Perpetual Prognostications: Medieval ‘Recipes for Living’

By Melissa Reynolds

The year is 1459, and you are a relatively prosperous landowner in Oxfordshire. Now that spring is in the air, you must go and visit your merchant friend in London, but you find yourself uneasy about the journey. With the poor condition of recently thawed roads, the trip could take as much as two days. Of course, if you had access to GPS or GoogleMaps, you would simply chart your course beforehand and find stopping points along the way. But you don’t have either digital tool. What you have, instead, is a prognostication.

Maybe you own a manuscript similar to Wellcome Library MS 411, a book of medical treatises by well-respected medieval authorities like Arnold of Villanova and Constantine the African, which also happens to contain a series of prognostications on its opening pages. One of these prognostications instructs the reader on how to know the “good dayes” of the year from the “evyl dayes.” It promises to specify which days are good to begin “viagis [voyages] both by water & by lond [land].” You scan the entries and discover that the “second day is profitable” to “travayle by shippe, to do viage [voyage] & to purchase hous & land & to clothe man & woman in new clothes.” You console yourself that all will be well if you leave on the second of April.

Prognostication of "lucky and unlucky days" in Middle English
The opening of the treatise on “lucky and unlucky days” in London, Wellcome Library MS 411, f. 4r.

The prognostications found in Wellcome MS 411 were widely popular in later medieval England, and they are most often found in manuscripts otherwise filled with medical content like recipes and instructional treatises. Some, like this one, established which days were good for which activities—activities like bloodletting, traveling, getting married, and buying or selling property. Others extrapolated predictions from the cycle of the calendar year or the weather. One popular series predicted the weather and harvest yields for the coming year according to whether one heard thunder in a given month. Another series predicted the weather, crop yields, wars, and diseases for the coming year according to the day of the week on which Christmas Day or New Year’s Day fell.

Most often, these prognostications circulated in Middle English or Latin prose or verse, but intriguingly, at least a dozen different medieval English manuscripts contain versions of these prognostications rendered in pictures and icons. The version of the prognostication from New Year’s Day pictured below appears on the front flyleaf of a fifteenth-century manuscript in the Houghton Library at Harvard University. Similar pictorial versions of the prognostication on “lucky and unlucky days,” the prognostication from thunder, and the same prognostication from New Year’s Day, can all be found in a late fourteenth-century manuscript at the Bodleian Library, MS Rawlinson D. 939.

Pictorial prognostication according to the dominical letter from Houghton Library MS Richardson 35
Annual pictorial prognostication according to New Year’s Day (dominical letter) from Harvard, Houghton Library MS Richardson 35, f. 1v.

What should we make of a manuscript like Wellcome MS 411 or Rawlinson D.939 with multiple versions of prognostications copied one right after another? Surely a reader would find inconsistencies or outright contradictions across these multiple sets of predictions? How might a reader determine which prediction to turn to and which set of advice to follow?

To understand how prognostications functioned for medieval readers, I like to think of them as “recipes for living.” Like traditional recipes, they encouraged their readers to move through a set of instructions, drawing from their own observations and experiences to then proceed with a set of actions. Now, it is true that prognostications don’t follow exactly the same format as a traditional recipe, which typically instructs the reader to take some set of ingredients and then do some set of processes that will transform the ingredients into a wholly new substance that is greater than its individual parts. Nor, of course, do prognostications produce a physical product like an ointment or a curative drink.

The comparison makes a lot more sense, however, if we think about prognostications sitting right alongside recipes in medieval manuscripts. Just as compilers chose to record version after version of competing—and sometimes contradictory—prognostications in their manuscripts, so too did they often choose to copy version after version of different recipes to cure the same ailment. All this repetition suggests that medieval people wanted a range of options for managing their health and well-being. They made interpretive decisions about which versions of recipes or prognostications to follow based on prior experience or observation. Prognostications, like recipes, promised a set of predictable results.

Perhaps because of the uncertainty and chaos in the world at the moment, I find myself returning to the perpetual prognostications of the medieval era with a new appreciation. Whereas before I wondered at how obviously intelligent and capable medical practitioners took comfort in a set of verses that offered an impossibly repetitive set of predictions—could medieval readers really have believed the second day of the month to be propitious every month?—I now recognize medieval readers’ desire to impose order on the world through simple “recipes for living.” Though none of us can tell the future, maybe now we understand a little more intuitively how it feels to want to try.

Snails in medicine – past and present

By Claire Burridge 

A treatment for teary eyes (Ad lacrimas oculorum):

Grind together frankincense, mastic, and snails with their shells. Apply to the forehead in laurel leaves in two parts. It is tried and tested.

(Tus et mastice et cocleas cum testas sua simul teris et in folio lauri in duabus partibus fronte impone probatum est)

Figure 1: A group of recipes for teary eyes (Ad lacrimas oculorum) in St. Gallen, Stiftsbibliothek, Cod. Sang. 44 (p. 359), an early medieval composite manuscript (this section was written in northern Italy in the ninth century) – the snail recipe is the last entry of the group (found on the final two lines). The transcription and translation are my own. A digitised facsimile can be accessed here; full reference below.

Medieval medicine is often assumed to be full of ‘hocus pocus’: irrational magical and religious cures, bizarre potions and lotions. Although the work of many scholars has countered this common perception, the negative stereotypes surrounding medieval medicine remain firmly embedded in the popular imagination. And I must admit that, as a historian of medieval medicine, I can understand how such stereotypes have persisted – despite, of course, disagreeing! At first glance, the treatment for teary eyes listed above – which recommends making a poultice from snails, frankincense, and mastic and applying it to the forehead – may sound more like a potion brewed by the witches of Macbeth than a useful medical prescription. Surely snails are better suited to escargot than medicine, right?

Yet our slimy garden neighbours actually have long been included as ingredients in medical recipes, from classical antiquity to the present day. In fact, a number of other RP posts have already touched on pre-modern snail-based prescriptions, such as Laura Mitchell’s post on amusing charms, Lisa Smith’s post on Mary Napier’s ‘Snaile Milke’, and Jennifer Sherman Roberts’ post on snail waters. While several examples have highlighted the use of snails in cosmetic preparations, including Katherine Allen’s post on animal ingredients in the eighteenth century, in my research on early medieval recipes I have come across snails as ingredients in treatments for all sorts of ailments, from headaches and nosebleeds to diarrhoea, spleen pain, and incontinence. Who knew snails were seen to be such a wonderful panacea?!

I have been particularly struck by the use of snails in a number of different treatments for cuts and open wounds. A recipe in BAV pal. lat. 1088, a ninth-century manuscript written around Lyon, suggests the following to heal ‘cut tendons’ (Ad neruos incisos) on f. 45r:

Burn and pound together live snails with their shells, add an equal amount of frankincense, apply. It heals cut tendons.

(Cocleas uiuas cum testa sua combustas et tonsas adiecto libano paripondere inponis praecisos neruos sanat)

Two other ninth-century manuscripts in the Stiftsbibliothek St Gallen, Cod. Sang. 751 and Cod. Sang. 759, contain nearly identical prescriptions, though the former recommends either slugs (limacis) or snails and the latter specifies that the cut was caused by iron (Ad neruus ferro precisus). Similar recipes can also be found in earlier sources, such as Pliny’s Natural History and its late antique descendent, the Medicina Plinii, as well as Dioscorides’ De materia medica.

Why did this tradition of the wound-healing power of snails catch my eye?

Figure 2: Materia medica on the move (slowly) – photograph by author.

As keen RP readers will know, the use of snails in cosmetics was not limited to pre-modern medicine but is, in fact, growing in popularity today (and you can read more on this in another piece from Katherine Allen). Snail slime, the mucus secreted by snails, has been widely marketed as a great addition to skincare products. You can find it in anti-aging serums, moisturisers, and other restorative cosmeceuticals. Given these uses, could snail slime also have applications in medicine? Indeed, snail slime is a hot topic in modern medical research, with recent work highlighting its many benefits, from helping to treat burns to its antimicrobial properties. With respect to wound healing, there are several significant features to note: first, snail mucus is well known to have agglutinant, adhesive properties. More recently, however, research has shown that it also protects against apoptosis (programmed cell death) and promotes cell migration and proliferation – processes essential to wound repair at the cellular level. The combination of snail mucus’ adhesive qualities, promotion of healing processes, and antimicrobial properties is immensely exciting, especially in the fight against antibiotic resistance.

While premodern medical practitioners and authors would not have been thinking about snails and their slime on the cellular level or as antimicrobial agents, their repeated use of snails and slugs, especially with respect to skin-related conditions (wound healing, cosmetics, etc.) suggests that they may have recognised that snail mucus had some medical benefits. So, the next time you encounter someone ridiculing the unusual or unpleasant ingredients in a medieval recipe, you can share with them the long history of snails in medicine – from medieval recipes and their ancient antecedents to current, cutting-edge research.

Full reference for manuscript image

St. Gallen, Stiftsbibliothek, Cod. Sang. 44: parchment, 368 pp., 30 x 21 cm; Part I: Bible, consisting of Ezekiel, minor prophets, Daniel, with Prologues and Capitula – given to St. Gall around 780; Part II: collection of medical texts – written in northern Italy in the ninth century.

Brief Academic Biography

Claire Burridge is currently a Residential Research Fellow at the British School at Rome. She completed her PhD at the University of Cambridge in 2019 and will begin a Leverhulme Trust Early Career Fellowship at the University of Sheffield in May 2021. Broadly, Claire works on early medieval health and medicine and is particularly interested in exploring questions of medical practice and the transmission of medical knowledge during the Carolingian period. Her research draws on a range of disciplines, bringing together textual, archaeological, and biocodicological evidence.

Revisiting Diana Luft’s Treating the Stone in Sixteenth-Century Wales

Today we revisit a post originally published in 2017 by Diana Luft on a sixteenth-century recipe against the stone ascribed to a certain Vicar of Gwenddwr, Wales. The recipe is in Welsh, but includes names of some ingredients in English, perhaps indicating an English original. I hope you will enjoy rediscovering this post about a beautiful part of Wales. Laurence Totelin

By Diana Luft

Image of the village of Gwenddwr. Permission granted by the owner of the website Radnorshire Images (John Crellin).
Image of the village of Gwenddwr. Permission granted by the owner of the website Radnorshire Images (John Crellin).

National Library of Wales MS. Peniarth 182 is a miscellany in the hand of Huw Pennant, a poet who lived and worked in Gwynedd and then Carmarthenshire at the turn of the sixteenth century.[1] The manuscript has the look of a personal collection, and it was written over a period of five years, from 1509 until the scribe’s death in 1514. It contains pedigrees, chronicles, religious texts, and texts of a medical nature, including a list of the dangerous days of the year, a short herbal based on Macer Floridus, and two collections of medical recipes. These collections are united by their subject: they all treat the condition tostedd or bladder stone. The first collection has been gleaned from a medieval source; its five recipes can be traced to the four earliest medical manuscripts in Welsh. The second is a mix of recipes that can be traced to fourteenth- and fifteenth-century sources, with the addition of a unique remedy ascribed to an unnamed Vicar of Gwenddwr in Breconshire.

Writing in 1801, Theophilus Jones described the village of Gwenddwr as ‘a vile assortment of huts’, adding that, ‘the best fabric in it is the alehouse’.[2] It may be that the village had fallen on hard times by the nineteenth century, as it seems that its sixteenth-century vicar was recommending a rather complicated, and expensive, course of treatment for bladder stones. Here is the recipe in full:

Rhag y tostedd, medd Bickar Gwenddwr

Kymer ddyrnaid o saets, a’r gymaint arall o’r persli gwraidd ag oll, a’r gymaint arall o’r alisander, a’r gymaint arall o’r ‘selver’ (yr hwn a elwir kynga’r koed), a’r gymaint arall o’r ‘mors off maed lik’ (hynny ydyw, barfav kennin o’r rai ni fflannwyd yn y blaen), a xxxiii o rawn yr eiddaw, a dyrnaid o’r ‘betoni’ (yr rain a elwir kribe sanffred). Golch yn lan hwynt a phwnia mewn mortar kyn vaned a’r grinsaws. Yn ol hyny, bwrw hwynt mewn llestyr glan olchiad, a bwrw arnvn yno dri chwart o hengwrw kadarn, a thri chwart eraill o Rwmnai da. Kymered wraig a dwylaw glan olchiad, a gwasged hwynt hyd pan el ffrwyth y llysiav yn y ddiod. Oddyno kymrud lliain glan a’i hidlo ef yn dda, oddyno bwrw ymaith y soeg, oddyno brew y ddiod hyd pan el chwart o’r chwech chwart dan y brew. Oddyno yskimma ef yn lan, ag oddyno tyn y ddiod oddiar y tan, a bwrw ar y ddiod geinhiagwerth o’r graynys, a dimewerth o’r coleandur,  keinhiagwerth o bowdwr syngir, dimewerth o bowdwr galingall, gwerth tair keinioc o saffrwm, dimewerth o bowdwr licorys. Dod y ddiod ar y tan a gad i verwi ias vechan i gymryd ffrwyth y llysiav. Oddyno tyn i’r llawr, a phan oero ef ddigon, dyro dy ddiod mewn llestyr pridd. Ystopia ef yn dda a lliain glan, a gad yno i sefyll dridiav a theirnos. Yn ol hynny, hidler y ddiod drwy liain glan a rodder i’r glaf y’w yfed yn oer y bore a’r nos, yngwres y gwaed. Arvered o hyn, a iach vydd drwy nerth Duw. Poed gwir Amen

For the stone, says the Vicar of Gwenddwr

Take a handful of sage and the same amount again of parsley, roots and all, and the same amount again of alexanders and the same amount again of ‘cleavers’ (which are called wood burdock), and the same amount again of ‘moss of leek cuttings’ (that is, the beards of leeks which have not been planted before),[1] and thirty-three ivy seeds, and a handful of ‘betony’ (which are called St. Brigid’s combs). Wash them clean and pound them in a mortar as fine as green sauce. After that, put them into a newly-washed vessel and add three quarts of strong old beer, and three more quarts of good Rumney wine. Let a woman with newly-washed hands be brought, and let her press them until the essence of the herbs goes into the liquid. Take a clean linen cloth and strain it well, and throw away the residue, then boil the liquid until one of the six quarts boils away. Skim it clean, remove the liquid from the heat, and add a penny’s-worth of grains of paradise, a halfpenny’s-worth of coriander, a penny’s-worth of ginger powder, a halfpenny’s-worth of galangal powder, three penny’s-worth of saffron, and a halfpenny’s-worth of liquorice powder. Put the liquid on the heat and let it boil for a little while to take the essence of the herbs. Then put it aside, and when it cools enough, put the liquid into an earthenware vessel. Stop it up well with a clean linen cloth and leave it to stand three days and three nights. After that, let the liquid be strained through a clean linen cloth and let it be given to the sick person to drink cold in the morning and at body temperature at night. Let him use this and he will be healed through the strength of God, Amen.

While Pennant’s text is in Welsh, the vicar’s original recipe was likely in English. Most of the ingredients are given in Welsh, but three are in English with Welsh explanations (cleavers, leek grass, and betony). It is not uncommon for Welsh recipes to use English borrowings, especially for foreign or exotic ingredients. The medieval recipe collections contain ingredients such as alym (alum), arment (arnament), atrwm (atrament), brwnston (sulphur), cod (cobbler’s wax), kopros (copperas), and opium. But the English words in this recipe do not refer to foreign or exotic ingredients, rather they indicate the common native herbs. The names of the imported ingredients are borrowings, but they are very old borrowings which have already been incorporated into Welsh. For example, the form coleandur (coriander) appears in Welsh in the earliest herbal glossary, while saffrwm (saffron), licorys (liquorice), and syngir (ginger) are found in the fourteenth-century recipe collections. Thus, while the imported ingredients in this recipe are borrowings, it is the explanations of the common herbs which indicate an English source.

Urine wheel from a fifteenth-century Welsh medical manuscript, NLW 3026 (Mostyn 88), a medical miscellany in the hand of the prolific scribe and poet Gutun Owain. Permission granted by National Library of Wales.
Urine wheel from a fifteenth-century Welsh medical manuscript, NLW 3026 (Mostyn 88), a medical miscellany in the hand of the prolific scribe and poet Gutun Owain. Permission granted by National Library of Wales.

Pennant does not say how he has come by this recipe, whether he has copied it from a book, received it from a friend or neighbour, or perhaps been in correspondence with the vicar himself.  This is the last remedy in this manuscript, all of which treat a common and very painful condition. The collections of remedies in this manuscript, written over a period of years, all treating the same condition, beginning with old remedies taken from manuscripts and ending with what may be the result of correspondence with a contemporary, seems to tell a tale of increasing desperation in the face of an intractable illness. It is impossible to say whether Huw Pennant suffered from bladder stones himself, but the medical texts he chose to include in his collection would seem to suggest that he did. They would also seem to suggest that his interest in these remedies was not academic, but rather practical, that is, that he intended to use them, and may have done so. The cause of Pennant’s death is not recorded. I can only hope that, whatever it was, he received some relief from the ailment that seems to have plagued him for so long.

[1]      This seems to be a reference to the propagation of leeks by removing the seed from the seed head and allowing the head to develop small clones of the parent plant upon it (leek grass), which can then be planted out. I have interpreted mors as representing English ‘moss’, in the sense of a plant resembling moss (OED ‘moss, n.1’ II.4) or perhaps ‘hairiness’ (MED ‘mos’ 1(a)), and maed as representing English ‘math’ that is, a cutting or a mowing, from Anglo-Saxon mæð (OED ‘math, n.1’) and thus mos off maed lik as a cutting of leek, which results in the production of leek grass which is hairy or moss-like in appearance.

[1]      On Huw Pennant see Cartwright, J. 2016. The Middle Welsh Life of St. Ursula and the 11,000 Virgins. In Cartwright, J. ed. The Cult of St. Ursula and the 11,000 Virgins. Cardiff: UWP, pp. 163–86.

[2]      Jones, T. 1809. The History of the County of Brecknock. Vol. 2 of 2. Brecknock: George North, p. 296. You can judge for yourself, from the photograph of the village taken by John Crellin in 2011 for his Radnor Images website ( and used with his kind permission here, whether Jones’s opinion holds true today!


Tales from the Archives: To Make a Fine Apple Pye

It’s cold, wet and rather miserable in the UK at the moment. Fortunately, the Christmas lights bring some good cheer, as does lovely late-autumn food. My favourite autumnal dish is the apple-crumble, with its perfect balance of sweetness and tartness. Our wonderful Recipes Project archives include some lovely apple-based posts, and today I bring you these musings by our Sarah Peters Kernan. Enjoy!

By Sarah Peters Kernan

Forget cold weather and the first frosts of winter; I am already thinking about my spring garden! For years I have been yearning for space to plant a large vegetable garden and fruit trees. Now I can finally begin seriously planning such an endeavor since I recently moved into a new home with a large yard. Despite the approaching winter, I am constantly daydreaming about apples, beets, carrots, and tomatoes. The apple trees, in particular, have piqued my curiosity. There are hundreds of heirloom varietals, many of which will flourish in my planting zone. More than the standard fruits available at local markets, these heirloom ones attract me. I thought that I would use this opportunity to try growing some varietals that may have been available in late medieval or early modern England so that I can not only cook my many favorite modern apple dishes and preserves, but also prepare apple recipes from my research with period-appropriate fruit.

The art of grafting and cultivating fruit trees was acknowledged and recorded in Antiquity. Many treatises on the topic exist from the Middle Ages, such as those by Nicholas Bollard and Godfrey’s translation of a fourth-century work by Palladius. Similarly, early modern cookbooks and books of household management, like Charles Estienne’s L’agriculture et maison rustique (1564) and its English translation Maison Rustique, or the countrie farme (1600), devote sections to the topic. In late medieval and early modern England, apples were an accessible fruit for peasants and commoners. Each autumn apples ripened on trees that flourished across the English countryside. And despite the popularity of the apple, recipes rarely distinguished specific types of apples to use; in most instances, the selection of fruit was left to local availability and personal preference.

Elizabeth Blackwell, "The apple tree or pearmain," 1739, Science, Industry and Business Library: General Collection , The New York Public Library. Source: The New York Public Library
Elizabeth Blackwell, “The apple tree or pearmain,” 1739, Science, Industry and Business Library: General Collection , The New York Public Library. Source: The New York Public Library

Recipes sometimes distinguish between apples, pippins, pearmains, codlings, and others, but none of these terms refer to specific varietals. These terms do, however, tend to highlight certain flavor, texture, or keeping characteristics. Pippins, for example, are typically sweeter apples. Codlings refer to harder apples not intended to be eaten raw. Sometimes this hardness is a feature of the varietal, while other times this term refers to unripe apples. This lack of specificity in recipes is not to say that we have no record of medieval or early modern varietals. Medieval legal, religious, and household records, for example, describe specific apples.[1] It is the recipes that remain vague.

Nicolaes Maes, “Young Woman Peeling Apples,” ca. 1655, The Metropolitan Museum of Art, Bequest of Benjamin Altman, 1913, Source: Metropolitan Museum of Art
Nicolaes Maes, “Young Woman Peeling Apples,” ca. 1655, The Metropolitan Museum of Art, Bequest of Benjamin Altman, 1913,
Source: Metropolitan Museum of Art

Most early modern recipes similarly exclude mention of apple varieties. However, a very rare instance of a recipe identifying a specific varietal occurs in a recipe book in the New York Public Library, Whitney Cookery Collection MS 2. This recipe book belonging to Lady Anne Percy in the mid-seventeenth century contains instructions for a perfume which requires the “skinn of an apple called Camveza.”[2] It is notable that this recipe is for a non-edible luxury item containing expensive ingredients such as ambergris and civet. Camuesa was a Spanish apple varietal, and while it eventually came to refer more generally to pippins, the recipe seems to refer to the more luxurious and specific fruit. The majority of recipes do not specify a variety, though details are sometimes noted. In Mrs. Murrey’s Jelly of Pippins recipe in Lady Percy’s book, the reader is instructed to “take the best white pippins.”[3] Another recipe designates the best time of year to preserve green, or unripened, pippins is “about bartholme tide,” or late August. [4] Since pippins, like apples in general, ripen at varying points throughout the late summer and fall, the date in this recipe is probably specific to Mrs. Murrey’s source of pippins. Earlier recipes for apple fritters, tarts, and sauce (applemoys) appearing in manuscripts prior to 1500 exclude any mention of varietals, or even the adjectives which color early modern apple recipes.

Limited, if any, descriptions of apple varieties appear in other texts concerned with details of fruit like gardening treatises or herbals prior to the seventeenth century. Even the aforementioned Maison Rustique, a detailed manual for growing and grafting all sorts of fruits, mentions only a few varieties, like the globe apple, apple of paradise, and choke apple. However, a concern with growing consistent, identifiable, and enhanced fruit developed throughout Europe during the sixteenth century, so that by the early 1600s, elite gardens likely contained multiple varietals of fruits. This is reflected in contemporary texts: herbalists and botanists listed and described a wealth of varietals (like the sixty apple varieties in John Parkinson’s Paradisi in sole paradisus terrestris) and the occasional recipe from an elite household with access to many varietals, like the Percys, actually specified types to incorporate in recipes.[5] Named varietals at this time seem to point toward social status, though the many other recipes which indicate descriptions of texture, firmness, or size, reflect a more general concern with taste.

This apple ambiguity is ultimately a good thing, both for a cook trying to replicate a historic recipe and me, in planning a small, historically-oriented home orchard. For one, the lack of specificity does encourage the modern cook, like the original cooks, to use the apples we have on hand and are pleasing to our taste. Second, while many apple varietals are available today, only a handful available in the United States can be traced back several centuries. One American heirloom fruit tree vendor boasts twelve varietals dated before 1700; this includes fruits originally cultivated in England, France, Switzerland, Denmark, two American colonies, and one more vaguely attributed to “Europe.” It is difficult, if not impossible, to recreate any kind of “authentic” apple experience. While I may not be able to recapture any specific ingredients from historic recipes, I am excited to cultivate some new-to-me varietals in my own garden and experience some flavors from many centuries ago.

In case anyone still has apples in storage from a fall orchard picking, or you just want to plan ahead for next year’s crop, I leave you with a recipe from Lady Morton’s 1693 recipe book. [6]

To Make a Fine Apple Pye

Take 19 or 20 large codlings or pippings. Coddle them very soft over a slow fire. When enough squeeze them through a cullender. Put to it six eggs, half the whites beaten and strain’d, 6 ounces of butter melted, half a pound of fine sugar, the juice & rind but small of 2 lemons, one ounce and half of banded orange peele, half an ounce of banded lemon peel. Cut small, mix all these together, & put in a little orange flower water to your tast. Bake it in puft paste in a dish.

[1] Christopher M. Woolgar, The Culture of Food in England 1200–1500 (Yale University Press, 2016), 106–7.

[2] New York, New York Public Library, Whitney MS 2, 85.

[3] Whitney MS 2, 23.

[4] Whitney MS 2, 39.

[5] John Parkinson, Paradisi in sole paradisus terrestris (London: Humfrey Lownes and Robert Young, 1629), 587–8.

[6] New York, New York Public Library, Whitney MS 4, 150.