Category Archives: Food and Drink

Beer soup: The Breakfast of Early Modern Rulers

By Molly Taylor-Poleskey

As a young ruler, Prince Friedrich Wilhelm, the Elector of Brandenburg-Prussia began each morning with a beer soup. He then dutifully locked himself away and attended to the day’s business until the midday meal.

This simple anecdote is recounted by almost every biographer of Friedrich Wilhelm. I was intrigued by the historiographic implications of this (what did biographers think it reflected about the ruler that he consumed this rather modest fare?). Beyond this, though, I became curious: what actually was beer soup? And, what it might have been like to start every day with it?

Engraving from title page of 1604 edition of Marx Rumpolt cookbook. Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden, http://digital.slub-dresden.de/id313700877
Engraving from title page of 1604 edition of Marx Rumpolt cookbook. Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden, http://digital.slub-dresden.de/id313700877

Although foreign to contemporary German cuisine, beer soup was very common in central Europe in the medieval and early modern period. As such common fare, it had a wide number of permutations. The most basic definition of beer soup is a “soup of brown (probably dark) beer, cream, fat and flour or egg yolk.”[1]  Various other recipes called for slightly different ingredients (such as costly spices), or onions and cheese to make a more substantial soup to accompany a roast.

After reading about various beer soups in early modern cookbooks, though, I still could not wrap my head around what a beer soup was. So, there was only one thing to do: perform “experiential research” and try beer soup for myself.

The Experiment

Somewhat surprisingly, my friends Steve and Noria enthusiastically agreed to join the experience. We gathered at my apartment one Saturday afternoon (we couldn’t bring ourselves to perform the experiment first thing in the morning) and decided to attempt two versions of the recipe. We selected the recipes for their clarity and because they used a representative mix of commonly-mentioned ingredients.

OLYMPUS DIGITAL CAMERAOur first recipe was inspired by a recipe in an eighteenth-century encyclopedia for “a really good beer soup.”[2] We translated it thus:

  • 1 Bottle of dark beer
  • Sweet cream
  • Three egg yolks[3]
  • Mace
  • 3 ½ Tbs. Butter[4]
  • Raisins[5]

Thoroughly stir mixture, boil it and serve with toast.

“a really good beer soup”
“a really good beer soup”

The result? “Repulsive,” said Steve, “I don’t want to eat it anymore.” I had to agree, the egg-drop soup consistency combined with the taste of day-old beer was nauseating. Noria had a more descriptive response: “it’s weird that it tastes sweet; I would have never guessed it since it smells like feet.” The toast was unquestionably the highlight of that attempt.

Modern taster, Noria, thinks otherwise
Modern taster, Noria, thinks otherwise

The second attempt was, thankfully, slightly more palatable. For this, we used the following recipe from the 1604 edition of Marx Rumpolt’s cookbook:

  • 1 Bottle of white beer (we used Erdinger Weißbier)
  • Cloves
  • 3 ½ Tbs. butter
  • 2 slices of rye bread cut into small chunks
  • Salt to taste

Combine beer, cloves and butter. Heat in a pot, but don’t let it boil. When it’s ready, add bread and salt and this makes a tasty soup. [6]

Although this attempt was not completely successful, we all agreed that it was much better than the first. Perhaps with fewer cloves and less salt, it was conceivable that someone (other than us) might enjoy this soup.

Reflection

Title page of 1604 edition of Marx Rumpolt cookbook. Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden, http://digital.slub-dresden.de/id313700877.
Title page of 1604 edition of Marx Rumpolt cookbook. Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden, http://digital.slub-dresden.de/id313700877.

In following these recipes, I did not presume to recreate the experience of an early modern diner. The gulf between our palates, ingredients, cooking tools and methods is just too wide. But there’s no doubt that the exercise helped me realize some things about the habits and tastes of the people I study. For example, beer soup was more a hearty drink than a soup that might constitute a meal. This fits with the description of daily habits from an early eighteenth-century court advice manual, which described beer and bread for Früh=Trunk, or “early drink” (instead of using the word for breakfast, Frühstück). The records of daily food distribution at the Berlin residence also only refer to two meals: the midday and evening meals. The elector’s beer soup, then, was more likely meant as a restorative broth. Other absolutist rulers, such as King Charles II of England, are known to have drunk such a restorative during their morning levée when they were ceremoniously washed and dressed.

The practical application of the recipes made me pay much closer attention to the details of the instructions than if had I just read them. I could not follow the author’s instructions to the letter. In the end, I had to make decisions about what modern ingredients to substitute for early modern ones, such as whipping cream with sugar for sweet cream. Most likely, my Calphalon pot over an electric burner also produced different results than an iron kettle or a raised hearth.

But, even Rumpolt allowed some room for improvisation: “each cook prepares food as he pleases … in my opinion, there are no absolute rules in cooking, otherwise it would be impossible.”[7]


[1] Sabine Bunsmann-Hopf, Zur Sprache in Kochbüchern des späten mittelalters und der frühen Neuzeit-ein fachkundliches Wörterbuch. (Würzburg: Verlag Koenigshausen & Neumann GmbH, 2003), 29.

[2] Johann Georg Krünitz, “Bier=suppe.” Oekonomischen Encyklopädie Oder Allgemeines System Der Staats- Stadt- Haus- Und Landwirthschaft, 1773, http://kruenitz1.uni-trier.de/.

[3] Presumably the egg whites would have been turned to more elegant purposes elsewhere in the early modern kitchen.

[4] Measurement taken from a beer soup recipe at the website: www.how-to-live-like-a-German.com

[5] We only had dried cranberries on hand—a New World food that only entered German cuisine in the 21st century!

[6] Nimb weiß Bier/ thu Kümmel und Butter darein/ laß nur damit warm werden/ und nicht affusieden/ und wenn du es wilt anrichten/ so schneidt Ruckenbrot darunten/ unnd salz es/ so is ein wolgeschmackte Biersuppen. Rumpolt, Marx, Ein new Kochbuch (Franckfurt am Mayn: Fischer, 1604), 164.

[7] “ein jeder Koch seine art und weise/ eine Speise seines gefallens zubereiten … Ist auch meine meynung ganz und gar nicht/ gewisse Regeln un Praecepta/ nach welchen sich einer/ der kochen wil lernen/ eben richten solte un müßte/ als wer es sonst unmüglich kochen …” Rumpolt, Marx, Ein new Kochbuch, 63.

Of Porridge, Poetry and the Philosophers’ Stone

By Anke Timmermann

Wer ain guot Muess wil machen
[Es] kompt von siben sachen
Aijr und salz
Milch vnd Schmaltz
gewurtz vnd Mell
von Saffran wirdt es gell
(ÖNB MS 11410, f. 186r, s. xvi)[1]
 

 [He who wants to make a good porridge needs seven items: eggs and salt, milk and suet, spice (elsewhere: sugar) and flour; saffron gives a yellow colouring.]

These rhymes will seem very familiar to anyone who grew up in a German-speaking family: unbeknownst to many, the children’s song “Backe, backe Kuchen” can be traced back as far as the fifteenth century. Perhaps understandably it is commonly accepted that this is a piece of folklore for toddlers rather than a recipe proper.[2] Even the original recipe for porridge–or cake, in the children’s rhyme–is simple and elliptic. No measurements or methods are provided, and the phrasing and listing of exactly seven ingredients seems formulaic. But the environment that brought forth this recipe is much more complex, bringing together medieval poetry, recipes and scientific communication.

To see the connection between science and porridge we need to look at the manuscripts in which the text was originally written. The earliest documented copy of the poem can be found among jottings on the inner cover of a fifteenth-century manuscript, beside medical notes and recipes.[3] The cited sixteenth-century version appears in a medical recipe book owned by a physician-apothecary near Vienna, Wolfgang Kappler. This pharmacological reference work contains hundreds of recipes, some of them traditional instructions for the manufacture of pills and salves, many explicitly using alchemical methods and ingredients, others covering diet and regimen, and all of them intended to be useful in his professional practice. The rhymed parts of both manuscripts are comparatively few. But beyond the confines of their covers, they form part of a medieval and early modern written tradition in which scientific verse spread across Europe. To Kappler and his contemporaries, these rhymes would not have conjured up the image of chanting children. Rather, they would have recognised the rhymes as an accepted medium of communicating knowledge.

Why would anyone choose to write a recipe in rhyme rather than in plain instructive prose? Answers to this question are many and varied. In late medieval England, for example, the hope of attracting royal funds for a future project certainly inspired some alchemical practitioners to compose couplets.[4] Medical recipes, much less often subject to versification, might sometimes cross over into the realms of charms, cookery and general Middle English poetry. Incidentally, John Lydgate’s (author of the Fall of Princes) most popular poem during his lifetime was a medical one, his Dietary.[5]

Elias Ashmole, Theatrum Chemicum Britannicum, vol. 1. MS Ashmole 971, f. 014v, s. xvii2. Credit: Bodleian Library, University of Oxford).
Elias Ashmole, Theatrum Chemicum Britannicum, vol. 1. MS Ashmole 971, f. 014v, s. xvii2. Credit: Bodleian Library, University of Oxford.

Scientific poems on botany, the stars and their movements joined longer learned treatises (‘encyclopaedic poetry’) on the make-up of man and God’s creation. Particularly in alchemy, rhyme served as a vehicle for preserving practical instructions, making it easier for a copyist to transport the text from one manuscript into another or for the practitioner to memorise important steps in the laboratory. With ancient didactic poetry as ancestor and current concerns about techne, craft and knowledge at its heart, scientific poetry was a working genre for those who wrote, read and used it.[6]

When English antiquarian Elias Ashmole published Middle English alchemical poetry in his Theatrum Chemicum Britannicum he focused on the poem’s role in English language and literature, not in the laboratory.[7] Since then the connection between poetry and science or craft has been lost. It is this discrepancy between the nature of modern scientific publications and that of their historical ancestors that makes scientific poetic recipes so intriguing and yet so difficult to research. While it may not be child’s play it tells us much about how historical experts transformed experience into knowledge as they turned prescriptions into rhyme.

 

[1] On the manuscript, see the Austrian National Library’s catalogue HANNA, s.v. 11410.

[2] C.M. Blaas, “Ein Kinderspruch aus dem XV. Jahrhundert” in Germania 23 (1878), 343.

[3] HANNA, s.v. 12503. On recipes in German Fachliteratur see also J. Telle, “Das Rezept als literarische Form” in Berichte zur Wissenschaftsgeschichte 26 (2003), 251-74.

[4] For example, see: P. J. Grund, ‘Misticall Wordes and Names Infinite’: An Edition of Humfrey Lock’s Treatise on Alchemy (2011).

[5] K. Bühler, “Lydgate’s Rules of Health in MS Lansdowne 699” in Medium Ævum 3 (1934), 51-6.

[6] On the history and functions of scientific, especially alchemical, poetry see e.g. R. M. Schuler, Alchemical Poetry, 1575-1700 (1995), D. Kahn, “Alchemical Poetry in Medieval and Early Modern Europe: A Preliminary Survey and Synthesis” in Ambix, 57-58 (2010/11), 249-74/62-77, and my forthcoming article in the Companion to Fifteenth Century Verse. Note also J. Telle’s forthcoming monograph on German alchemical poetry, Alchemie und Poesie.

[7] E. Ashmole, Theatrum Chemicum Britannicum (London, 1652).

To Make Muske Cakes

By Casey Mitchell

From a cultural perspective, odd foods are a common occurrence in the world today. Individuals from America might be horrified to eat something as foreign as monkey brains–a delicacy in Africa and India–or haggis, the Scots’ age-old recipe for beef-in-a-sheep’s bladder/stomach/what you will. Jane Baber’s Book of Receipts, compiled in 1625, contains several recipes that are, well, interesting, to say the least. Most of them have medicinal qualities of some sort, and, while nutritious, may be pungent or downright aromatic in their own way. One such recipe is “To Make Muske Cakes.”

Now, I know what you’re thinking: “Musk? Like the really smelly ‘perfume’?” Yes, indeed. The very thought of including a glandular secretion from an animal into a recipe sounds fairly disgusting, right? The important part is not in its smell or taste, but its purpose, as musk grain, like most smelly ingredients, is used as “a remedy for very grave diseases known to all antique pharmacopeias”.[1]

The process of obtaining the musk itself is worth mentioning, as it can be long. During the period in which Jane Baber was collecting recipes, musk had been an international commodity for about 300 years. Marco Polo’s journey to the Orient in the late thirteenth century yielded the West’s first real encounter with the identity of the musk deer, the animal responsible for the big stink (pun intended). The animal itself, native to Kashmir, was hunted once a year for the two musk pods contained under the belly of the males, which gave off the odious secretions we’re so familiar with today. Once the secretions congealed, they became very much like coffee grounds, filling the glands with musk grain. According to a modern Kashmiri perfumer, “3 small grains of one gram are sufficient to make a liter of alcoholic perfume”.[1] Taking into account the offensiveness of the musk itself and the amount used in making perfume, Baber’s recipe calls for “2 grains of Muske,” making this a very smelly cake.

musk 1
Contents of a Musk Deer’s Gland. Source: Abdes Attar, www. profumo.it.

Other ingredients include, at the very start of the recipe, “gum dragon” or Tragacanth, to be laid “3 days in Bee water.” The plant itself is used in foods and pharmaceuticals as a binding agent, like flour and eggs in baking, and can be administered medicinally to treat both constipation and diarrhea.[2] The “Bee water” remains something of a mystery, being a possible reference to another early modern recipe entitled, “An aproued medesen for them that have ther water stoped with the stone or Strangrel them & it will make them make water in tow hours”.[3] The recipe itself involves the pulverizing of bees using a wooden mortar and pestle, straining the resulting juice, and drinking it to cure urinary blockages, which plays into the waste-managing qualities of the remaining ingredients of the Muske Cakes. Alternatively, it might refer to the syrupy sugar water used by beekeepers to supplement the diets of bees during late winter and early spring when honey and pollen are scarce. This particular concoction in its modern form is made of a heated combination of water, cane or beet sugar–and a small amount of apple cider vinegar to prevent the sugar from caramelizing, which can harm the bees.[4]

The inclusion of caraway seeds in the recipe fulfills the role of an added spice to the cake itself, which is also comprised of “one new laid eg” and “double refine sugar,” mixed in a mortar and pestle. Because this particular recipe doesn’t call for flour, yeast, or any other composite for making a bread-based cake, one would assume that the gum dragon would render the “cake” into something resembling a flan or Jell-O mold. The recipe calls for “the stuffe” to be laid on “wafers” before being put into the oven, to be made “as hott as you can that they maye bee well bakt.” Because I was so interested in what the final product of this oddity might look like, I searched for and found an image that might closely resemble it.

Musk Cakes 2
Pink Musk Cake Pop Bite. Source: Bubble and Sweet’s flickr photostream, http://www.flickr.com/photos/bubbleandsweet/5037947115/in/photostream.

The differences between this version of what the description referred to as a “Pink Musk Cake Pop Bite” and Jane Baber’s version are many.[5] The main one, however, is that the ingredient of true musk grain is now very difficult to find, given that the musk deer has been hunted almost to extinction. Therefore, the musk utilized in the recipe pictured above is very likely taken from the derivative of a musk plant, which serves the same aromatic purpose, though not the medicinal one. The texture of the cake’s interior, however, appears to be pretty close to what I pictured as that of Baber’s.

While the medicinal purpose of Jane Baber’s musk cake is yet unknown, having possibly some connection with the digestive and laxative properties of gum dragon, its composition remains fairly simple. Its ingredients thereof, including artificial musk, can be found in most markets and health food stores. Buyers beware, however, as the smell of musk in a kitchen may be enough to put off the appetites of others! In short, I would only recommend this recipe to those who have no problem in adopting their own special fragrance.

[1.] AbdesSalaam Attar, “Moschus Moschiferus, The Kashmiri Musk Deer”, www.profumo.it, March 2006. Date accessed, 6 April 2013.

[2.] “Tragacanth”, www.webmd.com. Date accessed, 6 April 2013.

[3.] “An aproued medesen for them that have ther water stoped with the stone or Strangrel them & it will make them make water in tow hours.” British Library, Egerton MS 2608.

[4.] Tammy Curry, “How to Make Sugar Water for Bees” www.ehow.com15 August 2012. Dates accessed, 6 April 2013.

[5.] Linda V. “Pink Musk Cake Pop Bite”, Bubble and Sweet’s Photostream, 29 July 2010. Date accessed, 6 April 2013.

Casey Mitchell is an undergraduate student at the University of Texas, Arlington. Casey was involved in a class project to transcribe Jane Baber’s recipe book, led by Amy Tigner.

Victorian Recipes and Public History: My Visit to the Ebenezer Maxwell Mansion

By: Michelle DiMeo

As an active academic scholar who recently started working for a cultural institution, I’ve become increasingly interested in how the sources I use for professional historical research can be recast for a wider public audience. Recipe books tend to be an easy genre for public history and outreach: off hand, I can think of more public books than scholarly books about historical recipes. That said, not all of these are done well, and I particularly appreciate public histories that include thoughtful reflection on the original historical context, and those which can integrate museum and library collections to provide a more complete look at how the texts were actually used.

An event I recently attended at the Ebenezer Maxwell Mansion – a 17-room Victorian mansion in Philadelphia –  offered a creative, interactive way for guests to learn about historical recipes. Upstairs Downstairs Celebration was the opening event for the Mansion’s new interpretive tour focusing on the challenges and enjoyments of Victorian women across all socio-economic levels. Recipes were not the focus of the event, but were instead integrated into a much larger program. Guests entered the Mansion and were taken into an elaborate dining room, where we were invited to choose a pin featuring a Victorian woman’s portrait. Everyone from suffragists to recipe book writers, and from prostitutes to medical doctors, were represented. (As a medical humanist, it seemed appropriate that I chose Dr. Elizabeth Blackwell, the first American woman to receive an MD, though I did seriously consider Philadelphian Eliza Leslie, who wrote nine cookbooks between 1827 and 1857!) Connected to the dining room was the well-preserved nineteenth-century kitchen, where the imposing black iron stove and over-sized kitchen utensils caught my eye before spotting the free champagne and Victorian finger-foods on the table. Guests wandered between the kitchen and dining room, exploring historical artifacts and textual reproductions that served as good conversation-starters.

Victorian Stove, Ebenezer Maxwell Mansion
Victorian Stove – Image courtesy of the Ebenezer Maxwell Mansion

Becky Diamond, author of Mrs. Goodfellow: The Story of America’s First Cooking School, was available to answer questions and share interesting facts about the objects the guests viewed. In the kitchen, we could smell the rosewater and fresh nutmeg that Diamond used in the jumbles she baked, which we would later be given as a parting gift (along with her modernized version of the Victorian recipe, adapted from Mrs. Goodfellow’s original). Diamond has recently begun experimenting with the recipes she studies, and she was able to explain the changes in oven temperature, egg size, and available resources today versus the late-nineteenth century. The dining room also contained engaging reproductions of Victorian household guidance books. Who can resist smiling at Mrs. Henderson’s suggestions for a 7-course breakfast party (which, she argued,  were “very fashionable, being less expensive than dinners, and just as satisfactory to guests”) or Mrs. Beeton’s  suggested Bill of Fare for a picnic of 40 people? Of course, reading prescriptive texts in isolation does not give us a completely accurate account of what many Victorian women were actually doing or how they were adapting the guidelines. As such, I appreciated seeing that the Executive Director of the Mansion, Diane Richardson, provided some critical commentary and supplementary images, including an 1881 invitation to a lunch party that Philadelphia socialite Minnie Campbell Wilson (neé Harris) saved in her scrapbook, and a photo of a smaller dinner picnic that was held in the woods of New Jersey in 1888.

Victorian Picnic
Dinner Picnic in New Jersey woods, 1888.  The Library Company of Philadelphia

As I began this post by saying, the event was not explicitly about recipes, and I think this is what I liked most about it. Guests were lured in by a range of other activities broadly related to the history of Victorian women, including the opportunity to do a self-guided tour of the Mansion. We then gathered in the parlor to hear Cordelia Frances Biddle offer an overview of the social and political challenges faced by nineteenth-century American women and to watch actress Megan Edelman read Susan B. Anthony’s Declaration of the Rights of Women of the United States (which Anthony read on July 4, 1876 on the front steps of Independence Hall , Philadelphia). This kick-off event, and the guided tours that will continue on the first Friday evening of every month, will primarily appeal to those with an interest in women’s history and the history of Philadelphia, but it would also interest history-lovers more broadly.

Victorian lunch party invitation
Lunch party invitation, 1881. The Library Company of Philadelphia.

Most people will not attend the Upstairs Downstairs tour to learn specifically about American culinary history, but they will walk away knowing a bit more about it. For me, this was a good example of how a niche sub-field I study as an academic can be intelligently worked into a broader public history event – one providing enough information to encourage critical reflection and engagement with material culture, but not too much information to alienate or overwhelm the non-specialist.

Thank you to Diane Richardson, Becky Diamond and Nicole Joniec for sharing their research materials with me and answering my questions.