Remembering Terry Turner (1929-2019): Pharmaceutical History Collector Extraordinaire

By Laurence Totelin, with input from Briony Hudson

A few years ago, my colleagues Heather Trickey (social sciences), Julia Sanders (midwifery) and I decided to put together a small exhibition on the history of infant feeding, with a focus on Wales where we are based. I immediately thought that the exhibition would benefit from the input of Terry Turner OBE, emeritus professor of Pharmacy at Cardiff University. I had met Terry on several occasions, usually in the Cardiff University staff refectory at Aberdare Hall, and knew that he would have something to contribute to the project.

Two ceramic tops with holes in the middle. The topc are both inscribed.
Two ceramic tops for the so-called ‘murder bottles’ from Terry Turner’s personal collection. A tude was passed through the hole. Because that tube was very difficult to clean, it harboured dangerous bacteria. This type of bottle caused the death of many babies, hence the name of ‘murder bottles’. Photo: Laurence Totelin

With his habitual generosity with time and expertise, Terry accepted to talk to me and invited me to his house. In the morning that I spent with him on this occasion, I learnt more on infant feeding than I would have done reading several books. Terry showed me examples of historical feeding bottles and nipple-shields from his collections and explained how they were used; told me about the mixing of baby formulas; discussed past treatments for breast engorgement; and gave me useful insights into the commercial aspects of the pharmaceutical trade. He also returned to some of his favourite topics: the pharmacognosy of the Strychnos plant genus, with which he started his academic career (MPharm 1960); some of his adventures in collecting pharmaceutical artefacts and plant specimens; and his disdain for modern pain relief, and in particular paracetamol.

Photo of two historical metallic nipple shields with their original carboard box.
Two metallic nipple shields and their original cardboard box from Terry Turner’s personal collection. Photo: Laurence Totelin

Terence (Terry) Dudley Turner was a key actor in the pharmaceutical community in Wales. He entered the profession at the grand old age of 14, working at the renowned Cardiff Pharmacy Robert Drane. He formally registered as a pharmacist in 1955, and saw his profession change almost beyond recognition over his long career: almost gone today are the pestles and mortars, which had been the symbols of the profession for so long; almost complete now is the separation between botany and pharmacy. Terry was rightly proud of his knowledge of plants and his ability to extract from them healing substances. He travelled the world to collect plant specimens and knew their names in several vernacular languages (in addition of course to their Linnaean names).

Picture of two glass historical baby feeding bottles. The bottles are made of glass and are banana shaped. They are accompanied by two rubber teets in their original wrappings.
Banana-shaped baby feeding bottles with rubber teets from Terry Turner’s personal collection. Photo: Laurence Totelin

With a changing profession in the background, Terry developed an interest in the history of pharmacy. He was a founding member of the British Society for the History of Pharmacy (established 1967), which honoured him with the Leslie Matthews Medal in 2017 for his contribution to the history of British pharmacy. He taught his students about the history of the discipline, he wrote on the topic, but above all he collected artefacts in their thousands and could tell entertaining stories about many of them.

His collection soon became too large for his residence, and he started in the early 1980s to exhibit, loan, and donate it. It is currently displayed in two main locations: the Redwood Building, Cardiff University, and in the Apothecary’s Hall at the National Botanic Garden of Wales. The Turner Collection, formally donated to Cardiff University in 2009, comprises some 1500 artefacts, exhibited over three floors of the Redwood Building, currently curated by Sarah Daly and Briony Hudson. At the National Botanic Garden of Wales, the visitor will enjoy a reconstructed historical pharmacy. While it is in many ways ahistorical, gathering in the same place artefacts produced over many decades, it does capture the feeling of being in a pharmacy around the end of the nineteenth century. I am particularly fond of the scales for weighing babies. Terry also donated and catalogued around 500 materia medica specimens for the National Museum of Wales. While these are not on display, they are a key part of the museum’s economic botany collections.

Terry passed away aged 90 on 13 October 2019. I often wonder what he would have to say about the current pandemic. His wit, optimism and humour are sorely missed.


You can find more information about the history of the School of Pharmacy at Cardiff University, and the Turner Collection in Briony Hudson’s 2020 book 100 Years (1919-2019): Cardiff University School of Pharmacy and Pharmaceutical Sciences, dedicated to Terry Turner, and available freely on Achive.org.

 

Say Ohm: Japanese Electric Bread and the Joy of Panko

By Nathan Hopson

In 1998, the New York Times introduced readers to an exotic new ingredient described as “a light, airy variety [of breadcrumb] worlds away from the acrid, herb-flecked, additive-laden bread crumbs in the supermarket,” with a texture “more like crushed cornflakes or potato chips” than its plebeian brethren (Fabricant 1998). That ingredient was panko, which has since become a staple for American home and professional cooks alike. In 2007, panko accounted for only 3% of US breadcrumb sales, for instance. Five years later, one in six American households regularly stocked panko in the pantry. Panko caught on because it is crunchier (and stays crunchy under restaurant heat lamps), absorbs less oil, and adds more volume than traditional breadcrumbs (Nassauer 2013).

Why are these Japanese breadcrumbs different? How did they get to be that way? The story told by American manufacturers such as LA-based Upper Crust Enterprises―an ironic name given that the secret to panko is crust-free bread―is that “Japanese soldiers during World War II discovered [that] crustless bread made for better breadcrumbs as they cooked it with electricity from tank batteries, not wanting to draw the enemy’s attention with smoke from a fire”(Nassauer 2013). Upper Crust’s president, Gary Kawaguchi, affirmed this account in a recent interview.

This is a cool story. Turns out, the truth is just as cool.

Japanese inventors had tinkered with electric cooking prototypes since at least the 1920s. Then in 1933, the Imperial Japanese Army (IJA) commissioned a “field kitchen that can prepare both rice and bread”(Aoki 2019, 11). Cost was no object and time was of the essence. As Katarzyna Cwiertka has noted, the military generally advocated bread, but there was a special urgency in light of the logistical difficulties of supplying rice to new front lines in Siberia and Manchuria. In 1937, paymaster captain Akutsu Shōzō’s design became the “Type 97” field kitchen, first deployed with the IJA’s First Independent Mixed Brigade that year (Uchida 2020, 2–4). The 97’s cooker was an insulated wooden box with electrode plates attached to the base and four sides of the interior. The highly efficient cooking process Akutsu used goes by several names, including ohmic and Joule heating. It is a form of electroconductive heating that passes electric current through foods to heat them rapidly and uniformly, quickly producing a light, yeasty, crust-free bread.

Figure 1: Type 97 field kitchen interior structure. Courtesy of JACAR.

After the war, companies such as Sony began selling rice cookers and bread machines that adapted these wartime technologies, and DIY home bread makers were showcased in magazines and newspapers. Influential women’s magazine Shufu no tomo and the inaugural issue of boys’ DIY magazine Shōnen kōsaku both featured instructions for bread makers derived from Akutsu’s design in 1946, reflecting the popularity of electric power in light of consumer fuel shortages and, conversely, excess generating capacity with military factories shut down (Uchida and Aoki 2019, 484).

In the 1960s, the new postwar frozen food industry hungered for high-quality breadcrumbs. Wheat had poured into Japan after 1945, the result of food aid; the use of bread and other wheat products in Japan’s school lunch program; and endless marketing promotions. Although ambitious American visions to recenter the national diet on wheat were soon abandoned, US agricultural imports and food technologies remained critical to Japan’s changing postwar food systems. Improved and upscaled food processing equipment met a market awash in cheap wheat, enthusiastic consumers (about half of whom owned electric refrigerators by the mid-1960s), and improved logistics. Frozen foods were among the shiny new things of postwar Japan’s shiny new “bright life,” and the mass use of frozen foods to cater the 1964 Olympiad and 1970 World’s Fair made them even more attractive symbols of Japan reborn.

These factors spurred rapid growth in breadcrumb demand, which was met in large part by the industrial-scale use of ohmic heating to create “electric breads” that were airy and uniform, and fried up crisply and uniformly when made into panko (Uchida and Aoki 2019, 485).


Sources Cited

Aoki Takashi. 2019. “Denkyokushiki chōri no hatsumei kara panko e tsuzuku rekishi oyobi saigen jikken.” Science Journal of Kanagawa University, no. 30 (June): 9–16.

Fabricant, Florence. 1998. “From Japan, the Secret of Crunchy Coating.” New York Times, December 1998.

Nassauer, Sarah. 2013. “Panko Tries to Find a Place in Every Pantry.” Dow Jones Institutional News, March 7, 2013.

Uchida Takashi. 2020. “Suihan o kigen to shi panko seizō ni tsuzuku denki pan no rekishi (1): Rikugun suiji jidōsha to Kōseishiki denki suihanki to Takara ohachi.” Tōkyō Yakka Daigaku kenkyū kiyō, no. 23 (March): 1–14.

Uchida Takashi, and Aoki Takashi. 2019. “Suihan, denki pan, pan seizō ni itaru Nihon no denkyokushiki chōri no rekishi: Rikugun ‘suiji jidōsha’ o kigen to suru denki pan jikken.” Nihon Yakugaku Kyōiku Gakkai ronbunshū, no. 43: 483–86.


This post is part five in an ongoing series by Hopson on the history of nutrition in modern Japan. You can read his previous post here.

Meals on Wheels: The “Kitchen Cars” and American Recipes for the Postwar Japanese Diet

By Nathan Hopson

From 1956 to 1960, the USDA Foreign Agricultural Service (FAS) sponsored a fleet of food demonstration buses in Japan (“kitchen cars”) to improve national nutrition and fuel the nation’s economic recovery with more “modern” and “rational” cooking methods and, most importantly, ingredients (i.e. American agricultural surpluses: wheat, corn, soy, and to a lesser extent meat, dairy, etc.) The concept was first floated to the US by Dr. Ōiso Toshio, chief of the health ministry’s nutrition section, 1953-1963. Along with the school lunch program instituted under the US occupation, the kitchen cars became one of the most important tools for marketing American farm products in Japan. The school lunch program, centered on bread and (reconstituted skim) milk until the 1970s, taught young Japanese new tastes. The kitchen cars taught their mothers to reproduce those flavors at home.

The initial fleet of a dozen buses, operated by the Japan Nutrition Association (a semiprivate organ of the health ministry), reached over two million people in towns, villages, and apartment blocks across Japan. The nutritionists staffing the buses put their professional imprimatur on the many novel foods they demonstrated, and distributed samples, nutritional pamphlets, and the day’s recipes to their audiences of mostly housewives. The kitchen cars were wildly popular. When US funding expired, local Japanese governments built their own to meet public demand; the number exceeded 100 by the end of the 1960s. Though it is difficult (impossible?) to quantify, the kitchen cars contributed in subtle but profound ways to transforming the postwar Japanese diet.

Despite their popularity at the time, today the kitchen cars are mostly forgotten. When they are remembered, it is mostly for destroying “traditional” Japanese dietary patterns and contributing to the “Westernization” of the diet during the period of high economic growth. This backlash stems in part from the fact that American financing was hidden not just from the public, but also from all those who staffed or assisted with the kitchen cars. Still, in the short run, these buses were a win-win for the US and Japan. America’s Cold War “Food for Peace” campaign put agricultural surplus to work supporting a critical ally, and Japan received enormous amounts of free or cheap food and generous development loans.

Figure 1: Kitchen car demonstration in rural Aomori, year unknown (probably 1950s). Courtesy of the Aomori Prefectural Museum.

The photo above shows a typical scene from a day in the life of the kitchen car. The audience crowds around the back of bus, which opens up like a thrust stage for the nutritionists to perform upon. The gathered women listen intently, some taking notes. The kitchen installed in the rear of the bus is the state-of-the-art chrome and gadgetry emblematic of the new postwar “bright life” of happy consumerism. The nutritionists in their white lab coats bring the authority of science. The foods they are preparing may not seem like the stuff of American farm surplus propaganda, but as Ōiso himself observed, “Propaganda is truly effective when people don’t notice it.”[1] To wit, the noodles are most likely soba: buckwheat mixed with (American) wheat. Even subtler is the use of sautéing, undoubtedly in (American) corn or soy oil. This kind of gradualist approach, expressed in slogans such as “Flour-based food once a day,” helps explain both why nobody suspected American involvement and why the kitchen cars were so popular and effective.

Few detailed records of 1950s’ kitchen car menus remain, but those that do are consistent with accounts from the 1960s. A list of favorites from mid-decade Okayama prefecture includes milk donuts, udon stew, sautéed amaranth leaves with liver, fried meat and vegetables with ketchup, vegetable cream soup, fried soybean fritters, chicken and peanuts in tomato sauce, bok choy with peanuts and mushrooms, and cheese sponge cake. Roughly simultaneously, the prefecture’s public health center sponsored competitions for original, tasty, nutritious, economical foods (about ¥20 each) using ingredients like soy, skim milk, and flour. Winners included vegetable omelets, fried tofu-wrapped sardines, fried sardine balls, and mysterious entries such as “nutritional bread” and “nutritional fried dumplings.”

These lists lend credence to the remarks of Richard Baum, Ōiso’s initial American collaborator. In a 1978 documentary, Baum expressed immense satisfaction at the kitchen cars’ success. As he explained, “the housewives would come out and gather around and learn how to make different wheat foods. And then they would get to sample the wheat foods. And they found these very delicious and so they would say ‘Oishii desu. Mō sukoshi’ [This is delicious. A little more, please].”[2]


[1] Quoted in Takashima Teruyuki, Amerika komugi senryaku: Nihon shinkō (Ie no Hikari Kyōkai, 1979), 106.

[2] Quoted in Takashima Teruyuki, Shokutaku no kage no seijōki: kome to mugi no sengoshi (NHK, 1978).


This post is part four in an ongoing series by Hopson on the history of nutrition in modern Japan. You can read his previous post here. This entry is based on his article “Ingrained Habits: The ‘Kitchen Cars’ and the Transformation of Postwar Japanese Diet and Identity.” Food, Culture & Society, November 2020.

January 2020: a Taste of “Before ‘Farm to Table'” Part II

Dear Recipes Project community,

Happy 2020! This month we’ll mark the new year by highlighting some discoveries from the Before “Farm to Table”: Early Modern Foodways and Cultures project, a Mellon initiative in collaborative research at the Folger Institute of the Folger Shakespeare Library in Washington, DC. Several of this month’s posts feature products from the BFT team, all of which were featured on the Folger’s Shakespeare & Beyond blog. Produced by the Folger Shakespeare Library, Shakespeare & Beyond covers a wide range of Shakespeare-related topics: the early modern period in which he lived, the ways his plays have been interpreted and staged over the past four centuries, the enduring power of his characters and language, and more. The Recipes Project is delighted to partner with Shakespeare & Beyond as we explore recipes in Shakespeare’s world.

What can you expect to learn? Michael Walkden will discuss early modern European ideas about mushrooms: edible or poisonous? Nutritive and tasty, or actually the “excrements of the earth?”  And next up, below: Julia Fine explores the ways in which the general public contributed to and engaged with the Folger’s First Chefs exhibition.

-The RP Editors
*****
Food culture and First Chefs: Appreciating the layers of meaning behind food in Shakespeare’s world and our own

By 

In Shakespeare’s The Taming of the Shrew, Petruchio grabs a leg of roast mutton and throws it to the ground. Doing so, he exclaims, “it engenders choler, planteth anger,/ And better ‘twere that both of us did fast.” As food anthropologist Leigh Chavez-Bush writes of this statement in Atlas Obscura, this line was not a throwaway. Rather, “eating the right foods in the proper quantities, 16th-century Britons believed, balanced mind and soul.” Here, Petruchio is invoking this idea of balance, referring to the notion that food could imbalance the humors which were thought to impact the body. In Shakespeare’s plays, then, “roasts, ales, and pies are not props, but clues to characters’ souls, moods, and motivations.”

Whether we look to Shakespeare’s world or ours today, food represents something more than mere sustenance. Food is instead a universal ritual, one in which everyone takes part. Thus, food and eating, according to Sidney Mintz in his pathbreaking work Sweetness and Power, act as “foci of habit, taste, and deep feeling,” across different cultures and times. In this sense, eating is about more than just nutrition; food evokes the feelings, memories, and stories baked into each bite.

The Folger’s First Chefs: Fame and Foodways from Britain to the Americas exhibition, which ran from January through March of 2019, demonstrated the different functions that food served in the early modern British Atlantic world. The exhibition shared the stories of several First Chefs, people like Hannah Woolley, the first English-language woman food writer, and Hercules, a chef enslaved by George and Martha Washington. After encountering these stories, visitors were invited to reflect on their own experiences with food in a special area of the exhibition devoted to food and memory, and many wrote down their favorite food reminiscences, recipes, and stories.

The textual and culinary delights that guests shared with us spanned time and space. We received recipes in English, Spanish, Chinese, Korean, and Mongolian, written by children and grandparents alike. Some detailed how food shaped their lives, acting as a catalyst to immigrate to America; others discussed yearly rituals surrounding food that united their families. Some people left recipes for cookies passed down for generations; others detailed the joy of opening a box of Kraft mac and cheese.

Image courtesy of the Folger Shakespeare Library.
Image courtesy of the Folger Shakespeare Library.

To give you a taste, here are some of our favorite food memories shared at the First Chefs exhibition. As you read, we ask that you reflect on what stories, beliefs, and histories are encoded within these texts. What does food tell you about people’s lives and cultures? What information can you glean even from the most straight-forward of recipes?

Want to learn more about our visitors and their responses to First Chefs? Read the rest of Julia’s post at Shakespeare & Beyond: https://shakespeareandbeyond.folger.edu/2019/11/01/food-memories-culture-first-chefs/#food-memories