).

Word of Mouth: Sharing and Using Recipes in Seventeenth-Century France

Dr Vallant’s Portefeuilles (Bibliothèque Nationale de Paris) are a hodgepodge of information, with recipes for gateaux, remedies in French and Latin, medical case notes, letters, religious reflections, and poems kept side-by-side. Vallant was the household physician of famed salonnière Mme de Sablé (d. 1678) and, later, Mlle de Guise.  He was also regularly consulted by Madame’s friends and family and acted as her secretary. Vallant kept track of all treatments that he tried and the remedies that proved, or might prove, useful in his practice. The notebooks, in some ways, have much in common with our modern personal recipe collections: lots of random bits, from clippings to notes. But it is the informality of the collection that makes it such a useful source of information about the process of collecting and using recipes in early modern France.

The language that Vallant used to describe the transmission of recipes is intriguing: several of his recipes suggest the ways in which knowledge was passed to him by monks and nuns, apothecaries, physicians, and laywomen. Recipes were a form of social currency and were closely tied to patronage. This isn’t always explicit in English, but emerges more clearly in the formality of French. The Duchess of Orléans, for example, seems to have been the originating point for a couple recipes. Mme de la Haye (wife of the Duchess’ apothecary) ‘gave’ a cure for the sciatica, while Mme la Ursée (the Orléans’ governess) ‘shared’ a small pox remedy. The language here suggests that these recipes were gifts of the Duchess.

The reliance on oral knowledge is also striking. Vallant regularly noted that recipes had been passed verbally to him. Various people ‘told’ him their remedies, which he then entered into his notebooks. Mme la Norrice, for example, ‘said’ that after trying many remedies for toothaches she found ease only by putting cold water in her ear. Physician Mr Belay was a particularly frequent source of oral information. He ‘told’ Vallant a remedy for the ‘colours’ [vaginal flows] in 1676 and ‘discussed’ several for blood loss in 1681.

Recipes also took winding routes before ending up in Vallant’s possession. Belay ‘told’ Vallant a remedy for the stone that had been passed to him by Mr de Fromont, secretary to the Duke of Orléans, who had it in turn passed it to him. Belay had used the recipe with great success in treating a mutual patient, Mme de Guise. Vallant also included in his collection occasional recipes from print sources, listing some from Mme Fouquet’s famous book and keeping a cut-out excerpt for Mme Ledran’s balm and unguent.

Madame de Sable (Source: Wikipedia Commons) 

The Marquise de Sablé was condemned by historian André Crussaire as a hypochondriac (Un Médecin au XVIIe Siècle le Docteur Vallant: Une Malade Imaginaire, Mme de Sablé, Paris, 1910), partly because she kept a household physician and partly because so much of the notebooks and correspondence focus on health. But a close inspection reveals that much of the collection was Vallant’s attempt to keep track of his growing medical practice by writing down his successful cures. Under the heading ‘Escrouelles’ (King’s Evil, or scrofula), for example, he provided his case notes and recipe used to cure a thirty-six year old woman.

Elsewhere in the Portefeuilles, it is difficult to distinguish between what is purely Vallant’s or Mme de Sablé’s. In one section, there are several remedies for eye problems; it is perhaps no coincidence that Mme de Sablé suffered from eye trouble.  Three letters were addressed to Madame directly. All eye remedies were sent by friends: Abbé Charrier, Mme Daumon, the Marquis de la Motte, Countess d’Orche, Mr Chartier, Mme de St Ange and Mlle de Vertie. But was this primarily for her use, or for her physician?

Maybe both.

The books were kept as a practical source of working knowledge for both doctor and patron. The care taken in identifying a recipe’s sources and route of transmission was crucial in establishing two matters: reliability and reciprocity. Many recipes may have been passed on verbally rather than in writing, but this was no casual matter. As physician, Vallant needed to know if a recipe could be trusted before he tried it. As patron, Sablé needed to know the precise source of a remedy for social reasons: a recipe gained might be a favour owed… Something to keep in mind the next time you casually take a recipe from a friend and proceed to cram it into your recipe box without a second thought.