All posts by Rachel A. Snell

Rachel Snell is a Ph.D. Candidate in History at the University of Maine. Her dissertation project focuses on discourses of domesticity through a comparative Atlantic perspective on the cultural construction of domesticity in Anglo-American print culture to better understand the everyday lives of middle-class, white women in the United States and British North America. The principal sources for this project, printed cookbooks authored by women for a female audience and manuscript cookbooks created by individual women for their personal use, reflect women’s agency in the definition of their roles. Rachel is also the editor of the University of Maine History Graduate Student Blog, khronikos.com.

New-Fashioned Recipe: Angel Food Cake and Nineteenth-Century Technological Innovation

By Rachel A. Snell

"The Best Angel Food Cake" from America's Test Kitchen. The ingredients and method for producing this cake from scratch are little changed from the nineteenth century original.
“The Best Angel Food Cake” from America’s Test Kitchen. The ingredients and method for producing this cake from scratch are little changed from the nineteenth century original.

When I was growing up, my mother would bake Angel Food Cake as a special summertime dessert. I remember the anticipation of seeing the freshly baked cake in its distinctive pan, precariously balanced upside down on an old bottle on the kitchen counter. Served with fresh raspberries and my great-grandmother’s lemon pudding frosting, there was something delightfully old-fashioned and elegant about Angel Food Cake. But in the late-nineteenth century, Angel Food Cake represented the latest in culinary innovation.

My previous two posts for the Recipes Project examined how changing technology and ingredients influenced women’s recipe collecting. Those transformations fostered the development of new recipes, like Angel Food Cake.

Angel Food Cake or Angel Cake is a sponge cake developed in the United States, likely in the 1860s and 1870s. The recipe first appeared in print in the 1880s and was included in both Lincoln and Farmer’s editions of The Boston Cooking School Cookbook. Angel Food Cake was an elegant means of using up surplus egg whites.Beaten egg whites gave the cake “a texture so airy that the confection supposedly has the sublimity of angels.”[1] With its name, Angel Food Cake joined a long tradition of bestowing celestial or religious names on baked goods and sweetmeats. Angel Food Cake remained a classic and popular dessert throughout the twentieth century–Eleanor Roosevelt, for example, served it at the White House–but its popularity was truly cemented by the introduction of a reliable prepackaged baking mix in the 1940s.

“Angel Cake” The Boston Cooking School Cookbook (1896), 418.
“Angel Cake” The Boston Cooking School Cookbook (1896), 418.

The introduction of Angel Food Cake and its opposite, Devil’s Food Cake, followed earlier trends of highlighting the contrasting appearance of cakes for dramatic effect on the dessert table. At mid-century, Lady Cake (a delicate white cake made with egg whites and flavored with bitter almonds or peach kernels) and Gold Cake (a deep yellow cake made with egg yolks and flavored with citrus) were popular pairings for dessert tables where the contrast in their coloring was on display. Caroline B. King in her cake-based memoirs remembered her sister’s Angel Food Cake as “snowy white and airy” and her sister’s explanation that her new recipe for Devil’s Food Cake would look “lovely in a cake basket with Angel Cake; first a slice of the chocolate, then one of the white.”[2]

This advertisement for household items from The Boston Cooking School Cookbook hints at the remarkable variety of mass produced goods available in the late nineteenth century.
This advertisement for household items from The Boston Cooking School Cookbook hints at the remarkable variety of mass produced goods available in the late nineteenth century.

These new-fashioned recipes also revealed the technological advancements of the last century. While Angel Food Cake relied mainly on whipped egg whites as a leavening agent, like early sponge cakes, this cake owed its existence to technological advancements of the nineteenth century.

Women eagerly embraced laborsaving devices in the kitchen, the popularity of the eggbeater is no surprise considering that early nineteenth century cake recipes require hours of beating. Many would have agreed with Marion Harland’s assertion in Common Sense in the Household (1872) that “a good egg-beater [was] a treasure.”[3] For Angel Food Cake, eggbeaters eased the labor of whipping egg whites to stiff peaks and the addition of cream of tartar stabilized the whipped whites and prevented darkening.

The cake’s airy texture is achieved not only through the whipped egg whites, but also through the availability of commercially ground flour. The softer, refined wheat flour available at the end of the nineteenth century contributed to the cake’s light texture and cloudlike appearance; flour manufacturing techniques could produce a lighter colored flour. The cake’s white appearance was also dependent upon the availability of pure white granulated sugar, which was available thanks to advancements in the refining process and saved women the labor of grinding loaf sugar.

Angel Food Cake Pan (Wikipedia)
Angel Food Cake Pan (Wikipedia)

The mass production of cooking implements after the Civil War provided the Angel Food Cake Pan, necessary for producing such a tall cake. The batter could slowly climb up the cake pan during the cooking process. It’s no coincidence that recipes for Angel Food Cake became popular once the pan necessary for its shape and texture was being mass produced.

And so by the end of the nineteenth century, the combined forces of technological innovation and improved ingredients resulted in a remarkable variety of cakes that were easier to produce at home, including Angel Food Cake. While the ease of prepackaged cake mixes was still several decades away, cake baking remained a difficult and time-consuming task–but significantly less so than even twenty-five years previously.

The increased accessibility of cake baking, both in terms of affordability and labor, resulted in the creation of elaborate new recipes. During this period, baker ingenuity resulted in an explosion of new confections such as White Mountain Cake, Devil’s Food,  Moonshine Cake, Chocolate Marshmallow Cake, Boston Cream Pie, Mocha Cake, and, of course, Angel Food Cake. Thus, women not only collected cake recipes for the practical reason that technology and ingredients had changed, but also because they were so many new and exciting options for cake baking.

 

[1] John F. Mariani, Encyclopedia of American Food and Drink (New York: Bloomsbury, 2013), 35.

[2] Caroline B. King, Victorian Cakes: A Reminiscence with Recipes (Berkeley, CA: Aris Books, 1986), 34.

[3] Marion Harland, Common Sense in the Household (New York: Scribner, Armstrong & Co., 1873), 20.

Having Their Cake: Ingredients and Recipe Collecting in the Nineteenth Century

By Rachel A. Snell

Between 1835 and 1870, Sarah L. Weld of Cambridge, Massachusetts collected twenty-three recipes for gingerbread. This repetition of recipes, particularly recipes for baked goods, was not uncommon in nineteenth-century recipe collections. In fact, it was the norm. In my last post, I offered three explanations for the prevalence of cake recipes in the manuscript cookbooks I study: evolving technology, new ingredients, and shifting social expectations that are indicative of changes in women’s work and roles over the course of the nineteenth century. The repetition of recipes for popular types of cake, like gingerbread, illuminates my third point: that changes in the availability and quality of ingredients influenced women’s recipe collecting. Sarah Weld’s collection of gingerbread recipes reveals how the availability of flour, sugar, and chemical leaveners transformed baking during her lifetime.[1]

Wheat flour, the basic ingredient for most baked items, was seldom used in early America. The prevalence of mildew rust on wheat crops lead early settlers to abandon growing wheat in favor of local and hardier grains and most daily baking relied on proprietary blends of rye flour, Indian (corn) meal, and small amounts of wheat flour. Most cooks saved costly wheat flour for fine cakes and pastry made for special occasions. In the mid-nineteenth century improved milling techniques, a growing transportation infrastructure, and the development of fertile agricultural land in the Canadian and American west along with the adoption of the hardier Turkey red wheat made wheat flour more available and accessible. Rather than growing their own wheat, consumers could purchase refined wheat flour by the barrel. Consequently, American wheat consumption soared.

Sugar, like flour, was an expensive commodity that became more accessible during the nineteenth century. Prior to the mid-nineteenth century, recipes relied on less expensive byproducts of sugar production like molasses and brown sugar to sweeten baked goods. The invention of a vacuum system of evaporation and the centrifuge made the production of refined white sugar more efficient and, consequently, lowered the price. As refined white sugar became more accessible, it was praised by domestic advisors like Sarah J. Hale as sweeter and of a finer texture than brown sugar and, therefore, best used in baking. By 1871, loaf sugar was replaced by granulated sugar preserving women from the labor of grinding their own sugar.

Engraving: American Baking Powder, c. 1855. McCord Museum. http://www.mccord-museum.qc.ca/en/collection/artifacts/M930.50.7.36
Engraving: American Baking Powder, c. 1855. McCord Museum. http://www.mccord-museum.qc.ca/en/collection/artifacts/M930.50.7.36

Chemical leaveners brought about the most visible transformation in American baked goods. These additives allowed women to make cakes more easily (less strenuous beating of ingredients) and more inexpensively by using smaller quantities of eggs and butter. Most significantly, chemical leaveners brought cakes to new heights and transformed their texture from dense, sweet breads to light and airy ones. The first of these, pearlash, stemmed from the Native American technique of combining potash, produced by leaching wood ashes, with the meal. This process, called nixtamalization, created an alkaline solution that released amino acids and niacin in the grain making the resulting product more nutritious. Further, since corn will not react with yeast, the potash provided a small amount of leavening. Innovative American cooks developed a concentrated form of potash called pearlash that when combined with an acidic substance like sour milk, citrus, or molasses would create a quick and reliable leavening agent.

Beginning in the 1840s, pearlash would be slowly supplanted by chemical leaveners that improved the leavening properties of pearlash: saleratus, cream of tartar, and baking powder. Saleratus or baking soda sped up the chemical reaction that produced carbon dioxide in baked goods and yielded more consistent results. Cream of tartar helped activate the baking soda and neutralize the unpleasant alkaline aftertaste left by the soda. In the 1850s, the process of baking was further streamlined by the introduction of baking powder, which combined baking soda and cream of tartar into one product.

"Lafayette Gingerbread" from Eliza Leslie, Seventy-five Receipts for Pastry, Cakes, and Sweetmeats (1828).
“Lafayette Gingerbread” Seventy-five Receipts for Pastry, Cakes, and Sweetmeats (1828).
"New York Gingerbread" The Boston Cooking School Cookbook (1912)
“New York Gingerbread” The Boston Cooking School Cookbook (1912)

Together, changing technology and ingredients revolutionized cooking during the nineteenth century. The yeast-raised cakes of the past never entirely vanished from American cookbooks (Election Cake remained a perennial favorite), but chemically leavened butter and sponge cakes largely supplanted their popularity. Recipes for gingerbread from Eliza Leslie’s classic Seventy-Five Receipts for Pastry, Cakes, and Sweetmeats (1828) and The Boston Cooking School Cookbook (1896) by Fannie Merritt Farmer reflect these changes in the process of baking. Technology that made baking easier along with improved ingredients transformed the appearance of baked goods, particularly cakes. As refined sugar and wheat flour became more affordable and chemical leaveners became more reliable, dessert became increasingly more elaborate. In the 1870s and 1880s, layer cakes dominated American baking filled first with jelly and later with caramel, chocolate, fruit, or nut fillings. During the second half of the nineteenth century, the variety of cakes increased exponentially with confections named White Mountain Cake, Devil’s Food, Angel Cake, Moonshine Cake, Chocolate Marshmallow Cake, Boston Cream Pie, and Mocha Cake. Thus, women not only collected cake recipes for the practical reason that technology and ingredients had changed, but also because they were so many new and exciting options for cake baking.

 

Further reading:

Nancy Carlisle and Melinda Talbit Nasardinov with Jennifer Pustz, America’s Kitchens (Boston: Historic New England, 2008).

Abigail Carroll, Three Squares: The Invention of the American Meal. New York: Basic Books, 2013.

Alice L. McLean, Cooking in America, 1840-1945 Daily Life through History, Edited by Ken Alba. (Westport, CT: Greenwood Press, 2006.

Sandra L. Oliver, Food in Colonial and Federal America (Westport, CT: Greenwood Press, 2005).

Susan Williams, Food in the United States, 1820s-1890 (Westport, CT: Greenwood Press, 2006).

 


[1] Sarah L. Weld, Cookbook, 1835-1870. Schlesinger Library. 010117969.

Old-Fashioned Recipes, New-Fashioned Kitchens: Technology and Women’s Recipe Collecting in the Nineteenth Century

By Rachel A. Snell

When I first started exploring nineteenth-century manuscript cookbooks, I was astonished by the prevalence of recipes for cake in these sources. I expected cookery in the past to be more practical, concerned primarily with preserving, providing calories, and making do with what was available. Printed cookbooks, such as those authored by Lydia Maria Child, Sarah J. Hale, Catharine E. Beecher, and others, that emphasized frugality, efficiency, and thrift supported my assumptions. Early in my research process, I struggled to reconcile what I perceived as the inconsistency between thrift and efficiency obsessed printed cookbooks with manuscript collections nearly entirely devoted to cakes, puddings, cookies, and other baked goods. Now, hundreds of cookbooks later, I’m prepared to offer three explanations for the prevalence of cake recipes in the manuscript cookbooks I study: evolving technology, new ingredients, and shifting social expectations that are indicative of changes in women’s work and roles over the course of the nineteenth century. In this post, I’d like touch upon the technological innovations that influenced women’s recipe collecting.

Frontispiece showing two women working in a kitchen. Mrs. E.A. Howland, The American Economical Housekeeper and Family Receipt Book (Cincinnati: H.W. Derby & Co., 1845)
Frontispiece showing two women working in a kitchen. Mrs. E.A. Howland, The American Economical Housekeeper and Family Receipt Book (Cincinnati: H.W. Derby & Co., 1845). Library of Congress.

Kitchens changed dramatically over the course of the nineteenth century, as figures 1 and 2 demonstrate. Until the 1850s, most women cooked over an open hearth as generations of cooks before them. Ruth Schwartz Cowan described the cookstove as “the single most important domestic symbol of the nineteenth century” and there is no denying the adoption of the cookstove transformed how women prepared dinner and what was served.[1] Cookstoves expanded the repertoire of the cook to allow baking, boiling, roasting, and other cooking techniques to occur simultaneously. No longer did the amount of wood and time necessary to adequately heat a brick oven limit baking to once or twice a week. Women could, if they desired, bake something for dessert every day. Further, the dry, relatively constant heat produced by the cookstove reacted well with chemical leaveners allowing for the creation of layered cakes and other elaborate desserts.

“Prang's aids for object teaching--The kitchen” (Boston : L. Prang & Co., c1874). Lithograph. Library of Congress.
“Prang’s aids for object teaching–The kitchen” (Boston : L. Prang & Co., c1874). Lithograph. Library of Congress.

Long before Fannie Farmer advocated level cup measures, cookbook authors recommended the standardization of measures within individual kitchens. Using the same coffee cup for measuring ingredients, even it wasn’t exactly the same volume as the cup used by one’s neighbor, improved results and was more economical. By the mid-nineteenth century, women could purchase vessels specifically manufactured for measuring ingredients, like the objects pictured in figure 3. Over time, the recipes in manuscript and printed cookbook adapted to new methods of measuring as pounds of flour were replaced by cups and a piece of butter the size of a walnut by a tablespoon.

Metal Measures, Late 19th Century. Michigan State University Library.
Metal Measures, Late 19th Century. Michigan State University Library.

As women increasingly worked alone in the kitchen with husbands leaving the home for work and children occupied by school and play, a wide variety of laborsaving devices appeared on the market to help ease their labor. The mechanized eggbeater, first patented in 1856, made the task of beating eggs for cake recipes considerably easier. Before the invention of the eggbeater, eggs were frequently beat using a whisk assembled from tree branches and preparing the whites and yolks for a sponge cake might require hours and great endurance. Cookbook author, Eliza Leslie, described the procedure for properly beating eggs in The Lady’s Receipt-Book,

“Persons who do not know the right way, complain much of the fatigue of beating eggs, and therefore leave off too soon. There will be no fatigue, if they are beaten with the proper stroke, and with wooden rods, and in a shallow, flat-bottomed earthen pan  . . . In beating them do not move your elbow, but keep it close to your side.”[2]

Prior to the availability and widespread use of commercial chemical leaveners, properly beaten eggs were essential to the creation of light, airy cakes. The ability of the mechanized eggbeater to produce five rotations of the wire blades with one rotation of the handle significantly eased the labor associated with preparing cakes. This innovation coupled with chemical leaveners and the improved quality of raw ingredients, would literally take cakes to new heights.

Eggbeaters, Late 19th Century. Michigan State University Library.
Eggbeaters, Late 19th Century. Michigan State University Library.

Thus, evolving technology altered the rhythm of women’s baking habits and eased the labor associated with the production of baked goods. Recipes from the 1850s onward reveal the influence of new technology and changing ingredients as cookbook authors reconfigured old-fashioned recipes to new-fashioned kitchens. This was part of the reason cooking schools became popular in the late nineteenth century and women shared recipes amongst their social circle or submitted recipe requests to the “Home Department” of their local newspaper: the fundamentals of cooking and baking has changed significantly and very quickly. A woman’s early training, the recipes she learned from her mother, and the recipes she collected in a manuscript cookbook as a young bride were increasingly obsolete. As women experimented and perfected recipes in the new system, it was natural to share and collect.

This blog post is excerpted from a talk given by the author at the Maine Historical Society August 12, 2014.


[1] Ruth Schwartz Cowan, A Social History of American Technology (New York: Oxford University Press, 1997), 194.

[2] Eliza Leslie, The Lady’s Receipt Book (Philadelphia: Carey and Hart, 1847), 193.

Mapping Women’s Social and Cultural Influences: An Exercise in Historical GIS

By Rachel A. Snell

Winterthur Library, Doc 47, Mrs. E.A. Phelp's recipe book
Winterthur Library, Doc 47, Mrs. E.A. Phelp’s recipe book

Dear Lizzie, You are quite welcome to the recipe & I wish you success in making the cake. I will come & see your cousin as soon as possible. Yours in such haste, Anne[1]

The above note accompanied a recipe for Hallowell Cake tucked into a recipe book kept by Mrs. E.A. Phelps of Canandaigau, Ontario County, New York. Manuscript recipe books from the nineteenth century overflow with examples of women’s social networks including notes marking the exchange of recipes like the example above, but also references to printed cookbooks, newspapers, churches, and social contacts.

In Eat My Words: Reading Women’s Lives through the Cookbooks they Wrote, Janet Theopano argued, “women’s cookbooks can be maps of the social and cultural worlds they inhabit.”[2] Cookbooks record not only what women cooked, but also their reading material, purchases, spirituality, and social networks. Occasionally, manuscript cookbooks contain enough information that the researcher can use GIS techniques to literally map these connections.  An extraordinary example of a manuscript cookbook from the Winterthur Museum and Library recently presented just that opportunity.

The inscription in the Rappe Family recipe book attributes the book to Grandmother Rappe. Dates recorded with some recipes as well as newspapers listed as sources for recipes suggest Grandmother Rappe complied the cookbook between 1810 and 1840. It consists of recipes for food and medicine as well as hints for housekeeping and gardening. A variety of categories are represented including cakes, puddings, preserving food, keeping cheese, creating a vegetable chimney ornament, various dyes, several recipes of tomato ketchup, advice to make cows come home, and remedies for common injuries as well as diseases like cholera and dysentery.

In most respects, the Rappe Family recipe book is typical for the period. Uniquely, the volume has an unusually precise record of recipe sources. Whoever compiled the Rappe Family recipe book included a source for nearly two-thirds of the recipes contained in the book. These sources include printed cookbooks, newspapers, almanacs, and individuals. Furthermore, for many individuals their location is recorded with the recipe. This inclusion of locations allows the researcher to create a GIS map of recipe sources, thus allowing us to view spatially Grandmother Rappe’s network: the connections and influences that shaped her cookbook and, by extension, her everyday life. As I start exploring GIS as a tool to better understand women’s networks, what follows is a description of my process thus far and some research questions I’m currently investigating.

Printed materials constitute a major source for the work; about half the attributed recipes were copied from newspapers or almanacs (marked in blue on the map). The Rappe Family recipe book references newspapers and almanacs published throughout the Mid-Atlantic including New York, Pennsylvania, and Maryland. A handful of recipes originated from newspapers published in Indiana and Virginia. The state of Ohio, unsurprisingly, is the best represented with The Ohio Repository contributing sixty recipes largely devoted to remedies, preserving food, and household hints. Published in Canton, Ohio under varying names from 1815 to the present, the domination of the local paper is unsurprising. While the recipes from The Ohio Repository are sprinkled throughout the text, suggesting it was consulted on a regular basis, the recipes from other newspapers appear in clusters such as six recipes from The Hagerstown Almanac (published in Hagerstown, Maryland) recorded successively in the volume.  This clustering suggests these publications were not regularly available and perhaps shared amongst friends forcing the cookbook compiler to transcribe the desired recipes in one sitting.

Winterthur Library, Doc. 512, Rappe Family Recipe Book
Winterthur Library, Doc. 512, Rappe Family Recipe Book

Other printed sources include two cookbooks printed in Vermont and Massachusetts (marked in red on the map). The first, New England Cookery, is a pirated edition of Amelia Simmon’s American Cookery published in Montpelier, Vermont in 1808. The second is Lydia Maria Child’s classic work, The Frugal American Housewife first published in 1829. Like the non-local newspapers, the recipes copied from these two printed works appear in clusters. Again, it is likely the compiler borrowed these cookbooks from a friend or neighbor.

Winterthur Library, Doc. 512, Rappe Family Recipe Book
Winterthur Library, Doc. 512, Rappe Family Recipe Book

Finally, the remaining attributed recipes are from individuals. A portion of these individuals are identified in the cookbook by their name and location, suggesting the compiler of the recipes had contacts within the state of Ohio in Akron, Newark, Sandusky, Columbus and Dover and with persons residing in Pennsylvania and Virginia (marked in purple on the map). My hunch is that the individuals lacking locations, the majority of the individuals appearing in the cookbook, were the compiler’s close friends and neighbors.

Once again, cookbooks prove to be powerful tools for better understanding the lives of ordinary women. When mapped, these sources reveal the far-flung nature of Grandmother Rappe’s connections and influences. Of particular note and deserving of more research, is the greater significance of newspapers and almanacs as sources of recipes and domestic advice.  What prompted women to create manuscript recipe books? Does the compilation of the Rappe Family recipe book reveal something about the availability of printed cookbooks in early nineteenth-century Ohio? Did collecting recipes from newspapers and friends provide a low-cost means for women to create personalized recipe books?

 


[1] Mrs. E.A. Phelps, Cookbook [1800?-1899?] Doc. 47 Joseph Downs Collection of Manuscripts and Printed Ephemera. Winterthur Library, Winterthur, DE 19735.

[2] Janet Theophano, Eat My Words: Reading Women’s Lives through the Cookbooks they Wrote, (New York: Palgrave Macmillan, 2002), 13.

The map for this post was created using arcGIS.com and can also be viewed here.