One Hundred Delightful Tastes of Tofu: How Doable Was an Early Modern Japanese Recipe?

By Sora (Skye) Osuka

Tofu Hyakuchin (豆腐百珍, One Hundred Delightful Tastes of Tofu Recipes), originally published in 1782, is often considered the first cookbook that only focuses on one ingredient and the beginning of the Hyakuchin-mono (百珍物, One Hundred Recipes of Delightful Tastes) series. Harada Nobuo, Eric Rath, and other historians of Japan have argued that cookbooks published during the Edo period were tools for vicarious consumption of cuisines that the reader could not physically obtain. However, when we carefully analyze the contents of cookbooks written in the Edo period (1603-1868), we are surprised that they are filled with the practical knowledge, the latest cooking techniques, ingredients, and utensils of that time. It was also during the Edo period, in which society formed the basis of Japanese cuisine that is still visible in the present day. The role of cookbooks like the Tofu Hyakuchin, not only as symbols of townspeople (chonin, 町人) culture and the culture of play (Asobi, 遊び) but also as a form of collective knowledge of the people who supported culinary culture during this time, cannot be underestimated.

This piece challenges the generalizing discourse surrounding cookbooks during the Edo period by first examining the popularity and accessibility of tofu as food from primary sources aimed for everyday people. Then it analyzes key aspects of Tofu Hyankuchin that separate this text from other cookbooks during this time, such as utensils, specific cut sizes, and measurements of ingredients to highlight the components that could be seen as “practical knowledge” rather than “vicarious consumption.”

Many believe that tofu was not consumed among ordinary people in the first half of the Edo period. In 1500, Shichijyu-ichi ban Shokunin Utaawase (七十一番職人歌合, Matching Songs of Seventy-one Craftsmen) was published. Tofu seller (豆腐売り) is mentioned as the 37th job . In the accompanying illustration, a lady in a black kimono and white headband sits cross-legged on a low platform on a street selling large and small pieces of cut tofu. The author of the painting is believed to be Tosa Mitsunobu (1434-1525). A total of 71 sections and 142 craftsman figures are displayed. In addition to the traditional craftsmen involved in the construction of temples and shrines, more low-ranking people such as female craftsmen, saleswoman, entertainers, and prostitutes who are not directly involved in material or agricultural production, are also included. Through the Shichijyu-ichi ban Shokunin Utaawase, it can be assumed that tofu seller was one of the recognized occupations and tofu was available in the later Muromachi Period (1336-1573).

Shichijyu-ichi ban Shokunin Utaawase [七十一番職人歌合], Tofu seller [豆腐売り] is mentioned at the 37th job, along with Somen (wheat noodle) Seller [御そうめん売り]. Published in 1500. (https://kotenseki.nijl.ac.jp/biblio/100098001/viewer/1)

In the Kansei period (1789-1801) or the early 1800s, ranking tables (banzuke) became popular in Edo. Tofu cooking is mentioned in the Nichiyo Kenyaku Ryori Shikata Kakuryoku Banzuke (日用倹約料理仕方角力番付, Daily Frugal Cooking Method Competitive Ranking Table) which is in the same format as a sumo tournament flier. According to the table, there are two sides: Vegetable and Fish. The highest rank is Ozeki (大関). Under the Vegetable side, the Happai Tofu (八杯豆腐, Eight Cups Tofu) is ranked to Ozeki. Yaki Tofu (焼豆腐, Grilled Tofu) is ranked in the fourth rank of Sekiwake (関脇). Kinome Dengaku (木芽田楽, Baked Tofu with Sansho Tree-Sprout Miso Coating) is ranked in the fifth rank of Maegashira (前頭) in the spring section. Tofu related cuisines appeared a total of 15 times on the table.

Nichiyo Kenyaku Ryori Shikata Kakuryoku Banzuke日用倹約料理仕方角力番付, Published by Yoshida-ya Shoukichi Shuppan. Early 1880. Edo-Tokyo Museum.

Besides popular culture mentions of tofu, we can also see the prevalence of soy itself through Edo period edicts. Tokugawa Iemitsu issued the Keian Ofuregaki (慶安御触書, Keian Edict) in 1649 for the control of farmers. The edict consists of 32 articles, which warn of luxury life by peasants, such as alcohol, tobacco, and rice. The edict also demands people to devote themselves to agriculture. In the fourth edict, soybean planting is mentioned in the form of so-called aze-mame (畔豆, ridge beans), in which soybeans are planted in the ridges of rice paddy fields. It states that peasants must plant soybeans and azuki beans between their rice fields and farms. It is interesting to note the contemporary understanding of legumes’ ability to reincorporate nitrogen back into the soil. Although the people of Edo knew no such knowledge, legume planting may have helped farmers overall crop yield and efficient use of land. As the 4th edict decreed:

“Focus on cultivation, and planting to rice fields and vegetable fields, and at the same time, focus on production and prevent weeds from growing. If you take care of weeds and always cultivate the land with a hoe, you can get good crops and a lot of harvest. Then, plant soybeans and azuki beans on the bank in the fields to increase the crop as much as possible” (Keian Ofuregaki).

In the 11th edict, it stated that after experiencing famine, peasants must eat soybean leaves, which was also mentioned in the Ryori Monogatari [料理物語, Tale of Cooking], perhaps the most prominent early cookbook in Edo Japan. From the context of the 11th edict, the peasants had rice in the autumn, but in the later months, they had millet. The Tale of Cooking is written to support the peasant’s menu:

“The peasants are not thinking well, and they have no idea about the future. In the autumn, they feed rice to their wives and children without thinking about the harvested rice. Always in January, February, and March, they take care of rice and eat millet, wheat, Awa millet, Hie millet, vegetables, radishes, and make more millets, and do not eat a lot of rice. Immediately after experiencing a famine, do not waste time throwing away soybean leaves, azuki leaves, cowpea leaves, deciduous leaves of potatoes, etc.” (Tales of Cooking).

Around 1695, tofu was sold by vendors sitting by the road. We do not know for sure when tofu was first sold by walking street vendors, but after a big fire in Edo in 1698, sellers of dengaku (skewered grilled tofu with a sweet miso topping) started to appear.

In 1634, the Tale of Cooking was published. This was during the early part of Edo and is often considered the first Japanese cookbook written mostly in plain, syllabic Japanese. Although the author is unknown, the epilogue states that “This one volume of this cooking book does not require knife skills. This is for ordinary people and there are no cooking rules. This teaching is from our ancestors. Since I wrote the story of people to date, it is called the tale of cooking.” As for tofu related recipes, there are only two mentioned in the Ryori Monogatari in section 12 on boiled foods: Ise Tofu (伊勢豆腐) and Ryori Tofu (料理豆腐):

“Ise tofu: First grate yam. Cut the sea bream and grate it. Add one-third of grated yam. Add the egg white into tofu and grate it. Grate them well together. Spread a cloth on a cedar box and wrap it. Put it in hot water, press it, and then cut it. Spread cloth on the cedar box. Put it into boiled water, hold, and cut. Serve with arrowroot and soy sauce. It is also very good to sprinkle with chicken miso or wasabi miso. Also, it is good to serve only the tofu. I sincerely report the above recipe” (Tales of Cooking, 183).

If we take a closer look at the recipes, we see that there is little to no information about measurements, sizes, or utensils that are required to actually prepare these dishes.

A distinct feature of the Tofu Hyakuchin that shows that the book was not strictly for the purpose of play are the detailed cut sizes, measurements, and cooking utensils, potentially allowing readers to follow and recreate the dish. For instructions of cutting Tofu in the 72nd recipe, it instructs readers to “remove the coarse cloth texture from the surface of a whole tofu and cut off the four corners of the tofu, then cut the newly formed corners to make an octagon. Cut that into five or six smaller pieces. Season using sake, salt, and soy sauce” (Tofu Hyakuchin, 28). Another example is in the 96th recipe, readers are asked to “cut tofu in 2.4cm x 2.4cm x1.2-1.5cm cubes. On one skewer, place three pieces. Follow recipe number two (Kiji-yaki dengaku), grill until golden brown. Once it is grilled, remove them from the skewer. Place them in a Raku-ware teapot with a lid. Pour on hot pepper-vinegar-miso and sprinkle poppy seeds on top” (35).

Other detailed measurements are also explained in the 56th recipe, for example, “mix grilled tofu and Fukusa miso in a 7:3 ratio. Pound the mixture with a kitchen knife until it is one solid piece. Make into desired size, and lightly fry them. Season to desired choice”(24).  In the 81st recipe, furthermore, “use silken tofu. Boil six parts water to one-part sake. Once it is boiling add one-part soy sauce and let it reach a boil again. Place tofu into the mixture. The length of simmering is the same as number 92 of Yu-yakko. Remove the tofu right before it starts to float. Serve with grated daikon radish” (31). The recipes in Tofu Hyakuchin are in simple, syllabic writing and basic characters, with detailed measurements, and are easy for the reader to understand the method of cooking. In addition, it is easy to visualize the dish just by reading the instructions.


Introducing New Cooking Utensils

In one Tofu Hyakuchin recipe, it shows a new innovation: a charcoal stove specifically for making Kinome-Dengaku in the first tofu recipe. To proliferate varieties of cooking, it is essential to develop and invent new cooking tools. In the book, a new baking charcoal stove is introduced made of ceramic, which allowed for portability and better heat transfer than previous grills, as well as accessibility to a wider audience than traditional metal or steel grills. “Recently,” the book notes, “a new product was released for grilling miso dengaku (skewered tofu with miso sauce). About 60 cm in length; The width is about 8 cm; About 6 cm deep. This is made of pottery and has a hole in the bottom. There are many 1.8 cm holes (12).

Newly invented charcoal brazier for dengaku. In Tofu Hyakuchin [豆腐百珍, One Hundred Delightful Tastes of Tofu Recipes]. National Diet Library. (https://dl.ndl.go.jp/info:ndljp/pid/2536494)

There are also many cooking utensils made of metal introduced in the Tofu Haykuchin. We can assume that hardware stores were popular in the Edo period and selling metal products allowed more access for people to cook food at a higher temperature. For example, in the 40th recipe, a wire mesh (金の籠, Kane no amikago) is introduced:

“Simmer light-soy sauce with sake and salt. In a separate pan, bring a large amount of oil to a boil. Cut tofu into flat cubes and place them on a wire mesh. Fry the tofu by shaking it 2-3 times inside the oil. Once fried, immediately place the fried tofu in the pot of simmering soy sauce”(21). 

The 54th recipe also uses a sieve made of metal: “To make the mashed potato, boil mountain yam very well. Remove excess water and sift through a metal sieve (銅飾, Kanasuhinou)” (24). Moreover, in the 57th recipe, a metal spoon (金匕, Kanesaji) is used to “simmer whole tofu in a pot with no liquid over small heat. Remove the liquid that comes out of the tofu with a metal ladle”(25). 

The recipe book also mentions a specially shaped long wooden box (つきだし, tsukidashi) in the 100th tofu recipe, which has about the same cross section as that of a block of tofu, with a handle on one end, a screen over the opposite exit end, and a wooden pusher, which is used to push a block of tofu into the box and through the screen, thereby creating tofu noodles.

“To cut the tofu, use the tube used to make tokoroten [gelatin jelly strips]. Use silk string to make grids on the end of the tube. Point the tube directly into lukewarm water. Push the tofu through the tube to make a noodle-like shape. Let the tofu submerge in water as you push it through. Even when serving 100 people, it is important to cut the tofu immediately before serving”(37-38). 

Examining the contents of the Tofu Hyakuchin, this cookbook was not just a hobby of a cultured person, but all recipes are easy to make, delicious, and still seen today. It introduced detailed cut size and specific measurements of ingredients. It also introduced cooking methods such as frying, steaming, and boiling that could be easily done with the new invention of high-heat cooking utensils. From the other popular culture materials and Tokugawa edicts regarding the development of soybean production, we can see the possible accessibility of tofu. This paper is not to discredit previous scholars on this subject, whom I greatly respect, but to complicate our understanding and analysis of Edo period cookbooks.


Notes

1 For the full text of Keian Ofuregaki, see: (http://sybrma.sakura.ne.jp/329keiannoohuregaki.html).

2 Recently, the Kenan Ofuregaki is considered forged document issued by the Edo Shogunate in 1649. It is believed that first issued in the territory of the Kofu domain in Kai Province in 1697, with the addition of a tradition that it is a curtain law of the Keian era. See, Yamamoto Eiji. Kenan no Furegagi wa dasaretaka (慶安の触書はだされたか). Tokyo: Yamakawa-shuppan, 2002.

 

Reflections on Medieval Culture Through A Culinary Lens

Teaching the Medieval Feast

Krista Murchison (Leiden University), @drkmurch

Leiden University’s English Language and Culture BA is aimed at teaching about not just the literature and language of the English-speaking world (broadly defined) but also about its culture. This means that when I design my medieval English literature courses, I encourage students to explore this literature within its beautiful, conflicted and multifaceted cultural environments—and their present-day resonances. 

One of the activities I introduced to my courses most recently was a medieval feast. Students were tasked with translating historical recipes out of their original Middle English—a language that was spoken in England between c. 1100 and 1500, years before Shakespeare was born. Once students had translated their recipes, they tried out some medieval cooking and wrote short and imaginative reflections about how their culinary creations reflected medieval culture. I’ve compiled these recipes and reflections for a ‘digital medieval cookbook’ here.

The activity was structured in a way that would allow students to lead their own learning experiences, since scholarship of teaching and learning tends to suggest that people learn better through activities that emphasize active exploration over passive listening (cf. Messineo et al. 2007). So,  students, working in groups of three or four, selected for themselves which recipes they wanted to focus on out of pre-defined sets, and they decided independently how best to approach the assignment. The resultant projects drew from an impressive range of multimedia formats, from comic strips to vlog-style cooking tutorials, and reflected an insightful understanding of medieval written and culinary culture.

In keeping with the student-driven structure of this learning task, this post will feature reflections from two of the groups who participated in the assignment. These reflections will explore some of the striking differences between modern and medieval cuisine and speak to the fascinating experience of preparing medieval food in a modern kitchen.

Image credit: British Library, Harley MS 7334, f. 58r.

For medieval writers, feasting could be political. In a widely-popular medieval legend, a well-timed “wassail” (a drinking toast still in use today) was key to the arrival of the Saxons in Britain (in the 5th century CE). One of the earliest versions of the stories comes from Geoffrey of Monmouth’s History of the Kings of Britain (c. 1136), which is best known for containing one of the longest early accounts of King Arthur. In Geoffrey’s account, Vortigern (leader of the Britons) invited Hengist (leader of the Saxons) to Britain from across the North Sea. Hengist brought his daughter Rowena with him. When Rowena met Vortigern at a feast, she approached him with a full cup of mead and, in her own language, toasted him with the words “Lauerd king wacht heil!” (“Lord king, wassail!”). Rowena’s greeting was apparently so pleasant that Vortigern was enchanted by Rowena, let his guard down and drank too much. Ultimately, he married Rowena and, in so doing, enabled the Saxon invasion of England. While undoubtedly an invention, the story illustrates how the feast, in medieval popular imagination, held the potential to influence the succession of kingdoms, the building of dynasties, and the collapse of empires.

A medieval court at the table. British Library, Additional MS 19554, f. 1v.

Despite its importance to medieval writers, food has traditionally been left out of discussions of medieval culture and the value of recipes as historical documents is often overlooked. This neglect of culinary culture is due, in part, to a pervasive sense that it belongs in a domestic sphere separated from the political one, where the “real” history is thought to happen. Yet this distinction between the domestic and the political has been shown, in various domains, to be artificial; and as the Rowena anecdote makes clear, it holds little grounding in medieval culture. By shedding light on medieval culinary culture, this class project participates in a broader movement of recognizing the manifold ways in which food shaped and reflected medieval culture.

Recipes from the Forme of Cury, including “makerel in sawse” and “porpeys in broth”. British Library, Additional MS 5016, f. 7r.

The recipes for the project came from a medieval cookbook known as the Forme of Cury (c. 1390s). It was, according its preface, compiled by “the chef Maister Cokes of kyng Richard the Secunde kyng of Englond” (fol. 1r).  The recipes were taken from Samuel Pegge’s edition; while it has the disadvantage of being rather antiquated, it has the advantage over more modern editions of being out of copyright. I selected recipes that would be feasible to cook and that would be easily transportable, so that students could share their delicious creations with the class.

British Library, Harley MS 7334, f. 57v.

Medieval Food in the Modern Kitchen

By Ilse van Oosten (Leiden University)

After receiving a set of recipes, our group of four was responsible for all the stages of our project: translating our recipes, researching medieval food, and (perhaps the most enjoyable part) recreating one of our recipes. It was interesting to see what kind of ingredients and dishes a medieval person would have been familiar with and how food could reflect a person’s social position in the medieval period. Unlike reading literature, which can seem removed from everyday medieval life, reading these recipes felt like peering into a medieval kitchen.

Medieval cooking. From British Library Royal MS 10 E IV, f. 108r.

Funnily enough, many of the recipes we translated were quite similar to some modern-day recipes. One recipe, named “appulmoy,” was a pudding-like version of our contemporary apple sauce. What surprised me is that many of the recipes were either vegetarian or fully vegan. The stereotype of the meat-loving medieval population was certainly called into question by these recipes. Discovering these links between medieval and modern-day cooking—the similar recipes and the mixed diet—was an unexpected and fascinating aspect of this project.

As we learned during the project, medieval recipes are a distinct text type that differs from its modern equivalent. There are, of course, some similarities; both medieval and modern recipes tend to start by giving the name of the dish as the title, and both tend to favour relatively short, practical sentences. Both also rely on some standard, formulaic phrases; many recipes in the Forme of Cury, end “and serue it forth,” which is comparable to the modern phrase “and serve the dish.” Yet medieval recipes tend to be rather sparse compared to their modern counterparts. They lack the kinds of measurement specifications and information about cooking time and temperature that are generally found in modern recipes. Medieval recipes also feature a limited set of cooking terms and are not divided up into separate steps, but are written in continuous sentences. They are much shorter than modern recipes and expect a great deal of prior knowledge from cooks. All this forced us to improvise a bit while trying out the recipes.

Although some medieval recipes did not sound too appetising, such as a “salat” consisting mainly of onions and an odd mixture of fresh herbs, some medieval recipes are really tasty and fun to make. Even though the real experience of a medieval kitchen would have been different, making medieval recipes today offers a glimpse of what went into making medieval food. Among other things, a lack of modern tools like blenders and programmable ovens means that it took much longer to prepare food in the medieval period than it does today. A modern cook trying these recipes for the first time may need to spend some time researching unfamiliar ingredients like “powdour fort” (“strong powder”) and I would recommend preparing the dish as a group, simply because it was the most fun bit of this assignment. Most recipes were not very difficult to make and offer a nice culinary experience for anyone interested in both history and cooking.

Image credit: British Library, Harley MS 7334, f. 57v.

 

Medieval Food, Health, and Social Status

By Ellemijn Galjaard, Vita Jansen and Lisanne de Wolff (Leiden University)

Going into this assignment, our view of medieval food was stereotypical to say the least. We expected the medieval diet to be extremely carnivorous, unvaried and bland. However, we were surprised to find quite the opposite. An article by Rosalie Taylor revealed that medieval cooks were perfectly capable of preparing a wide variety of vegetables. In fact, greens were often left out of recipes because cooks were expected to know how to create a balanced dish without this information — not because medieval people didn’t eat vegetables. Unlike today’s cookbooks, medieval cookbooks omit specifics about boiling, blanching or sautéeing vegetables because these were thought of as general knowledge.

Indeed, many of the medieval recipes we read turned out to be far from bland. Two of the key ingredients in the recipe for Appulmoy, for example, were saffron and the aforementioned spice blend known as “powdour fort”. Compared to these powerful spices, the more generic combination of sugar and cinnamon used for Dutch ‘appelmoes’ comes up somewhat short. After tasting our home-made Appulmoy, we knew one thing for sure: the Middle Ages witnessed some great culinary creations. 

Preparing a medieval feast. British Library Additional MS 42130, f. 207v.

To understand the differences between medieval and modern recipes, it is valuable to look at Middle English cooking in general. During the Middle Ages, cookery books were not as commonplace as they are today. The audience for cookery books was generally literate and well-off, because the production of books was rather costly (Mikkelsen Talgø 8). Additionally, the ingredients mentioned in medieval recipes could be quite expensive and thus inaccessible to the lower-income households. This aspect of medieval recipes was evident from an ingredient in one of our recipes: saffron. Even today, saffron is considered exceptionally pricey, and saffron had the same reputation as an exclusive spice in medieval times. Volker Schier describes saffron as “an object of conspicuous consumption reserved for the wealthy” (57).

But it had medical properties: “tonic, mood elevator, antidepressant, and hallucinogenic drug” (57). This means that saffron was not only to enhance the taste and colour of recipes, but served a medical purpose. J. Estes claims that  “[b]y the late Middle Ages, the therapeutic benefits of food had entered into the everyday planning of at least the grand households” (1537). Spices more generally “were regarded as both aids to digestion and evidence of a hosts’ wealth” (1537). From this evidence, we can conclude that spices in the medieval period were thought to promote both one’s health and one’s reputation. This dual purpose of spices is not prominent in modern day cuisine, although there has been an increase in recent years in using spices for their antimicrobial properties in health-conscious diets. 

Medieval baking. British Library, Royal MS 10 E IV, f. 145v.

Three ingredients in our recipe were hard to find, each for a different reason. The first was saffron, which can be hard to include in medieval cooking due to its cost and rarity. Although it can be a rather exclusive spice, it was available in a regular supermarket and we were able to procure some of it for the Appulmoy. But we were not able to obtain almond flour. It is today considered a health product akin to superfoods such as dried cranberries and dairy substitutes such as rice milk, but such products are not widely available. The inclusion of almond flour rather than regular flour in a medieval recipe, albeit one that was probably for the wealthy (judging from the saffron), suggests that in the medieval period almond flour was a more common ingredient than it is today. The third ingredient, “powdour fort” (or “strong powder”), was hard to find because its name was initially a mystery. We now know this refers to a mix of spices, containing pepper and cinnamon or pepper and ginger. We decided to try the cinnamon blend for our Appulmoy.

A few final tips for anyone embarking on a medieval cooking project…

  • When making medieval recipes, proceed with an open mind and an experimental attitude.
  • Do not worry too much about the right amount of pepper or cinnamon, or about the end result.
  • If you want to make sure your food turns out right, you can compare the medieval recipe with similar modern ones in order to get more exact timings and measurements.

However, this might take away from the experience, which is really the most important part: the experience of cooking something special with friends.

Bibliography

Baldassano, Cassandra. “Powder Fort.” Medieval Cuisine, 2012, http://www.medievalcuisine.com/Euriol/recipe-index/powder-fort. Accessed 24 August, 2019. 

Estes, J. “Food as Medicine.” Cambridge World History of Food, edited by Kenneth Kiple and Kriemhild Conee Ornelas, Cambridge University Press, 2000, pp. 1534-53. 

Messineo, Melinda, et l. “Inexperienced Versus Experienced Students’ Expectations for Active Learning in Large Classes.” College Teaching vol. 55, no. 3, 2007, pp. 125-33.

Mikkelsen Talgø, M. An Edition of the Fifteenth-Century Middle English Cookery Recipes in London, British Library’s MS Sloane 442. MA Thesis. University of Stavanger, 2015. Web. Accessed 20 April, 2019. 

Schier, V. “Probing the Mystery of the Use of Saffron in Medieval Nunneries.” The Senses and Society, vol. 5, no. 1, 2010, pp. 57-72.

Taylor, Rosalie. “More Garbage, Anyone? Eating and Cooking Meat in Medieval England.” The English Language(s): Cultural & Linguistic Perspectives, 2005, http://homes. chass.utoronto.ca/~cpercy/courses/HELEncyclopedia.htm. Accessed 24 August, 2019.

Lobster Newburg: Margaret Chase Smith’s Promotion of a Maine Ingredient

Nicole Ritchey

The Margaret Chase Smith Recipes Research Collaborative is an interdisciplinary group of faculty, students, and staff at the University of Maine. Members represent a wide range of disciplines including history, sociology, folklore, anthropology, public policy, food science, and business. Senator Smith was a trailblazer, passionate about bringing people together through civil discourse, often over a home-cooked meal. She was a proud homemaker throughout her thirty-three years in office, and she maintained an extensive recipe collection, using recipes from her collection to entertain fellow policymakers in Washington and at home in Maine. The collaborative formed to support students and faculty interested in issues of food, recipes, politics, history, and their intersections.

This post is part of a series of student research projects exploring a recipe from Smith’s collection from an Honors tutorial taught by Dr. Rachel Snell in Spring 2019. Combined the students’ insights provide a new window into Sen. Smith’s private and public persona as well as the cultural, social, and scientific context of her lifetime. 

Maine Lobster postcard c. 1920. Courtesy of the Jesup Memorial Library.

Lobster history is not new news to most Mainers or many New Englanders. Most people know about its “cockroach of the sea” to riches story. Once known as poor man’s food, this crustacean has risen from cockroach of the sea to a hot commodity. A lot of this “take off” is centered in Maine and occurred during Margaret Chase Smith’s lifetime, consequently influencing her recipe collection.

Lobsters were once so abundant along the coastline of northern New England that eating lobster was a sign of poverty. In the 1600s, it is rumored that lobsters washed up in two-foot piles after storms (History 2018). Native Americans used lobster to bait their hooks because of their availability (Willett 2013). Collected from the shoreline or speared in shallow water, lobster was eaten dead at this time. By the 1820s, Smackmen collected live lobsters using special wells in their boats that circulated sea water. Burnham & Morrill founded the first lobster cannery in 1836, the cans sold for one-fifth of the price of their Boston Baked Beans (DeBenedictis 2015). The growth of the railroad helped lobster find an audience outside of coastal areas (Willet 2013). By the 1850s canned lobster was being served as a side in salad bars. Around the same time, fishers switched to using lobster traps because lobster was becoming less plentiful in shallow waters.

Lobsterman with his (giant) catch. Swan’s Island c. 1930. Courtesy of the Swan Island Educational Society.

People would travel to the coast to enjoy fresh lobster, baffling many native New Englanders. For the coastal state residents, lobster still epitomized cheap, lower class food. Chefs discovered in 1876 that cooking live lobster “unlocked” many flavors. Live cooking became an instant hit and almost immediately led the creation of the first Lobster Pound in Vinalhaven, Maine. This was a place for local fishers to drop off their lobsters which would all be shipped live together in large batches. This centralized shipping and increased time fishers could be out. 

According to rumors, Lobster Newburg was invented in 1876. The popular theory begins in Delmonico’s Restaurant in New York City. Ben Wenberg created the idea for and gave his name to the dish. Allegedly, an argument with the restaurant owner led to changing the dish’s name to Newburg (What’s Cooking 2017). The sauce used in Lobster Newburg is Terrapin sauce, used frequently in recipes before 1876 (Whitaker 2010). The first published recipe for Lobster Newburg is in Miss Parloa’s Kitchen Companion, by the principal of the School of Cookery in New York, copyrighted in 1887. This recipe calls for a four-pound lobster and two types of alcohol (Parola 1887).

This image shows two Mainers, Sen. Smith and Sen. Ralph Owen Brewster, enjoying lobster at the Maine State Society’s annual Lobster Dinner on February 22, 1946 held in the U.S. Interior Department’s cafeteria. Courtesy of Margaret Chase Smith Museum and Library. 

Margaret Chase Smith was born in Skowhegan, Maine (about seventy-five miles from the coast) in 1897, just a decade after the publication of Miss Parola’s recipe. Maine has a two-sided history with lobster. George H. Lewis shows the role of class in the acceptance of lobster with the differences between “summer people” and permeant residents in Maine. In his article, “The Maine Lobster as Regional Icon: Competing Images Over Time and Social Class,” Lewis argues the symbolism of lobster largely depends on socioeconomic factors. The summer people are often upper-class visitors who cultivated the idea that Maine lobster was an icon of the state. They helped drive up demand and prices and brought about a tourism boom. Year-round residents in some parts of the state often have a very negative view of lobster still. Lobster was trash food in the beginning for them, and now that prices have risen, they can barely afford what used to be the cheapest protein (Lewis 1989). 

Sen. Smith hosted President Dwight Eisenhower for a traditional lobster bake on the lawn of her home in Skowhegan in 1955. Courtesy of Margaret Chase Smith Museum and Library.

It is unlikely Smith grew up eating lobster due to Skowhegan’s distance from the coast. However, there are several recipes for lobster (as well as other seafood) in her collection, including a recipe for Lobster Newburg on her Senate stationery that she kept to respond to recipe requests. Smith regularly received requests specifically for lobster recipes, likely because of the association between Maine and lobster. In 1968, the editor of the forthcoming Republican Cookbookcontacted Smith requesting her “favorite way of doing lobster.” Smith responded with her recipes for Lobster Rarebit and Lobster Casserole which the editor responded were precisely the “regional specialties” they desired to feature (Margaret Chase Smith Library). 

Recipe for Lobster Newberg [sic] from Smith’s recipe collection. Courtesy of the Margaret Chase Smith Museum and Library.
Recipe for a quick lobster newburg from Smith’s collection. This recipe utilitizes canned lobster. Courtesy of the Margaret Chase Smith Museum and Library.

Smith frequently promoted Maine lobster. In addition to her recipes, she showcased the crustacean at social events. In 1946, she attended the Maine State Society’s annual Lobster Dinner, a continuing tradition since 1945. In 1955, during a vacation in the state, Smith hosted President Eisenhower for a steak and lobster bake at her Skowhegan home. It is likely Smith served lobster to guests in Washington, D.C., possibly because her visitors would have the connotation of lobster meaning Maine. Recipes in her collection using both canned and fresh lobster would allow her to select a recipe based on her location or her schedule – one recipe for lobster newburg using canned lobster was annotated by Smith “quick.” As a busy senator, she likely valued these recipes that were timesavers and accessible. While it’s unlikely Smith grew up eating lobster, she embraced the ingredient as increasingly emblematic of the nation’s perception of Maine food and promoted lobster consumption to help the industry grow. 

Nicole Ritchey is a fourth-year Marine Science major with a minor in computer science and member of the Honors College at the University of Maine. 


DeBenedictis, E. (2015). Lobster’s Delicious History is completely Insane. Munchies, Retrieved from https://www.vice.com/en_us/article/xy7vzw/lobsters-delicious-history-is-completely-insane

(2018). A Taste of Lobster History. History,Retrieved from https://www.history.com/news/a-taste-of-lobster-history

Lewis, G. H. (1989). The Maine Lobster as Regional Icon: Competing Images Over Time and Social Class. Food & Foodways, 3(4) 303-316.

Parola, M. (1887). Lobster Newburg. Miss Parola’s Kitchen Companion, Retrieved from https://books.google.com/books?id=X34EAAAAYAAJ&pg=PA225&dq=lobster+newburg&hl=en&sa=X&ei=hwTpT7SqEqzs2AXOkJz5DQ&ved=0CDwQ6AEwAA#v=onepage&q=lobster%20newburg&f=false

Smith, Margaret Chase. (1940-1973). Recipe correspondence. Margaret Chase Smith Museum and Library, Skowhegan, Maine. 

What’s Cooking America. (2017). Lobster Newberg History and Recipe. What’s Cooking America, Retrieved from https://whatscookingamerica.net/History/LobsterNewbergHistory.htm

Whitaker, J. (2010). Who Invented…Lobster Newberg? Restaurant-ing through history, Retrieved from https://restaurant-ingthroughhistory.com/2010/04/19/who-invented-lobster-newberg/

Willett, M. (2013). The Remarkable Story of How Lobster went from being used as Fertilizer to a Beloved Delicacy. Business Insider, Retrieved from https://www.businessinsider.com/the-history-of-gourmet-lobster-2013-8

Cheese Salad (Chilled): A Taste of Nostalgia

Kate Follansbee

The Margaret Chase Smith Recipes Research Collaborative is an interdisciplinary group of faculty, students, and staff at the University of Maine. Members represent a wide range of disciplines including history, sociology, folklore, anthropology, public policy, food science, and business. Senator Smith was a trailblazer, passionate about bringing people together through civil discourse, often over a home-cooked meal. She was a proud homemaker throughout her thirty-three years in office, and she maintained an extensive recipe collection, using recipes from her collection to entertain fellow policymakers in Washington and at home in Maine. The collaborative formed to support students and faculty interested in issues of food, recipes, politics, history, and their intersections.

This post is part of a series of student research projects exploring a recipe from Smith’s collection from an Honors tutorial taught by Dr. Rachel Snell in Spring 2019. Combined the students’ insights provide a new window into Sen. Smith’s private and public persona as well as the cultural, social, and scientific context of her lifetime. 

A congressional portrait of Sen. Smith.

Margaret Chase Smith was a Maine native and a groundbreaking woman in political history. As the first woman to serve in both houses of Congress, Smith maintained a domestic charm while becoming a powerful and independent politician. Smith lived her entire life (aside from her time in Washington) in Skowhegan, Maine. She never went to college and was a devoted wife to Clyde Smith, who was a member of the House of Representatives. As a politician’s wife, she honed her skills as a political candidate, learning how to connect with the people. Before Clyde died in 1940, he asked her to take his seat in the house. This was the start of her thirty-three-year career in Congress. 

While in office, Smith received many recipe requests. Smith had a collection of recipe utilizing Maine ingredients prepared on her Senate office stationery, always ready to mail a recipe. Many of her recipes were heavily influenced by Maine foods traditions, such as blueberry muffins, lobster dishes, and baked beans. An anomaly within the collection is a card containing the directions to prepare Cheese Salad (chilled). Our class, “Food, Feminism, and Femininity,” has focused on Smith’s recipe collection, and I selected the cheese salad recipe for analysis for several reasons. First, I was intrigued by the mix of ingredients. Cheese salad (chilled) contains mayonnaise, pineapple, maraschino cherries, green pepper, cream, walnuts, and paprika. The instructions are also quite vague, presenting a challenge for preparing the recipe. Finally, I wanted to look more deeply into the emergence of convenience foods in the twentieth century, and the idea of what constituted a “salad” during this period. 

Recipe for “Cheese Salad (Chilled)” from Smith’s recipe collection. Courtesy of the Margaret Chase Smith Museum and Library. 

Reading through the recipe and noting the ingredients, reminded me of another class research project focused on Maine community cookbooks compiled in the 1920s and 1930s. My classmates and I noted a prevalence of molded salads in these texts, concoctions of fruit, vegetables, dairy, gelatin, and sometimes meat that were hugely unappealing to our twenty-first-century palates. In my examination of The Wilton Cookbook compiled by the ladies of the Wilton Episcopal Church in 1922, I noted a number of recipes for molded salads such as Nut Frappe, Pineapple Cream, and Lemon Sponge. These concoctions frequently relied on gelatin to hold the ingredients and whipped cream to provide taste and texture. These recipes especially are quite “of the times” in terms of ingredients. I noted many convenience foods, including whipped cream, which Diane Tye discusses in Baking as Biography, as “a convenience food which was often mixed with canned or frozen fruit.” Tye also covers the popularity of gelatin, The Wilton Cookbook contains advertisements for Knox Sparkling Gelatin at the top of every page, indicating the company as a potential sponsor of the cookbook but also the prevalence of gelatin in popular cooking.

The recipe and image for “Under-the-Sea Salad” from The Greater Jell-O Recipe Book(1931) provides a sense of the flavor combination and attention to presentation in popular molded salad recipes. Courtesy of the Michigan State University Archives. 

The insights from this research guided my interpretation of Smith’s Cheese Salad (Chilled) recipe. The “Salad” portion of Smith’s recipe collection mainly consists of recipes for salad dressing; however, in addition to the Cheese Salad, there are three other molded salad recipes. Ribbon Salad, Lime Cucumber Salad, and the simply named “Salad” that rely on combinations of convenience foods (canned fruit cocktail or tomato soup) with mayonnaise and/or cream cheese (Lime Cucumber Salad is an outlier calling for cottage cheese) with flavored Jell-O or plain gelatin served molded. These too offered some guidance for my analysis. 

Ingredients for assembling Cheese Salad (chilled). Photo by the author.

I had several initial questions. What is a cheese salad even supposed to taste like? How much salt and paprika? How do you serve it? It says, “freeze stiff,” so was I supposed to serve it stiff? Like ice cream? With very little information given, I decided to make cheese salad into a dip for crackers. I decided that for a dip, two packages of cream cheese would make the most sense. I decided that the chopped fruit should look like the fruit you would get in a fruit cake mix, so I chopped everything into tiny cubes. I determined that crushed pineapple would probably work better than chopping pineapple slices because they have a tendency to shred into pieces I added ½ teaspoon of salt, because that seems standard for recipes (based on things that I have cooked in the past) and ¼ of paprika, because I did not want to go overboard with a surprising flavor. In my opinion, even that much was too much—the paprika was too overwhelming. After mixing everything, I decided to put it in a rounded bowl so that when I flipped it, it would look molded. I based this decision on my knowledge of past generation’s fascination with molded salads. I will not lie; this step was quite unappealing; the mixture smelled odd and looked like lumpy, flesh-colored ice cream. While the outcome looks deceptively like a cake, cheese salad tastes like a fascinating mix of sweet and salty, and the paprika is quite evident.

Cheese Salad (Chilled) plated for serving with crackers. Photo by the author.

Serving this dish to different groups revealed changing tastes and the power of nostalgia in the enjoyment of a recipe. When I served this dish to my twenty-year-old peers, they were all disgusted, and I figured that the recipe was a complete failure. However, when I fed the same dish to a group of college professors, whose ages ranged from 30s to 60s, they had a completely different reaction. The professors remarked that the dish reminded them of housewarming parties from their childhood, their grandmothers’ cooking, and 1950s-esque foods. Many told me about similar recipes, such as ambrosia salad or dishes involving Cool Whip, mayonnaise, and Jell-O powder. All in all, I learned that taste changes with generation, so while cheese salad might not be such a hit at a sweet sixteen, consider it if you want to make something reminiscent of decades past.

Kate Follansbee is a third-year Communications major with a minor in Economics and member of the Honors College at the University of Maine. 


Janann Sherman, No Place for a Woman: A Life of Senator Margaret Chase Smith(New Brunswick, NJ: Rutgers University Press, 2001). 

Diane Tye, Baking as Biography: a Life Story in Recipes(Montreal & Kingston: McGill-Queen’s University Press, 2010).

Methodist Episcopal Church, Wilton Cookbook (Nelson Print, 1922).

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